Arts and Humanities Commons^™

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

Observance: A Record Of Experiments, Olivia L. Mosley

Undergraduate Theses—Unrestricted

Thesis writing on the work of Olivia Mosley, Bachelor of Fine Arts candidate in Printmaking at Washington University in St. Louis. Engaging with a diverse history of photography and observation through the theoretical writings of Barthes, Berger, Didi-Huberman and others, Mosley conducts a series of visual experiments as part of her art practice in an attempt to expand her visual knowledge. Exploring the concepts of visualization, observation and the role technology plays in both of the aforementioned activities, Mosley’s work is discussed alongside the visual contributions of scientists, artists and hobbyists experimenting with the photographic medium throughout history, including, Wilhelm …

Shtetl, Franklin I. Lieberman

Lawrence University Honors Projects

Shtetl looks at the Jewish community as a whole by focusing on the individuals within it. Jews are an incredibly diverse people. They come from all walks of life and racial backgrounds. Contrary to popular belief, there is no stereotypical Jewish person. Not all Jews are rich, nor do they all have curly dark hair and big noses. By being forced to look at the individuals within the community together, it becomes clear that while all of these individuals are Jewish, and therefore bound to each other because of it, they are all different and break this stereotypical mold.

The Value Of Everything Is Nothing, Jason Dawes

Electronic Theses, Projects, and Dissertations

Photography was my introduction into art. I gravitated toward portrait photography fairly quickly. I found the interaction between subject and photographer to be an intense moment in time. I began to push that intensity - through various non-traditional approaches, such as placing ads in the personals. It did not take long before I turned the camera on myself, creating self-portraits in the domestic setting. I began to play for the camera. I created various personas that placed myself in some gray area between masculinity and femininity. Shortly there after, I began working with collage. I found the formulas and rigidity …

Something Gained: Translation As Process, Amanda V. Rothschild

Undergraduate Theses—Unrestricted

This statement examines translation as a way to explore the act of painting. Drawing from theories of literary translation as discussed by Walter Benjamin, this essay looks at the ways in which the process of translating an image from a photograph into a painting echoes many ideas that come from the approach of translating between languages. The theme of translation is discussed first through an examination of the role of the photograph in determining the content of the paintings, using Gerhard Richter as a reference. The role of material and the physicality of paint in the translation of a space …

Familial Dialects, Amanda King

MFA in Photography and Integrated Media Theses

Using the framework of scientific investigation, ‘Familial Dialects’ explores the languages – systems of signs and codification of those signs - of individual members of my family, and the metaphors that arise from their interaction with pieces of the natural world. Each of the pieces combine an inherent form and an organizing action as a means of representing an individual’s form of expression. These familial dialects are created and translated using the methodologies of a naturalist - collection, dissection, observation, and classification. The pieces draw meaning from the connotative associations built from familial connections as well as from broader cultural …

Awful/Awful: An Archive Of Light Embarrassments, Teysha Vinson

Boise State University Theses and Dissertations

The difficulty of representing intangible religious ideas is at the core of Awful/Awful: An Archive of Light Embarrassments. Through an interest in how light is discussed in the Bible as a symbol for God and his fellowship, I make imagery that both repulses me and intrigues me but never do I get to the point where I feel the work encapsulates any answers. Instead, the photographs are questions, archived, unable to represent this light of God on their own without being trite or obtuse. The arranged work on the walls consists of these photographs plus a few ephemera from my …

Long-Term Multi-Dimensional Interactive Time-Lapse Photography Using Microsoft Kinect, Daniel Mccoy

All Theses

In this thesis, a method is presented for the capture and interactive presentation of long-term multi-dimensional time-lapse photography. Time-lapse capture is commonly used for the observation based study of relatively long term phenomena such as plant growth and weather patterns. In terms of filmic devices, the visual time compression effect is complementary to slow motion and is nearly as prevalent. In this project, commonly available camera and computer equipment is used to capture images autonomously with minimal system supervision. A set of images is established, using long term, short interval continuous capture at a fixed position. Results are presented demonstrating …

Taking In: The Best Of Undergraduate Photography 2014, Lucad Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.

From The Inside Out, And Through., Dominique Ovalle

The STEAM Journal

These photographs describe “Science” born of consumerism, hijacked by me, economically disenfranchised, or rather—temporarily embarrassed, artist. I was putzing around Malibu—my old college stomping ground, looking for free food; maybe a sample of some gourmet $5 chocolate, and all I got were these photographs.

Pipo Nguyen-Duy Interview, Emily Flanagan

Asian American Art Oral History Project

Artist Bio:

Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.

Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …

Graduate Exhibit: Displaced Worker - Sams Club_Chuck Davis 2018.Jpg, Chuck Davis

Chuck Davis

Gelang: A Photography Of Belonging, Chase Clow

Collected Faculty and Staff Scholarship

Gelang: A Photography of Belonging proposes a new category of landscape photography, one that moves away from emphasis upon imagery of particular kinds of landscape (such as wilderness, topographical, or wastelandscape) and also away from genres of photography (art, documentary, or scientific) and instead investigates the shared values and ethics among landscape and nature photographers and the kinds of awareness and knowledge that arise through outdoor, field-based photographic practice. An analysis of the writings of photographers and their published interviews, as well as the author's own photographic experiences in the field, reveals a common core of life-affirming values predicated on …

A Meal Denied, Sarah Kolac

LSU Master's Theses

The photographs in the series A Meal Denied offer a unique portrait into the lives of individuals currently serving as Texas Death Row inmates. In 2011, due to an extravagant meal request by an inmate, Senator John Whitmire sought to put an end to the last meal requests in Texas. Whitmire stated, "It is extremely inappropriate to give a person sentenced to death such a privilege." However, I disagree with Whitmire; every inmate on Death Row should not be denied one of the only choices they will perhaps ever have during their incarceration in prison due to one particular inmates' …

Garry Winogrand: The Art Of Street Photography, Micayla Beuley

Honors Projects

This exhibition proposal, designed for the Dorothy Uber Bryan Gallery located in the Fine Arts Center at Bowling Green State University, is designed to enhance gallery patrons’ understanding of and appreciation for street photography through a biographical analysis of the works of Garry Winogrand. In addition to presenting 30 photographs by this esteemed photographer, patrons are invited to actively participate in the creation of street photographs and provides a unique opportunity to display them alongside that of a professional in a gallery setting. This exhibition proposal includes a curator’s statement, formal exhibition catalog essay, list of works proposed, detailed floor …

Graviora Manent: Heavier Things Remain, Andrea Laborde Barbier

LSU Master's Theses

The photographic collection Graviora Manent addresses the complexities and deciphering of human relationships, intensified through the decisive acts of obscuring or revealing formal information. The pictures are made using an alternative French photographic method called mordançage, which physically alters the surface of the gelatin silver print using a combination of chemistry and water. The images frequently include recurring elements of my own dreams, as well as figures set in recognizably interior or exterior environments. Recurring themes in the series include what is public vs. what is private, voyeurism, familiarity, and the unknown.