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Articles 1 - 9 of 9

Full-Text Articles in Arts and Humanities

Still Life Happens, Mary Ann Crabtree Apr 2024

Still Life Happens, Mary Ann Crabtree

Theses and Dissertations

After dedicating over two years to pursuing an MFA degree focused on ceramics and sculpture, I find myself transported back to a familiar setting from my past: a tableau reminiscent of what remained in the dining space after four young children finished a meal and exited the room. Revisiting the scene recalls happy times despite the disorder. What helped maintain my sanity during the relentless repetition of the every-day-long task was the realization that every day, innocents are learning to become aware of the world around them. For my thesis exhibition, I created a tableau as a loud reminder of …


Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao May 2023

Dulce Sueños De Tierra, Sweet Dreams Of Earth, Jordany Genao

Theses and Dissertations

Jordany's paper congregates their archival research into an art practice that examines the decolonial impulse to excavate the self and produce autonomy. Using ceramics to reference and re-animate Taino ritual objects found in museums, resulting in alternative museology, their work seeks to honor Caribbean ancestors by subverting colonial history.


Contact Sheet, Jiwoong Jang May 2023

Contact Sheet, Jiwoong Jang

Theses and Dissertations

Jiwoong’s thesis paper is a field guide to how he navigates his curiosity with photography, sound, sculpture, ceramic, and installation. Connecting fragments through narrative vignettes, he underscores how chance, walking, light, time, and uncertainty inform his art.


Emotional Reverberations, Kirsten Heteji Mar 2019

Emotional Reverberations, Kirsten Heteji

Theses and Dissertations

Projecting psychological mindscapes onto domestic objects allows for an emotive and bodily connection to the domestic realm. Body, for me, is the clay and how it holds touch and softness indexically recording the actions of making in the final forms. Pushing, pulling and pinching clay evokes sensations that connect the maker’s body as well as the observer of the work to participate. I shift expectations by experimenting between the hard and softness of bodily material like clay, giving it emotional fragility in how it contrasts the original structure it imitates. I think about creating objects and the arrangement them of …


Restoration, Shannon M. Slaight-Brown Jan 2017

Restoration, Shannon M. Slaight-Brown

Theses and Dissertations

The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.


Threshold, Marisa Finos May 2014

Threshold, Marisa Finos

Theses and Dissertations

Are the threshold experiences encountered between waking and sleeping similar to the liminal space between life and death? The sights, sounds, and bodily sensations experienced in the unconscious void blur the lines between the unknown and our conscious existence. Using the figure, I portray how the body might exist in these transitional moments. Through my investigations into sleep paralysis, dream states, and notions of an afterlife and the soul, I explore how we perceive the self in these altered states of consciousness.


The Dragons In Your Dreams, Jacquelyn Walther May 2012

The Dragons In Your Dreams, Jacquelyn Walther

Theses and Dissertations

What if every craving that you ever felt stayed with you forever? Suppose facades couldn’t exist, and what should only be the deepest, densest core of a desire was formed into a mass, a body. Its will matching yours in its physical presence. I make creatures that are embodiments of emotions. In this study I mainly focus on desires and inhibitions surrounding romance. I explore anatomical structures and how material make-up can directly reflect emotional character. In this exploration, the materiality of clay allows for a thorough manipulation of the composition of the creatures. In this I am also able …


Voice On The Skin, Sarah Turner Apr 2010

Voice On The Skin, Sarah Turner

Theses and Dissertations

“The body can write on the skin from the inside—the soul, the mind, and the passions rise to the surface in boils, blushes, and rashes, and the invisible inside speaks by writing from the other side of the page”. -James Elkins Skin not only covers but reveals what is behind it. I utilize its language as indicator of flaws and pathologies. I depict and manipulate this, not just as it already exists with the human body, but as projections of my psychological states onto inanimate objects. Proposing that sight is a kind of touch, we touch with our minds, through …


Indeterminate Lines, Hyun Kyung Yoon Jan 2007

Indeterminate Lines, Hyun Kyung Yoon

Theses and Dissertations

My thesis work is about flow. Indeterminate lines symbolize the developing plant form and explore the perception of space by experimenting with the subject's proportion and shape. Movement is also a vital factor of space, a notion found in the early forms of cursive script (grass script) of Far Eastern calligraphy. My individual plant pieces work as dots and lines of cursive script. An installation's ceramic pieces illustrate similar flow and movement when viewed as a whole.