Arts and Humanities Commons^™

Intersections Of Glass Art & Digital Art: What Classic Tech Can Teach Us Today, Kayla Helman

Honors Projects

This research documents techniques past and present revolving around the theatre projection technique Pepper's Ghost and how digitally produced artwork can be intertwined with glass art. Documentation consists of review of existing literature and artists in the field developing this intersection.

Step 10, Jinhong Cai

Masters Theses

Step 10 is an experiment on provoking empathy through

abstracted elements within my studio practice. I am

proposing to craft an emotional piece without leaning

on my identity. This written thesis consists of two parts:

narrative prose and an explanation of my studio practice.

While the installation is entirely devoid of cultural or

personal references, this text-based thesis is full of them

because it is intended to inform whoever is interested in

learning more about the motive behind this creation.

The questions I bought into the thought and creation

process are: Can a piece of art still successfully bring

out …

Refigured: Separations In Portraiture, Caroline Myers

All Theses

Utilizing traditional painting techniques embedded with digital syntaxes, Refigured: Separations in Portraiture, serves as a catalog of my experiences with communication in a hyperconnected world. Processing illegible information caused by my hearing loss informs the process of imposing similar boundaries within my paintings. Like a technical glitch, these obstructions create an illegible visual experience, with evidence of my process remaining as a clue for the viewer’s understanding of the image.

Though personal in nature, I expand from my experience with auditory communication to employ pertinent explorations into the sustained unpredictability of today’s ever-expanding medium that is technology. My paintings …

Graphic Design & Painting, Emily Zepp

Williams Honors College, Honors Research Projects

Starting with the desire to explore the connection between GD and painting, I realized the only difference between the two is the context in which the work is created. Both graphic design and painting seek to impart messages upon the viewer and explore a certain perspective. Success can be measured in both disciplines by the effectiveness of the communicated message.

A Part From You, Kenneth Rick Briggenhorst Jr.

MSU Graduate Theses

I invite empathy through art that is technologically assisted to find alternative interpretations for nontheologically informed faith. The sudden passing of my dearest friend, Jimmy, encouraged me to dig through my archives of data, to cherish all the bytes that remain of him. In this endeavor, I find that death is not the end, but a post-physical state of being. I express this sentiment in a part from you, where the work utilizes inanimate constructs to place your faith in, to make sense of the complexities of grief in a digitally tethered way of life. This life that allows many …

How Nfts Are Driving The Latest Evolution Of Art From Physical To Digital In A Pandemic Age., Isabel Dominguez De Haro

MA Theses

Prior to 2014, the art industry did not know a lot about NFTs and the benefits of
blockchain technology. That is because when the technology was created in 2008,
it had nothing to do with art. In fact, it was primarily developed as a way to
decentralize a broken financial system.1 And, even when the art industry began
successfully using the technology in 2017, it was the digital art world and not
traditional artists, galleries, auction houses, or dealers who first recognized the
benefit of using digital tokens to represent ownership of a unique asset. So why
now are NFTs …

Cyberbullying: The Digital World Of Awareness And Emerging Concerns, Christian Jean-Baptiste

Selected Full-Text Master Theses 2021-

The digital world of social media that we’ve all become familiar with by now, has taken over social networking sites (SNS) by storm—such as Facebook, Twitter, Instagram, Snapchat, TikTok, etc. We use these online platforms today as a medium to communicate digitally to people all over the world—from friends, to family, loved ones, or even just to meet new people. While that may seem like a vast majority of what the Internet looks like today, there’s still that whole other realm of darkness that haunts people who have been victimized, threatened, intimidated, humiliated, and harassed. The Internet is a world, …

Printing Digital Inkjet Prints From Photoshop Through The Epson Driver, Manal Abu-Shaheen

Open Educational Resources

No abstract provided.

American Idyll: A Place To Call Home, Bowen Walsh Fernie

Senior Projects Spring 2018

I was raised in Italy from the age of five and when I returned to the United States at eighteen, I was surprised by the way I was affected by the landscape I had never known or explored. I found myself drawn to American culture as it is stereotypically represented in movies and TV - the quaint houses, the schools with cheerleaders and locker rooms, the drive-in movie theaters – and began to examine how those stereotypes are reflected in the real world. From this initial interest I began exploring the American space that I envisioned myself inhabiting throughout my …

Law Library Blog (May 2017): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

The Space Of Art In The Digital Age, Ellie Isaacs

MA Projects

This journal article looks at the space of art in the digital age in order to establish whether virtual art practices will eventually render the physicality of art as obsolete. The article draws focus on the construction of virtual spaces to investigate the possibility of a consequential collapse in real space. Two key aspects that I have concentrated on are the social experience of these modes of artistic practice and the inversion of public and private spheres.

