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- Apollinaire rewriting Merlin's mother (1)
- Apollinaire rewriting the Dame du Lac (1)
- Apollinaire's Merlin and the middle ages (1)
- Autobiography (1)
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- Le développement (1)
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- Les implications de la littérature (1)
- Les prophesies de Merlin (1)
- Merlin and corporeality (1)
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- Merlin in literature (1)
- Merlin's body and language (1)
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Articles 1 - 4 of 4
Full-Text Articles in Arts and Humanities
Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin
Les Implications De La Littérature Dans L'Avènevement De La Démocratie Dans Les Pays Du Golfe De Guinée Entre 1988 Et 1998, Bani Gouda Ningbinnin
LSU Doctoral Dissertations
This dissertation is focused on the contribution of literature in the establishment of democracy in four French-speaking countries of the Golf of Guinea between 1988 and 1998. They are Benin, Cote d’Ivoire, Guinea and Togo. In 1991, a democratization movement that started in Benin occurred in many West African countries. It was propelled by an invented idea of National Conferences that were gathered by the countries elites either with the support or against the will of the ruling government. Thus, it was possible to organize a successful National Conference in some of those countries like Benin, Mali and Niger. But …
Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere
Samuel Beckett And Bilingualism: How The Return To English Influences The Later Writing Style And Gender Roles Of All That Fall And Happy Days, Julien F. Carriere
LSU Doctoral Dissertations
This dissertation addresses Samuel Beckett's bilingualism in an effort to understand how the author's use of language affected his writing style and depiction of gender. Beckett began writing in English, switched to French for the composition of new works for ten years, and then returned unexpectedly to English. His first English works are characterized by stylistic virtuosity, erudition, and misogyny. With Beckett's adoption of French his style became simple, spare, and cerebral. Plot structure based on a journey in early works was abandoned in favor of static situations and dialogue. Women were either ignored or viewed negatively. In 1956, Beckett …
La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark
La Grande Force Est Le D'Sir: Guillaume Apollinaire's Rewriting Of Merlin's Mother And The Dame Du Lac In L'Enchanteur Pourrissant, Allison Bateman Roark
LSU Doctoral Dissertations
This dissertation analyzes Guillaume Apollinaire's rewriting of Merlin's mother and the Dame du Lac in L'Enchanteur pourrissant as a commentary on writing. I consider Merlin's state in the tomb as an effect of his desire for the Dame du Lac and relate this to the poet's relationship to writing, which is the result of his desire for a unity of expression -- to express what can be designated in the text, but not directly communicated in its totality through language. There is always something missing from any writing, but the very absence of meaning influences poetic production by encouraging attempts …
Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen
Jean-Paul Sartre's Les Mots And The Nouvelles Autobiographies Of Alain Robbe-Grillet, Nathalie Sarraute, And Marguerite Duras: A Comparison, Julie Driessen
LSU Doctoral Dissertations
Jean-Paul Sartre's autobiography Les Mots (1964) is shown to be a departure from the Sartrean oeuvre because it represents an abandonment of littérature engagée. In Les Mots Sartre not only abandons littérature engagée, but also embraces a view of literature which he formerly opposed--l'art pour l'art. Sartre defines his views of literature--littérature engagée--in Qu'est-ce que la littérature? (1948) Robbe-Grillet defines l'art pour l'art in Pour un nouveau roman (1963). In Les Mots Sartre embraces Robbe-Grillet's l'art pour l'art and abandons his own littérature engagée. Since these two views of literature are theoretically opposed, it is interesting to find that Sartre …