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Full-Text Articles in Arts and Humanities
Setting The Stage: The Phantom Of The Opera And Gothic Space, Zitaanne Reno
Setting The Stage: The Phantom Of The Opera And Gothic Space, Zitaanne Reno
Honors Theses
First published from 1909 to 1910, Gaston Leroux’s The Phantom of the Opera tells the story of Erik, the titular deformed composer, and his dark love for a beautiful soprano. Similar to Victor Hugo’s The Hunchback of Notre Dame, another French story involving a deformed man in love with a beautiful woman, the setting is a crucial aspect of the novel. Examining the Palais Garnier, a labyrinthine building composed of staircases, passageways, trapdoors, and a subterranean lake, in conjunction with Notre Dame, a cathedral utilizing traditionally gothic architecture, reveals how the opera house functions as a gothic space. Rather …
Allusions And Historical Models In Gaston Leroux's The Phantom Of The Opera, Joy A. Mills
Allusions And Historical Models In Gaston Leroux's The Phantom Of The Opera, Joy A. Mills
Honors Theses
Gaston Leroux's 1911 novel, The Phantom of the Opera, has a considerable number of allusions, some of which are accessible to modern American audiences, like references to Romeo and Juliet. Many of the references, however, are very specific to the operatic world or to other somewhat obscure fields. Knowledge of these allusions would greatly enhance the experience of readers of the novel, and would also contribute to their ability to interpret it. Thus my thesis aims to be helpful to those who read The Phantom of the Opera by providing a set of notes, as it were, …