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Articles 1 - 7 of 7

Full-Text Articles in Arts and Humanities

Discovering And Demonstrating Patterns, Maria Klawe Dec 2017

Discovering And Demonstrating Patterns, Maria Klawe

The STEAM Journal

Harvey Mudd College's President Maria Klawe shares her personal journey in combining a love of mathematics and art.


Liminal Surfaces, Georgina E. Grenier Aug 2017

Liminal Surfaces, Georgina E. Grenier

Electronic Theses and Dissertations

The poet Ben Okri wrote: “Stories are the secret reservoir of values: change the stories individuals and nations live by and tell themselves, and you change the individuals and nations.” (Stibbe)

In the early 21st Century we are facing numerous environmental problems that are being caused by human activity. This era is termed the Anthropocene , a time when accumulated pollutants are causing detrimental ecological change. Ocean creatures are threatened by increasing seawater temperature, acidifying pH levels and melting ice. On land we are experiencing droughts, alteration of biomes, extinctions and an atmosphere that contains less oxygen per breath than …


Au-Delà De La Nature : The Blue Fossil Entropic Stories De Julian Charrière, Kyveli Mavrokordopoulou Jun 2017

Au-Delà De La Nature : The Blue Fossil Entropic Stories De Julian Charrière, Kyveli Mavrokordopoulou

The Goose

In this short article - case study, I explore the question of how art may help us reflect on the new conception of nature that the Anthropocene confronts us with. I focus on the photographic series The Blue Fossil Entropic Stories I,II,III (2013) by Swiss artist Julian Charrière and its reassessment of an idea of nature inherited from the romantic period. I analyse the way in which these pictures reinterpret romantic landscape painting in order to suggest an equal relation of human and nature, where human and non-human entities hold equal sway. My theoretical framework is based on Timothy Morton’s …


Invisible Forces, Sarah E. Mullin May 2017

Invisible Forces, Sarah E. Mullin

Theses and Dissertations

I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.


Perspective, Karie D. Cooper May 2017

Perspective, Karie D. Cooper

University of New Orleans Theses and Dissertations

As an artist, I am interested in understanding how and why humans interact with the natural world. I examine my own individual behaviors and practices and research impacts made on nature by humans as a whole. I am drawn to nature for a multitude of reasons, including aesthetic beauty, psychological wellness, unraveling the mysteries of the universe and trying to understand the origins of life. As an artist I explore the dialectic relationship between everything we perceive outside of ourselves as the environment, and the way we think of ourselves in relation to that environment. I believe in the interconnectedness …


Neon Nature, Jessamy G. Mcmanus Ms. Jan 2017

Neon Nature, Jessamy G. Mcmanus Ms.

Electronic Theses and Dissertations

The goal of this work is to explore my painting of nature in our contemporary time, considering the current geological epoch termed the Anthropocene, an era I think of as postnatural. Neon Nature is a collection of portraits of hypernatural creatures I call “pseudo-specimens”. These pseudo-specimens symbolize hypernature, which describes manufactured nature as better than authentic nature. These specimens are painted in vanitas-inspired still life scenes to act as a reminder of our changing nature, or new-nature.

Influenced by living in suburbia where nature is manicured and controlled, I am interested in the divide between the “born” and the “made,” …


After;Life, Morgan Lynn Anderson Jan 2017

After;Life, Morgan Lynn Anderson

LSU Master's Theses

After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.