Digital Space Art (History?), France Languérand

Artl@s Bulletin

Invited by ARTL@S Bulletin as visual artist, France Languérand opted for a first-person text introducing her artworks—which develop into the digital sphere, questionning their own sustainability— and recounting the evolution of her relationship the digital space. This walkthrough is guided by her current thoughts about numbers and coding system as creative tools. Languérand’s pieces are only partially visible in the physical world but exist entirely in the digital space.

Digital Expressionism And Christopher Wheeldon’S Alice’S Adventures In Wonderland: What Contemporary Choreographers Can Learn From Early Twentieth-Century Modernism, Kelly Oden

Butler Journal of Undergraduate Research

How can classical ballet adapt to a world that is in an ever more rapid state of flux? By uncovering an example of the kind of interdisciplinary artistic collaboration that contributed to the thriving artistic environment of the early twentieth century, a model for artistic success emerges. By examining modernism and Sergei Diaghilev’s Ballets Russes in relation to Christopher Wheeldon’s groundbreaking 2011 ballet Alice’s Adventures in Wonderland, a correlation between the success of the Ballets Russes and the success of Wheeldon is exposed. I argue that by applying the modernist practice of interdisciplinary interaction to his own productions, Wheeldon …

Sites Of Passage: Art As Action In Egypt And The Us-- Creating An Autoethnography Through Performance Writing, Revolution, And Social Practice, Tavia La Follette

Antioch University Full-Text Dissertations & Theses

As a performance artist and arts activist I present my research project to the audience in performative writing, a postmodern research style that advocates the integration of the artist/researcher identity. In the summer of 2010, I left for Egypt to teach a performance and installation art workshop at Artist Residency Egypt, the first step of the Firefly Tunnels Project, a virtual and tangible exchange between artists in the United States and Egypt. This venture began with the awareness that the 10th anniversary of 9/11 was approaching. What I could not have foreseen were the other world events that would have …

Creating With Code: Critical Thinking And Digital Foundations, Brad Tober

Mid-America College Art Association Conference 2012 Digital Publications

While students are often attracted to opportunities to learn how to use software applications commonly employed by digital artists and designers, the fact remains that time spent on purely software-based instruction in the classroom is time that could arguably be better spent on exploring the broader conceptual issues of making digital work. This presentation begins to frame an argument for the comprehensive integration of code-based technologies, such as HTML, CSS, JavaScript, Processing/Java, openFrameworks/C++, and Objective-C, into digital art and design foundation curricula. This integration holds the potential to position code-based technologies as new media for teaching art and design alongside …

Dreaming In Analog: The Marriage Of Vintage Photographic Process And The Contemporary World., Lynn M. Lee

Mid-America College Art Association Conference 2012 Digital Publications

"Dreaming in Analog: the marriage of vintage photographic process and the contemporary world" discusses a choice in the photographic arts. That choice is, by many contemporary artists, to take a step back. Slow down. Revisit analog photography as it was originally used. However, because of the fast-paced world in which we live, even these slow, lovely processes are able to be created, completed and shared globally via digital technology and the Internet.

Of Reality: A Society Of Selves, Kelly C. Tate

LSU Master's Theses

Of Reality: A Society of Selves is a series of photographs that challenge the viewer’s perception of reality. Through digital image manipulation, costumed, multiplicitous self-portraits merge with handcrafted miniature environments. With the goal of illustrating the complexity of existing within society, the resulting images examine the psychological process of perception as it relates to social interaction and identity.

The Mcfarlands: "One Season"., John Edwin May

Electronic Theses and Dissertations

This thesis is in support of the Master of Fine Arts exhibition entitled The McFarlands at East Tennessee State University, Slocumb Galleries, Johnson City, Tennessee, November 5^th - 9^th, 2007. This artist's photographic survey, which lasted approximately two years, investigated the lifeworld of a family in a rural Appalachian town. His photographic work depicts the subjects working on their farm growing tobacco and their relationships within the family unit.

The artist discusses his work in terms of historical and contemporary influences with an emphasis on the relationship to the work of Lewis W. Hine, Wright Morris, …

The Everywhere Chronicles, Jamie Brownell Baldridge

LSU Master's Theses

The Everywhere Chronicles is a body of work that has been perambulating through my mind since the halcyon days of childhood. It is not intended as any sort of catharsis, metaphorical or otherwise, nor is it any forum of self discovery, accidental or intentional. These Chronicles are quite simply a journey into imagination, an exercise in "what ifs?". They confront the theory that Columbus was actually on a munchies run to an Indian Takeaway in Ipswich and simply took a wrong turn at the Antilles, and that the Lost City of Atlantis is alive and well somewhere outside of Duluth …

180 Degrees: An Extension Of Self In Photography, Bradly Dever Treadaway

LSU Master's Theses

180 Degrees is a conceptual body of digital photography and video that deals with self-portraiture, identity and change. Intended to serve as a form of therapy, the work analyzes who I have become over the last couple of years by illustrating issues of compulsion, obsession and insecurity. The investigation confronts unexpected and unsettling attributes of my character. Some of it is a little uncomfortable for me to reveal but if nothing else it is the truth.