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Full-Text Articles in Arts and Humanities
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann
Studies in 20th & 21st Century Literature
In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …
Cocteau Au Cirque: The Poetics Of Parade And "Le Numéro Barbette" , Jennifer Forrest
Cocteau Au Cirque: The Poetics Of Parade And "Le Numéro Barbette" , Jennifer Forrest
Studies in 20th & 21st Century Literature
Parade (1917) was a joint effort production with libretto by Jean Cocteau music by Erik Satie, decor, costumes, and curtain by Pablo Picasso, and choreography by Léonide Massine. It was not only Cocteau's first truly original work, but, as Pierre Gobin contends, Parade is central to an understanding of the structures that would inform all of his subsequent work. Equally central, proposes Lydia Crowson, is Cocteau's July 1926 Nouvelle Revue Française article on "Le Numéro Barbette." The essay on the transvestite striptease trapezist Barbette offers a poetics of the theater that will have changed little by the time of his …