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Trace, Naomi Katy Louise Clement
Trace, Naomi Katy Louise Clement
LSU Master's Theses
The pots in the exhibition Trace speak both to my desire to belong, to connect to my beginnings, and yet to still trace my own path forward; they are about making connections and missing connections. Through these pots I ask questions of myself and the world around me in an attempt to negotiate the edges of my life. How do I feel connected and present in my own life and relationships? How do I feel connected to my family and my roots, while still finding my own path? What does it mean to belong in a family that is divided …
Coasteering, Adam James Meistrell
Coasteering, Adam James Meistrell
LSU Master's Theses
Coasteering: (noun) An adventure sport tasked with defining and exploring boundaries and coastlines. Adam Meistrell’s artwork is an invitation to interpret evidence and inspiration through making, investigation, and utility. He utilizes a variety of working methods to interpret evidence and share his understanding.
One Two One, Brianna Morgan Ozanne
One Two One, Brianna Morgan Ozanne
LSU Master's Theses
These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
Gotta Catch 'Em All, Jennifer Lynn Lombardi
Gotta Catch 'Em All, Jennifer Lynn Lombardi
LSU Master's Theses
The ability to imagine is essential to shaping who we are, and is an important part of our humanity. Children have the ability to use aspects of their environment as their playthings, becoming the characters in their world through their sense of imagination. We lose this ability as we grow, leaving us with only memories and sentimentality. I have come to realize that my art is an expression of the longing and search to regain that ability to become fused with my imagination and my environment. I allow myself to become lost in a world of fantasy once more, and …
Layered Recollections, Jennifer Elizabeth Hager
Layered Recollections, Jennifer Elizabeth Hager
LSU Master's Theses
Layered Recollections is an installation of functional pottery that evokes feelings of nostalgia and longing associated with the home environment. I am interested in creating memories through the use of pottery. It is my intention to make work that creates happiness in the user’s lives and brings joy to everyday routines through floral imagery. Each installation in the exhibition references an area in the home.
Ordinary Perspective, Autumn Rose Higgins
Ordinary Perspective, Autumn Rose Higgins
LSU Master's Theses
Ordinary Perspective is a body of ceramic work that shows a representation of a typical day, highlighting ordinary moments and creating a portrait of everyday life. This work distills down experiences into still images that sum-up the experience of the “In-Between” moments. These are the times that are not committed to memory, but are an essential part of our everyday lives. In this body of work I am addressing places where people are expected to take on the role of a loner. By observing people who are together, but not in a group allows me to observe the details of …
Fare Thee Well, Georgia L. Godwin
Fare Thee Well, Georgia L. Godwin
LSU Master's Theses
The common thread in all my work is time—its passage, effects, and remembrance. I have created a series of works that are meditations on time, the ephemeral quality of memory and the effects of aging, profession, and life decisions on our bodies, especially faces. The physical materials and my treatment of them reinforce these themes, showing the erosive qualities of earth, and drawing inspiration from natural features that signify the passage of time such as desert hoodoos, desert varnish, old wood, erosion and chemical oxidation, and from man-‐made features such as old documents that have been written, erased, and rewritten. …
Built To Play, Forrest Sincoff Gard
Built To Play, Forrest Sincoff Gard
LSU Master's Theses
Built to Play is an interactive art exhibition featuring four participatory installations. Each installation transforms non-playful objects and activities into handmade porcelain replicas used for exciting gallery made games. Focusing on the carry over from child’s play to adult play the exhibition emphasizes the importance of play in our adult lives. As gallery visitors risk breaking handmade ceramic objects for a moment of fun and a chance to win art as a prize, their interaction completes the exhibition.
Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch
Wiggle Veil (Or, Love Needs Objects), Adrienne Lynch
LSU Master's Theses
The six sculptural works that comprise my thesis exhibition emerged from a prolonged series of investigations into the intricately interconnected phenomenon of embodied experience in the world as we know it. These works explore the connections between mysteries in our inner and outer worlds, taking as inescapable fact the notion that our bodily vessels, in all their complexity and subtlety, are the vehicles through which we encounter the world. As such, this work posits embodiment as both frame and anchor for all knowledge and experience. These sculptures, made from ceramic materials and mixed media such as sugar, salt, string, and …
Enumerate / Construct, Andrew Gilliatt
Enumerate / Construct, Andrew Gilliatt
LSU Master's Theses
I am fascinated how we define and personalize ourselves through the objects we own and accumulate. It is my goal to make a collection of utilitarian pottery forms that through the use of color, form, and pattern, are cohesive in their variety, and are accessible as objects for daily use.
