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Full-Text Articles in Arts and Humanities

Mark Twain And Critical Thinking In The Secondary Classroom, Daniel Zehr Oct 2013

Mark Twain And Critical Thinking In The Secondary Classroom, Daniel Zehr

Theses and Dissertations

This qualitative study will explore and evaluate the school literacy practices of high school-aged participants at the freshmen level (grade 9). It will interpret their analysis, comprehension, and critical thinking skills through an examination of confidence, abilities, and fluency through discussion and student-led dialogue. Building on previous research regarding critical thinking skills, the researcher hopes to articulate the ways in which students with varied levels of ability (grades 9-12) may be able to use their literacy learning to demonstrate critical thinking skills that will enhance their reading fluency, comprehension, and analytical skills and to foster an appreciation of literature and …


Full Export, Thomas Simon May 2013

Full Export, Thomas Simon

Theses and Dissertations

The presentation of a variety of research pertaining to the graduate work of Thomas Jefferson Simon and his thesis show "Full Export".


Modular Envelops, Rotem Tamir May 2013

Modular Envelops, Rotem Tamir

Theses and Dissertations

This texts in about my thesis show; Modular envelopes which was presented in the Anderson gallery at may 2013. The text speaks about my individual process of making both this particular work and art in general.


A Hole In The Wall, Carl Marin May 2013

A Hole In The Wall, Carl Marin

Theses and Dissertations

A collection of life experiences, and inter-monologues that attempt to shed light on my artistic process.


No Love For Illusion, Alexander Hayden May 2013

No Love For Illusion, Alexander Hayden

Theses and Dissertations

I remember being young and being told that birds had special pads on their feet which prevent them from getting electrocuted when they sit on electrical lines. I was told on a different occasion not to put my finger into electrical sockets, so, one day I tried a key. I do not have special pads on my hands. In middle school science class I explained the fascinating pad theory to my class only to find out that I was wrong, and if I aim to be so serious sometimes, perhaps I could at least be funny.


We Dream Of An Age That Is Equal To Our Passions, William Winks May 2013

We Dream Of An Age That Is Equal To Our Passions, William Winks

Theses and Dissertations

We dream of an age that is equal to our passions is a series of soliloquies and ideas that look at the false narratives I tell myself in order to get out bed in the morning, at the depression that came after failed revolutions, at the unrealistic hopes of my politics, and of my desire to become a whole human being.


Remembering To Look Down: A Thing Not A Thesis, George Ian Mcmahon May 2013

Remembering To Look Down: A Thing Not A Thesis, George Ian Mcmahon

Theses and Dissertations

Thoughts on magic, spectacle, arena, material, materiality, marrow, invincibility, repetition, performance, sculpture, time, decay, temporality, tools, marks, gestures, writing, coaxing, site, stage, architecture, and movement.


Fragments Of Social Life, Rachel Leah Cohn May 2013

Fragments Of Social Life, Rachel Leah Cohn

Theses and Dissertations

This paper examines selected events from biography and how those events have influenced my philosophies about art-making as well as the work I have produced while a graduate student at Virginia Commonwealth University. This thesis is an attempt to give an expanded context for my work through various lenses, including the personal, the traumatic, the historical and the material.


Shift, Gittins George May 2013

Shift, Gittins George

Theses and Dissertations

Using Eduard Manet and Alex Katz as an entry point into my work, I will discuss seven of my paintings in detail. I will examine formal structures within the work such as color and space and how they relate to the content. I will discuss ideas of voyeurism and notions of the gaze while examining film as a presence. Artifice, art history, desire, personal memory, nostalgia and everyday life are starting points for formal explorations within the work.


