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Full-Text Articles in Arts and Humanities

Between The Garden And The Gardener, Sara Lynne Lindsay May 2022

Between The Garden And The Gardener, Sara Lynne Lindsay

Theses and Dissertations

My work uses plant material and soil as a record of personal, cultural, and ecological history. History is not only held in the buildings and monuments, but in the soil itself. I gather this soil and foliage from both cultivated and uncultivated locations for my artwork. Using traditional domestic techniques of drying and canning, I preserve the materials that I have gathered. These will then be sewn together, cooked, and encrusted into objects. Despite my labor of preserving, these organic art supplies are transient. When made into works of art, they can be viewed in their vulnerable state, fighting against …


Clean Fields, Lindsey E. Creel Dec 2021

Clean Fields, Lindsey E. Creel

Electronic Theses and Dissertations

Clean Fields is an exhibition consisting of 3 anthotypes and 11 drawings on paper mounted to panels. The work is part homage and part documentation of the emotionally restorative properties found in gardening. It is a contemporary view of a timeless activity. While the work references realistic content, the artistic outcomes are non-objective. Modifications in composition and scale provide variation throughout the series. The large-scale of the works and the use of economy and movement in the composition move the viewer into a meditative state.


Crazy In The Garden, Martin Pate Katzoff Jan 2018

Crazy In The Garden, Martin Pate Katzoff

Senior Projects Fall 2018

Senior Project submitted to The Division of Arts of Bard College.


Inside, Outside, In-Between., Aurora Maria Pope May 2008

Inside, Outside, In-Between., Aurora Maria Pope

Electronic Theses and Dissertations

The artist discusses her Master of Fine Arts exhibition, Inside, Outside, In-Between, held at the Carroll Reece Museum on the campus of East Tennessee State University, Johnson City, Tennessee, from February 26 through March 13, 2008. The works included in this exhibition are a collection of paintings that employ the use of traditional and non-traditional materials to explore the connections between place and memory.

These pieces are investigations into materiality and process, combining local beeswax, sticks, garden soil, charcoal, and ashes together with oil, shellac, oil pastel, pencil, and other traditional artist's materials.

Ideas discussed include materiality, process, composition, …