Arts and Humanities Commons^™

Labor, Vera Bauluz

CGU MFA Theses

I make sacred objects from scratch, from ready mades, from industrial materials, and sometimes from trash or recycling. I treat those objects with love and reverence to embed them with essence and soul. I propose conversations with objects exquisitely executed, that question our social order and the machine, easily understood by everybody, although still challenging our understanding of contemporary art.

The placement of the work and the lighting, as fundamental part of the installation, attempts to generate strokes of conscience that enhance human understanding and capabilities beyond a specific discourse.

Humor and sacred coexist in my installation and in my …

Sally Bruno, Sally Bruno

CGU MFA Theses

My investigation starts with an examination of color, form and line. It continues with an examination of how these elements collide and collude to form objects both abstract and representational. What interests me is the intersection between formal abstraction and representational imagery. My goal is to combine these practices in a rigorous, epistemological inquiry into how human beings make sense of their surroundings, using our minds and our bodies, our perceptions and our expectations, to come to understand the visible world and our embodied relationship to it.

Making Rich Use Of "Leisure", Augusto Sandroni

CGU MFA Theses

I make paintings, drawings, installations and sculptures using oils, acrylics and everyday materials such as burlap, reclaimed wood, cardboard and duct tape. More than any other, Matisse’s work was always a point of reference. Everything I do is partially informed, even if not directly by the work of my predecessors, with Matisse toping the list: the element of joy, play and expression of visual beauty is something I’m not ashamed to strive for. I also embrace risk taking, not conforming with establish norms or methodology; I’m always hoping for novel ideas and methods to infiltrate my workflow.

Can Art Stress?, Bojana Joksimovic-Ginn

The STEAM Journal

Presented in this paper is an interactive, acoustic installation morphologically and functionally influenced by the evolutionarily developed phenomena of two particular defense mechanisms. The first one is the prey’s reduction of noise once a predator is detected; the second one is an internal physiological response to danger known as stress. Conducted in a manner of an experiment, this interactive artistic project has interesting and unpredicted results.

Mana & Ea, Dan Taulapapa Mcmullin

The STEAM Journal

This work, Mana and Ea, expresses Polynesian indigenous sovereignty struggles with colonialism and globalism in the Pacific Islands.

Design In Nature, Farhana Azim

The STEAM Journal

Floral Designs are a combination of, line, form and space. By creating balance while incorporating all these three elements in proportion to the space allowed, with an eye on the use of color and contrast, enabling the smooth visual flow of the design one produces the perfect arrangement.