Locus, Claire Krueger May 2013

Locus, Claire Krueger

Theses and Dissertations

This thesis explores my practice as it has progressed into video and video installation. I detail my use of cinematic tropes and mechanisms as they function within a spatial installation. I discuss the relationship of my work to other artists such as Pierre Huyghe, Janet Cardiff and George Bures Miller, and Kevin Cooley who also deal with themes of landscape, spatial displacement, and video viewing. My work has evolved to video installation from a need to experience the traditionally flat viewing plane of photography in a more experiential way. The Locus installation is multi sensory, in that it addresses smell, …


Hissār, Sohail Abdullah May 2013

Hissār, Sohail Abdullah

Theses and Dissertations

Hissaar is a noun and a verb, it is the periphery and the extremities, and the walls and the fortress. And it is to encircle, to wrap and to contain. This paper is an inexhaustive account of thoughts, experiences and lessons learned, of varying forms that influence my aesthetic sensibilities, my art-value system, and my art- ethical concerns. They provide for my art the impetus for its perpetual (and perhaps circular) journey. It is about finding connections between the fraying ends of free floating ideas. The following fragments explores how words make ideas, ideas make images, images make memory; memory …


Naturalis Historia, Reconstructed, Sarah Briland May 2013

Naturalis Historia, Reconstructed, Sarah Briland

Theses and Dissertations

When Pliny the Elder wrote Naturalis Historia around 70 A.D., the idea of natural history contained and connected biology, geology, and mineralogy with the history of painting and sculpture. Art was an extension of the natural world as its materials were extracted from plants, animals, and, particularly, mined and quarried pigments, stone, and metals. In my developing body of work, Incidents of Naturalis Historia, Reconstructed, I combine wasps’ nests, architectural fragments, and other found objects excavated from my surrounding environment with elements of glass that resemble lichen, crystallization, and geologic specimens. These works simulate artifacts of an alternative history; one …


Chapter Three, Ruby Troup May 2013

Chapter Three, Ruby Troup

Theses and Dissertations

Where does the story begin and what are the different chapters? What forest is she traveling through and where does she store her baggage? Where are the doors that she needs to open and why must this path, follow her like a shadow? What does she shelter and what does she let sit out in the rain? What does she allow to fracture and will a wall be broken? Is she searching for something that can be found and did she leave enough breadcrumbs to find her way back?


Subduer, Lauren B. Miller May 2013

Subduer, Lauren B. Miller

Theses and Dissertations

By reclaiming and translating the use of material in my work, I speak of oneness on a basic physical level. As the body in the images slips in and out of focus in abstraction of material, the objects patiently wait to be interjected into the composition of the space as a whole.


Underlying Conditions, Mariam Eqbal May 2013

Underlying Conditions, Mariam Eqbal

Theses and Dissertations

The following is a collection of lines, curves, and dots on a plane, representing words fashioned to communicate my ideas about relationships between the thing and the nothing. This thesis is like a map, a contour drawing, an assortment of lines, speaking my thoughts about things in relation to space and time. As something moving, developing into another thing, as a thing sentient, I am viewing, performing, and processing incremental acts. I am looking at water and I can see my reflection break into a thousand pieces. It is like watching time.


Incremental Storytelling And Calypsis: A Hypertext Fiction A Critical Introduction, William Trent Hergenrader May 2013

Incremental Storytelling And Calypsis: A Hypertext Fiction A Critical Introduction, William Trent Hergenrader

Theses and Dissertations

This critical introduction to Calypsis: A Hypertext Fiction argues that university creative writing programs should make full use of the institutional space, time, and resources available to them by introducing students to different types of writing projects and engage students in critical discussions about creative production, activities that they are unlikely to find outside the university's walls. These activities includes experimenting with digital tools, creating multimedia compositions, and producing collaborative work, as well as situating creative writing as an embodied act within specific historical, political, and material conditions. Herein I forward my theory of incremental storytelling, which is informed by …


The Economy Of Indifference, Nicholas Irzyk Apr 2013

The Economy Of Indifference, Nicholas Irzyk

Theses and Dissertations

The following monologue examines the personal, cultural and ethical viability of abstraction in a contemporary painting practice, conducted on the eve of my thesis exhibition.


