Arts and Humanities Commons^™

What Adds Up To Being: The Work Of Tanna Burchinal, Tanna L. Burchinal

All Theses

My practice takes form around embodied experience. I affect signifiers of the human body within the ordered grid, the scientific text, and the logic of the machine, to highlight the interdependencies of physical bodies and those social constructs that produce and influence identity. We are a part of these constructs that both extend and limit; we are enacting and interacting with them. I do not aim to eradicate these structures of power (without them, our identities are in chaos). Instead, I point out the pitfalls of these constructs that are perceived as unchanging, by making interaction and experience integral to …

Materialize: Sculpture Using Digital Fabrication, Robert And Elaine Stein Galleries

Exhibition and Program Catalogs

This guide was created for the Materialize exhibition, curated by John Dickinson and Tess Cortes, with juror Tom Lauerman. Materialize highlighted 58 works by 27 artists that used digital processes in their design or production. This exhibition also traveled to Purdue University Galleries.

You And I, Nao Yamamoto

Electronic Theses, Projects, and Dissertations

Artist statement Nao Yamamoto The environment I grew up in allowed me to cultivate an appreciation for both contemporary art and traditional craft, and I still respect the Japanese culture. However, experiencing contemporary art based on a different society and environment changed my perspective and I felt like it took me beyond the narrow culture of Japan. Since I recognized my art as a way to represent myself, or even to have conversations with tnyself, I became devoted to a contemporary art practice. It has been so exciting to see my thoughts made visual and how I've been changed by …

Iterations, Thomas Lowell Edwards

School of Art, Art History, and Design: Theses and Student Creative Work

For millennia, pottery has facilitated the communal activities of eating and drinking. I use pottery as a placeholder, a metaphor for human interaction. The central core, the initial inspiration, of my sculpture is the diminishing level of connection our culture actively pursues.

I began to notice a trend of increasing disengagement in American culture after spending time abroad and observing the amount of time other cultures allotted for meals, coffee, etc. with companions. I make sculptures that comment on growing American disengagement using various formal principles of art (line, mass, scale, rhythm, and repetition). I am generally unsatisfied with a …

Closely Distant, Crisha Yantis

School of Art, Art History, and Design: Theses and Student Creative Work

Drawing upon my own experiences and observations of the world around me I use the figure to explore what it means to be human. This body of work addresses the universal experience of anxiety through the dynamics of both personal and interpersonal relationships, specifically focusing on fear of the unknown or what subconsciously lies just out of our comfort or understanding.

Often what is unknown is also what brings about questions of our own power and what we can or cannot control. In my work, I address ideas of power and powerlessness formally through what the figures lack. Their control …

Can Art Stress?, Bojana Joksimovic-Ginn

The STEAM Journal

Presented in this paper is an interactive, acoustic installation morphologically and functionally influenced by the evolutionarily developed phenomena of two particular defense mechanisms. The first one is the prey’s reduction of noise once a predator is detected; the second one is an internal physiological response to danger known as stress. Conducted in a manner of an experiment, this interactive artistic project has interesting and unpredicted results.

Concrete Painting, Stephanie Cafcules

Electronic Theses and Dissertations

This thesis explores the evolution of my artwork with synthetic materials through influences of the Minimalist and Process Artists of the 1960's and 1970's, inspiration from natural forms, and my exploration of concrete painting. Each work reveals discoveries of different processes and materials, accelerating the creation of new works. It is my hope this thesis will inform viewers about the process and concepts that my work embodies.

Fare Thee Well, Georgia L. Godwin

LSU Master's Theses

The common thread in all my work is time—its passage, effects, and remembrance. I have created a series of works that are meditations on time, the ephemeral quality of memory and the effects of aging, profession, and life decisions on our bodies, especially faces. The physical materials and my treatment of them reinforce these themes, showing the erosive qualities of earth, and drawing inspiration from natural features that signify the passage of time such as desert hoodoos, desert varnish, old wood, erosion and chemical oxidation, and from man-­‐made features such as old documents that have been written, erased, and rewritten. …

[Implied Depth]*, Hope Thier

All Graduate Theses, Dissertations, and Other Capstone Projects

While snooping through my great grandmother's belongings, I found late 19th and early 20th century photographs and stories of untold familial histories, from that of my own family and others. I have taken to adopting these families, and I am attracted to these almost forgotten narratives and developing these incomplete truths about past relatives into fictionalized characters and false histories. I strive to develop a chaotic but structured quality in my work. While doing so, I explore relationships. The relationships evolve between myself and the material, myself and the characters, and the characters and the material. By observing and learning …