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Full-Text Articles in Arts and Humanities

Digital Photography As Experience Artifact, Ryan V. Brennan May 2016

Digital Photography As Experience Artifact, Ryan V. Brennan

Theses and Dissertations

Through the screen interface, the boundary between personal and collective experience is being redefined both spatially and temporally. Here, memories are given independent mediated existence, taking form in digital photographic artifacts that can be communally shared and manipulated into a synthetic continuum.


Conscious Delusions, Judith K. Hanacek Apr 2015

Conscious Delusions, Judith K. Hanacek

All Student Theses

Views of the world come from watching, looking, and feeling emotional relationships between people, things, and places. This fabricated series establishes the willingness to believe the images are actual photographic records by combining subjects viewing a variety of images. Metaphorical narratives show a vision of the incongruent world. The engagement begins with a shadow or back of someone or thing looking into the frame. Color, texture, and form within produce a voyeuristic psychological and emotional response. The paradox is what pushes the edges of expectation. Synchronicity of the elements within the images thrust us into a surreal moment. Belief in …


The Dangers Of Digital Imaging, Russel Laska Oct 2011

The Dangers Of Digital Imaging, Russel Laska

All Student Theses

In today's world, photography takes on a whole different meaning that it did 20-30 years ago. Whereas terms such as photograph and graphic used to have separate meanings that classified them from one another, these and many similar terms have been melded together to represent the same thing... a computer image. Due to the jump in technology over the past 10 years alone, digital cameras went from flashy novelties to a strong industry standard in photography, and swift computer alteration of photographs and images began with a very small amount of people to practically everyone who has a computer today. …


(Re)Solution, Benjamin M. Dillon Jan 2004

(Re)Solution, Benjamin M. Dillon

LSU Master's Theses

This thesis report explains the process of creating the work in (Re)solution. The relationship between transferred digital prints and paint is described in relation to the intent of the work. Finally, there is a discussion of the questions and dilemmas posed by the working process as well as the completed work.