Birds Of Prey, Shauna Kirkland Apr 2013

Birds Of Prey, Shauna Kirkland

Theses and Dissertations

As a child growing up, I was always in love with the ritual of “dress up”. Whether it was my dolls, various reluctant pets, or myself, it was always an activity I loved. It is not surprising then that adornment has become the medium through which I express myself and bring my fantasy world to life. Jewelry and accessory have the potential to lead many lives. One particular piece can change entirely by putting it on one body as opposed to another, or by removing it to see it as an object. In fashion, the body is the canvas and …


Query: How Does The Never To Be Differ From What Never Was?, Robert Scott Whipkey Apr 2013

Query: How Does The Never To Be Differ From What Never Was?, Robert Scott Whipkey

Theses and Dissertations

The feeling of a narcotic cannot be put to words, just as the sensation one receives from her or his favorite artwork is impossible to record. Equally, both these delicacies of modern existence must be sought out. The user/viewer only gets a tiny taste and must therefore keep coming back for more. Utopia may be an unrealistic construction of culture, but I would posit the idea the both narcotics and art strive to give us just that – however tiny a taste. This paper addresses the intersections of visual art, drugs, anti-hero worship and contemporary representations of Romanticism throughout the …


Day Folder, Raewyn Martyn Apr 2013

Day Folder, Raewyn Martyn

Theses and Dissertations

Provisional or unfinished images, forms and actions can sustain their status by continuing to change. This can resist programmed experience of their state, and shift their relationship as images within time. The sub-aesthetics of the unfinished and entropic can alter our understanding of where and how images are formed and located within time. My paintings each exist within their own emergent systems of time, structure and productive disorder. This thesis discusses these ideas in relation to DAY FOLDER and other work made during my MFA studies.


Constant Motion, Daniel Rowe Apr 2013

Constant Motion, Daniel Rowe

Theses and Dissertations

This thesis contains my writings and concept development, as it relates to personal history, time and animated art. This is explored through various methodologies, including short story and Zen meditative writing. As a companion to my recent thesis exhibition, this paper looks to make logical, emotional and spiritual connections between my art practice, ritualized cultural tropes and contemporary views of mortality.


My Mechanics Of Justification, Veronika Pausova Apr 2013

My Mechanics Of Justification, Veronika Pausova

Theses and Dissertations

This document examines the theory behind the process leading to my paintings, as well as the content of the images I use. The former will invoke romanticism, infinite possibilities, and the need for having certain parameters and flexible rules. The latter will talk about sentimentality and contemporary culture. I will explain the mechanics of justifying the choice of a particular way of painting: the push and pull between the loaded content of an image versus the language of painting itself.


Some Account Of The Art Of Photogenic Drawing, Joseph Minek Apr 2013

Some Account Of The Art Of Photogenic Drawing, Joseph Minek

Theses and Dissertations

This thesis is an overview of the processes and procedures used in the production of my artistic practice. In my work, I explore notions such as the ambiguity of the photographic image, what constitutes an image or object as photographic, and the unexplored possibilities of the medium through surface and mark making. In addition, I draw inspiration from artists Wolfgang Tillmans, William Henry Fox Talbot, and Marco Breuer as entrance points to my conceptual interests. For viewers, my work generates an internal dialogue about the limits of the photographic medium.


Forever Starts Now, Lior Modan Apr 2013

Forever Starts Now, Lior Modan

Theses and Dissertations

Moms as historical perspectives, abstraction and image making; Through stoves, swimwear and carpets. Then, one hope- That one-day history will become yours and mine.


Stalling Life, Leslie Rogers Apr 2013

Stalling Life, Leslie Rogers

Theses and Dissertations

Using a diagram, glossary, anecdotes, and first-person narrative histories, I explain how I use sculptural installation, image making, and serendipity to exploit the illogical to the point of being meaningful.