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Full-Text Articles in Arts and Humanities

Second Wind, Anne A. Yoncha Jan 2019

Second Wind, Anne A. Yoncha

Graduate Student Portfolios, Professional Papers, and Capstone Projects

Second Wind is a kinetic, responsive art installation which examines invisible processes taking place in and around a Ponderosa pine tree. Wind speed data, measured at 20', 25', 30', 35', and 40' in the canopy of a Ponderosa on the University of Montana campus, is translated into the gallery in real time using two Raspberry Pi single-board computers. This data determines the velocity of five fans in the gallery. Each fan interacts with a suspended vellum paper structure which moves more or less depending on wind speed. The vellum is painted with an ink made of fermented pine needles from …


Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun Oct 2016

Methods Of Nature: Landscapes From The Gettysburg College Collection, Molly A. Chason, Leah R. Falk, Shannon N. Gross, Bailey R. Harper, Laura G. Waters, Yan Sun

Schmucker Art Catalogs

Methods of Nature: Landscapes from the Gettysburg College Collection is the third annual exhibition curated by students enrolled in the Art History Methods course. The exhibition is an exciting academic endeavor and incredible opportunity for engaged learning, research, and curatorial experience. The five student curators are Molly Chason ’17, Leah Falk ’18, Shannon Gross ’17, Bailey Harper ’19 and Laura Waters ’19. The selection of artworks in this exhibition includes the depiction of landscape in the nineteenth- and twentieth-century French, American and East Asian cultural traditions in various art forms from traditional media of paintings and prints to utilitarian artifacts …


Andrea Sulzer: After Nature, Bowdoin College. Museum Of Art, Katy Kline Jan 2008

Andrea Sulzer: After Nature, Bowdoin College. Museum Of Art, Katy Kline

Museum of Art Exhibition Catalogues

" ... accompanies an exhibition of the same name at the Bowdoin College Museum of Art from June 17 through August 27, 2008"--P. 16

Essay by Katy Kline.


Why Draw A Landscape?: A Portfolio Of Prints By Contemporary Artists, University Of Richmond Museums Jan 2003

Why Draw A Landscape?: A Portfolio Of Prints By Contemporary Artists, University Of Richmond Museums

Exhibition Brochures

Why Draw a Landscape?: A Portfolio of Prints by Contemporary Artists

August 20 to December 7, 2003

Joel and Lila Harnett Print Study Center

Introduction

Why Draw a Landscape? features a portfolio of prints on the theme of landscape in contemporary art, commissioned by Crown Point Press in San Francisco and completed in 1999. Each of the eleven participating artists answered the question with a print that attests to the vitality of the natural world.

Collectively, this portfolio includes a diversity of artistic approaches, ranging from documentary accuracy, to expressive images, to abstraction in which areas of colors suggest the …


Edges Of The World: Photographs By Thomas Joshua Cooper, Bowdoin College. Museum Of Art, Alison Ferris Jan 2002

Edges Of The World: Photographs By Thomas Joshua Cooper, Bowdoin College. Museum Of Art, Alison Ferris

Museum of Art Exhibition Catalogues

"Brochure accompanies an exhibition of the same name ... from June 18 through September 1, 2002."


Littoral Abstractions: Drawings By Emily Nelligan, Bowdoin College. Museum Of Art Jan 2000

Littoral Abstractions: Drawings By Emily Nelligan, Bowdoin College. Museum Of Art

Museum of Art Exhibition Catalogues

Includes an essay by the curator Allison Ferris.


Erling Sjovold: Recent Paintings, University Of Richmond Museums Jan 1999

Erling Sjovold: Recent Paintings, University Of Richmond Museums

Exhibition Brochures

Erling Sjovold: Recent Paintings

October 16 to December 11, 1999

Marsh Art Gallery

Introduction

Erling Sjovold's exhibition features his recent watercolors and oil paintings, works where the artist's desire to "slow down time" for reflection is the basis for images that even include the element of time as subject matter, both literally and figuratively. Like many artists that are described as "second sight artists," he creates images that require careful looking beyond the surface realism, works that do not reveal their full statements at first sight. His paintings are rich with layers of meaning that lead the viewer to deeper …


Elizabeth Peak: Prints And Drawings, Bowdoin College. Museum Of Art Jan 1982

Elizabeth Peak: Prints And Drawings, Bowdoin College. Museum Of Art

Museum of Art Exhibition Catalogues

Exhibition held March 18-April 25, 1982 at Bowdoin College Museum of Art.

Catalog by Alan Shestack.