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Full-Text Articles in Arts and Humanities
A Grid And A Shadow, Henry Glavin
A Grid And A Shadow, Henry Glavin
Theses and Dissertations
Henry Glavin's acrylic paintings on panel of architectural interiors and facades use repetition, contrived light, unreliable shadows, photographic posture, and compressed detail to create uncanny spaces that generate an air of silence.
Every Force Evolves A Form, Nicholas Fusaro
Every Force Evolves A Form, Nicholas Fusaro
Theses and Dissertations
Every Force Evolves A Form is a process-orientated, sculptural body of work that incorporates Shaker-inspired design as an all-encompassing system of display. Historical and contemporary methods of production are merged with the personal, the American past, and folklore, emphasizing scale, movement, play, and iteration.
The Object Memory Palace, Amra Causevic
The Object Memory Palace, Amra Causevic
Theses and Dissertations
I am interested in orchestrating instances of potentiality or concrete possibilities that proposes the futurity of play through means of touch, activation, assembly, and interaction within art spaces. The installation mentioned is composed of found objects and repurposed materials that address themes of place, memory, object-ness, and the archive, through gestural means of poetics and map making. It is an invitation to create new logics and find moments of empathy, connectivity, and hopes for a collective.
Defense In Desolation, Dounia Bendris
Defense In Desolation, Dounia Bendris
Theses and Dissertations
This paper discusses different forms of defense strategies in architecture throughout history as well as how a building’s function morphs over time in relation to the political and social climate that surrounds it. Both of these concepts provide a framework for understanding my thesis drawing, “Defense in Desolation,” which uses bunkers in abandonment as a reference to the psychological impact of architecture outside of functionality.
Constraint And Control, Patricia Ayres
Constraint And Control, Patricia Ayres
Theses and Dissertations
I have long considered themes of the body. Drawing on my knowledge as a fashion designer, I bring materials and hardware from the fashion industry into my artwork transforming and rendering them non-functional. My sculptures relate to stories of isolation, separation, and confinement. The following pages will analyze how the United States penal system controls, constrains and restricts the body through physical and psychological wounds. Furthermore, they will examine how the Catholic Church controls people’s minds and behavior through a ritualistic belief system.
Profanation, Tsahi Zac H. Hacmon
Profanation, Tsahi Zac H. Hacmon
Theses and Dissertations
This paper attempts to provoke an Israeli American dialogue that comes through profanity of conventional architecture. I am creating this dialogue by displaying two main subjects in proximity to each other: border architecture from Israel and institutional architecture or non-places in New York.
Isolation, Hollis B. Mccracken
Isolation, Hollis B. Mccracken
Theses and Dissertations
My work investigates a lifelong passion for buildings, homes, and architecture. Buildings are more then shelters made of wood and screws; I personify them as if they were living breathing creatures. I’m particularly drawn to rundown and abandoned structures because I empathize with these sad looking buildings that were once majestic. This personal connection exists because I view them as versions of my former self, rough around the edges with a promising interior. Expanding beyond vacant and decaying buildings, I portray my experiences within fabricated architectural systems. I communicate with building materials and architecture through their many layers of physical …
Choreographic Space, Kelsey Sheaffer
Choreographic Space, Kelsey Sheaffer
Theses and Dissertations
This thesis, Choreographic Space, and accompanying exhibit is an arrangement of contemporary work being done in the cross-over between movement, drawing, sound and architecture. The thesis develops a lineage of choreographic thinking through a fissure in the classification of a dance as necessarily the body in motion. Through the link of the “choreographic object,” Choreographic Space asks how an interdisciplinary exploration of the principles of movement can reveal novel ways to think about the body in space.