Arts and Humanities Commons^™

Emotional Landscapes, Jin Young Jeong

Theses and Dissertations

“Emotional Landscape” delivers a sense of gravity, openness, and breathing space through oil paintings on linen of abstracted bodily forms. The imagery in the works generates an atmosphere where one can feel rooted and anxiety-free. The paintings invite a close read of the complexities of compounded affects.

Always Running At Sunset, Amelia O'Neill

Theses and Dissertations

My thesis show includes paintings that depict scenes of the trails that my dog and I frequent in Utah. These paintings are a response to experiences I have in nature and explore my relationship with my dog and the surrounding flora and fauna along the local trails. The paintings include images of rocks, sticks, dirt, trails, dogs, clouds, and dried sunflowers in the wind. In addition to realistic depictions of nature, my paintings reflect on the psychological and emotional state of being in nature. The title of the show is Always Running at Sunset, which is meant to be taken …

An Infinite Horizon: Space, Time, & Mind In The American Imaginary From Thomas Cole To Agnes Pelton, 1825-1961, Jason Friedman

Theses and Dissertations

This thesis examines how artists, intellectuals, spiritual seekers, and industrialists represented the American horizon across the nineteenth and twentieth centuries. The purpose of this inquiry is to show how art transmuted ideological and religious beliefs across time and to demonstrate the interdependence of esoteric self-perceptions and American hegemonic power.

Pissing In The Pleasure Garden, Ellen Hanson

Theses and Dissertations

In this paper I will discuss self-representation and how my paintings refer to self-sexualization on the internet and depictions of muses in art history, allowing me to occupy the joint role of artist and muse through the repetition of my own image. My thesis exhibition, Pissing in the Pleasure Garden, uses freestanding canvases to imitate the form of a Hortus Conclusus. I use the closed garden to contend with the contradictions of control, eroticism, and voyeurism. Similar to the landscape of the early internet created by blogs and camgirl sites, the closed garden is both public and private.

What Sound Reveals To Our Eyes: The Intersection Between Subconscious Thought And Real Imagery In Experimental Film And Sound Design, Mireille G. Heidbreder

Theses and Dissertations

The impetus for making films that conjure up atemporal, interconnected spaces suggestive of a unique reality has been influenced in large part by Michel Foucault’s idea of heterotopia, or the creation of a new world by joining together discursive spaces. As such, my practice begins with the collection and re-imagination of these discursive spaces through a combination of an in-depth exploration of little-known landscapes and the organic observation of the natural realm in relation to the human world. By combining various mixed media including digital, film print, as well as re-purposed archival footage, I alter the filmic quality of the …

In Present Past: Sun Tunnels And The Historic Reconstruction Of Vision, Patrice M. Capobianchi

Theses and Dissertations

The following study investigates how Nancy Holt’s Sun Tunnels makes effective use of time and land to reprogram the modern viewer’s eye. By utilizing sculpture that is reminiscent of pre-historic observatories as an observational framing device against the landscape topography, the artwork succeeds in presenting a historic reconstruction of vision.

Words Are A Pipe, Kyle Michael Utter

Theses and Dissertations

A painter retraces the steps he took in making one of his paintings from beginning to end. Rather than explicitly ascribing a series of concerns or goals to his studio practice in general, he recounts the material choices he made over an 8 month period of making a specific painting of an interior landscape. The essay begins with a consideration of the written word and its potential shortcomings in describing the creative process. Warned of writing’s pitfalls, the reader proceeds onto a meandering path of written introspection as the painter reflects on his art-historical references, his sources of imagery, his …

Through My Window, Haiyin Liang

Theses and Dissertations

I convey my thoughts through art jewelry; making jewelry is my language of communication and commemoration. Inspired by historical Chinese art and contemporary jewelry, my practice pays attention to bring classical Chinese aesthetics of hazy poetic and ideal arrangement into the contemporary jewelry field. The attention to detail refers to the quiet contemplation and emotional experiences encouraged by each of my works. Through my research, I use metalsmithing language to communicate with non-precious materials finding my own way of expression and meditation. Meanwhile, I build environments that display jewelry off the body in order to construct a picturesque landscape. The …

A Chair In The Woods, Victoria Dolloff

Theses and Dissertations

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.

Invisible Forces, Sarah E. Mullin

Theses and Dissertations

I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.

Between Rock And Breeze, Lena Schmid

Theses and Dissertations

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.

The Third Coast, Catherine Jane Davis

Theses and Dissertations

The Third Coast is a photographic exploration of the vernacular landscape of the US Gulf Coast. Stretching some 1,600 miles from the mouth of the Rio Grande in Texas to the Florida Everglades, America's southernmost shore is vast and complex. The region is a patchwork of both the natural and built environments, a tangled combination of history and geography, culture and ecology that reflects an intimate and ever-evolving relationship between man, land and sea. The Gulf Coast resists tidy hierarchies or easy classification. Rather, the rhythms of the region comprise its own syntax, a way in which seemingly dissimilar locations …

Memory Of A Landscape, Elizabeth Halliday

Theses and Dissertations

Artist Statement

Creativity is one of my strongest talents. As a visual person, I understand and interpret the world through observation and analysis. Nature intrigues me. I find it awe inspiring how the natural environment can change so dramatically day-to-day. As a result, I record my experiences and memories of landscapes and seascapes.

My areas of interest are painting and computers in the arts. I am an abstract painter and my media consists of acrylic, watercolor, mixed media, and digital imagery. I create low relief and rough textures with added materials, and develop layers of paint with a palette knife. …

Outside Things, Jacob Sorenson

Theses and Dissertations

My thesis is a description of the issues encountered during the process of research and construction of the objects leading to, and consisting of, the work shown in Outside Things. The work is my attempt to gain personal insight into the complicated relationship between nature and culture. Through abstract furniture objects, floral patterns, and robots I explore the relationship between actual landscape and the constructed man-made bio-mimicry that convolutes the definition of Nature.

Resolution, Jason Robinson

Theses and Dissertations

This paper is an exploration of the concepts and motivations behind the video installation and performance that made up my MFA Thesis Exhibition. My primary interest as a filmmaker is in the “invisible art” of editing. In my practice I employ iconic imagery such as old home movies and classic Hollywood films, as my source material. This “found footage” is deconstructed, drastically altered, and reassembled into a new movie that tells my story while still maintaining the memory of the original images. My process and philosophy concerning the salvage and repurposing of video is analyzed and discussed. I also examine …

[Aura], Stephanie Benassi

Theses and Dissertations

[AURA] is a collection of photographs of landscapes and objects that have been implicated in fringe beliefs, alternative narratives and the strange events that reside beyond the scope of our everyday experiences. These photographs represent the symbols used to describe phenomena and also concentrate on the areas surrounding the events. My investigation also examines how the affect of the landscape has contributed to the interpretations by those that witnessed it. As a photographic collection, [AURA] investigates issues related to truth, as well as the role of subjectivity versus objectivity in my photographic practice. By concentrating this discussion on issues of …