Culturally-Constructed Barriers, Hae-Jung Lee
Culturally-Constructed Barriers, Hae-Jung Lee
LSU Master's Theses
I have traveled to and lived in many different countries outside my native country of Korea. These opportunities have allowed me to meet diverse people and learn about their unique cultures. While living in the United States, I have experienced culture shock in such everyday activities as observing students eating food during class, wearing pajamas at school, and other similar displays of informal behavior. I was taught to follow Confucian ideas; the basic principles being to respect one¡¯s elders and to be considerate of other people. Compared to Korean culture, Western culture seems very open-minded and individualistic. Adjusting to the …
A Sweeter Life: A Celebration Of Desserts, Jennifer Gawronski
A Sweeter Life: A Celebration Of Desserts, Jennifer Gawronski
LSU Master's Theses
My thesis show, A Sweeter Life: A Celebration of Desserts is an exploration in using clay to create a celebratory event. Throughout my graduate studies I have been interested in creating memorable moments for my audience through the use of functional ceramic objects. The utilitarian forms are inspired by specific foods. This body of work celebrates the pleasures of springtime desserts through the use of unique table settings. Each setting has its own theme of fruit or delicacy to highlight the joy of desserts. I am interested in how desserts can be enhanced by their serving pieces and how a …
Discerning Lines Of Demarcation, Jennifer Dawn Poueymirou
Discerning Lines Of Demarcation, Jennifer Dawn Poueymirou
LSU Master's Theses
Discerning Lines of Demarcation is an investigation into the accumulated landscape of distressing times. Situations of mass destruction, loss of family, substance abuse, domestic violence, loss of friendship, and uncertain health have all been encountered within a steady progression in the last five to six years of my life. The digestion of these situations has been slow as the events overlap and intertwine each other. I have tweezed and distilled these circumstances. This is described through different types of terrains that create physical boundaries to represent psychological fears or events. Tied to Your Hate; How Much More Will Fall, Untitled, …
The Uses Of Enchantment, Anna Belenki
The Uses Of Enchantment, Anna Belenki
LSU Master's Theses
This work begins with the decorative arts. It is inspired by the seductive color and line of Iznik tile from the Ottoman Empire and the ornate decorative flourishes of 18th. Century Chinoiserie wall paper that depicts fantastic landscapes and fanciful animals. The bears, cats, birds, snakes, and dogs and people dressed in costumes that appear in the tiles are the protagonists of a fairy tale yet to be written. The uses of enchantment are endlessly fascinating. Enchantment fulfills our need for fantasy, beauty, meaning and reassurance. It connects us to the past and equips us to face the present, secure …
The Chemistry Of My Affections, David Scott Smith
The Chemistry Of My Affections, David Scott Smith
LSU Master's Theses
Although I have always been interested in the origins of my thought processes and the methods and compulsions that motivate my work, in past work I have avoided self portraiture, or blatant explorations into my own sense of self. With my thesis project I wanted to conduct an express exploration into the psychology of my motivations. My initial goal was to create an environment, a sense of place, where both the viewer and myself are drawn into the work, and confronted with a unique experience of personal expression. The focal point is a bath enclosed within a grotto, which symbolizes …
Memories Near And Far, Merrie Marie Wright
Memories Near And Far, Merrie Marie Wright
LSU Master's Theses
Memories Near and Far depicts the transformation, emotionally and psychologically, that occurs when childhood meets adulthood. The loss of naiveté, accumulation of experiences and memories, and the release of memory necessary to move on to new experiences mark this transition. The events that occur during this time period are represented through seven installations: Incubation, I Am What I Fear, Consumed, An Offering: Gifts for Healing, Between Realities, The Self as a House: Self-Confinement, and Gleanings. The work portrays memories of my personal journey through this time, the struggles I encountered, and lessons I have learned. Color, accumulation, and repetition of …
Led Into Temptation, Pamela Elizabeth Caskanett
Led Into Temptation, Pamela Elizabeth Caskanett
LSU Master's Theses
I am leading the viewer to experience a room full of sinful, sensual and guilty pleasures through a visual feast of sugary excess. I create a tactile environment of anticipation, desire and delight. Using sugary sweet colors, smooth curvaceous forms dressed with spikes, nipples, bumps and knobs, and objects of scale. The objective is to make the viewers salivate, confusing desire with need, leaving them to question, "What is temptation?" A visceral visual sugary landscape is created where food and vessel co-exist, each relying on the other to be complete and fulfilling.
Full, Leanne Rose Mcclurg
Full, Leanne Rose Mcclurg
LSU Master's Theses
As an artist I want to make my human experience sharable. I am interested in the connection between the act of consumption, the desire that leads to that act and the repercussions of fulfilling that desire on the body both social and intimate.I have chosen the hand made pot to express my thoughts of filling the vessel. It is in the arena of eating that I begin to understand larger philosophical issues about sentience. Using dishes I made, I have chosen to illustrate the experience of consumption by leaving remnants of a dinner on display during gallery hours. How much …
In The Dark Woods I Lost My Way, Debbie Kupinsky
In The Dark Woods I Lost My Way, Debbie Kupinsky
LSU Master's Theses
When I had journeyed half our life's way, I found myself in a shadowed forest. For I had Lost the path that does not stray Ah, it is hard to speak of what it was, That savage forest, dense and difficult, Which even in recall renews my fear: So bitter-death is hardly so severe! Dante Alegheri Inferno Canto 1 Dante's passage refers to the losing of a spiritual path, but for me it refers to the destruction of the past, memory and self. My work deals with the loss of the past and the burdens of memory. It deals with …