Arts and Humanities Commons^™

Ordinary Disorder, Jonathan S. Tracy

Theses and Dissertations

The pictorial spaces in my paintings are found through many drawings, based on memories. In these drawings I use the architectural technique of paraline drawing, in pointed contrast to one or two point perspective. With a fixed point of view unavailable, the viewer or reader becomes the writer too. This is what I intend. The paraline method also engages specific corners of art history to which I relate, including woodblock prints of Japanese interiors, Chinese brush painting landscapes with houses, and the shifting, rotating perspectives found in Baroque painting. My intensely personal memories/drawings are transfused into highly material finished paintings. …

The Twilight Zone: The Confluence Of Childhood Scenes And Future Anxiety, Jongwon Bae

Theses and Dissertations

Jongwon Bae’s paintings reflect his childhood memories as an archive that is to be repressed until it manifests itself in uncertain ways as it becomes confluent with the anxiety about the future.

Intertidal, Alta Buden

Theses and Dissertations

Master of Fine Arts Thesis by Alta Buden. This paper details her process and research leading up to a body of work focused on our relationship to water, as she creates a series of sculptures about the waterways surrounding New York City beginning with the Superfund site Newtown Creek.

Mythology And The Black Female Body, Zatara Mcintyre

Theses and Dissertations

Mythology and the Black Female Body is an in-depth examination of the work of Zatara McIntyre. In this research, the personal, cultural, artistic, and religious underpinnings of her work are further investigated, with consideration given to a selection of artworks.

A Chair In The Woods, Victoria Dolloff

Theses and Dissertations

Victoria Dolloff's MFA Thesis considers traces of play and perception in the development of her artwork, exploring the idea of reorientation through subtleties of the absurd. Her installation Untitled (Landscape) questions object as place and place as memory utilizing fragmentation as reconstruction.

Invisible Invisibility, Eugina Song

Theses and Dissertations

White America assumes its culture is the default, and Asian culture as foreign and irrelevant. I address Asian invisibility by using canvas structure as a Western framing device of painting, and make this cultural barrier visible by breaking out of the frame. Deriving from Dansaekhwa, I challenge the Western painting structure with materiality.

Healthy People Are Bad For Capitalism, Eri King

Theses and Dissertations

Healthy People are Bad For Capitalism is a four part installation that creates an alternative space for the chemicals, Red 40 and Monosodium Glutamate. Presented as a holistic center that offers healing services and remedies, Center for the Red 40 and MSG Healing explores the homeopathic doctrine of Like Cures Like (what make a human ill also cures them) through the relationship between Traditional Japanese Healing Practices, and Western Capitalism.

Healthy People are Bad For Capitalism presents Red 40 MSG Apothecary, Red 40 Zen MSG Healing Rock Garden, Theta Wave Eternal Flame Meditation and Red 40 MSG …

Between The Alarm Clock And The Cell Phone, Sam Bornstein

Theses and Dissertations

The temporal-cultural matrix of fantasy refers to the relationship between the artist’s use of fantasy, and the sense of time and culture that is particular to their experience. It also refers to the way in which fantasy and the Fantastic can provide a space for critique, escape, relief, or commentary on those conditions.

Tender Generic, Aisling Hamrogue

Theses and Dissertations

Aisling Hamrogue searches to uncover the power dynamics underlying socially constructed signifiers of human emotions.

Tipping Point, Pang Z. Vang

Theses and Dissertations

What happens to a woman at the tipping point under oppression in a patriarchal society? How does she behave? Pulling from the vagina dentata mythologies, and personal and collective experiences of rape culture, I formed a body of work which problematize the stereotypical narrative of victim/perpetrator. As a visual and conceptual exploration, my work explores the themes of desire, agency/non-agency, and violence [as it manifests within and outside of the body]. Utilizing visual and conceptual quotations from film, pornography and sex toys, these works subvert the exoticized stereotype of the Asian woman as sexual plaything.

Tuff Breeches, Arkadiy Ryabin

Theses and Dissertations

In consideration of language and it’s relationship to information and knowledge, the author explores personal set of events in relationship to that of the public, via forms of orality. 19th century American literature is posited as a hangover influencing contemporary events.

Mi Familia, Pnina Abramovich

Theses and Dissertations

The relation between specific art practices and the ethical and mystical ideas behind my work constitutes the core of what I’m doing. Using analogies between nature and culture, pagan and contemporary tradition's practices and symbols, primitive and modern art-making practices as a way to reflect on humankind's relationship with nature.

Theory For A Starving Obese, Ishai Shapira Kalter

Theses and Dissertations

Theory for a Starving Obese (2017) is both a book and an installation. During the years 2015-2017 I began writing Theory for a Starving Obese; a collection of essays and art criticism about exhibitions that took place in white cubes in New York. I was following my dissatisfaction, and hoped to delve deeper into the question “What is Contemporary Art?” At the end of a process, I sent seventeen envelopes to artists who exhibited solo shows in New York and whose works I have criticized. Each envelope consists of one digital drawing (שרבוט, pronounced Shirbut), DVD with the …

Invisible Forces, Sarah E. Mullin

Theses and Dissertations

I seek abstract forms evocative of the underlying structures in nature. I paint sensations of vibrating light, deep space, and vast scale in an imagined image. These paintings combine an inner abstract dimension with landscape imagery to communicate to the viewer that we are a part of what we sense in nature.

Phantom Nation, Peter J. Hoffmeister Mr.

Theses and Dissertations

Phantom Nation is a sculptural installation consisting of “document-objects,” sculptures created using declassified and leaked U.S. government documents as their source.

Between Rock And Breeze, Lena Schmid

Theses and Dissertations

My thesis project consists of a series of works on paper and songs about the collusion of the body and nature. I use a lens that both distorts and makes clearer the ineffable ways our bodies shake their boundaries, moving without us and within us.

Summer Light, Sara Dolatabadi

Theses and Dissertations

"Summer Light" is a film about family dynamics. Using light as a defining factor, it looks at the relationship between the director’s parents and her daughter. It is the her response to a desire to record and safeguard intimate moments of an ordinary day before they disappear.

Absence Is Presence With Distance, James Bayard

Theses and Dissertations

Prompting obvious considerations for freedom and nationalism, language and race, time, and decay, the work asks not only what it means to be an American today, but also, more broadly, what it means to be human—to breathe and act, to live and die.

My Giants, Teodora Altomare

Theses and Dissertations

My Giants is a thirty minute documentary about two journeys. During the first, in 2015, the filmmaker documented the story of Xylella fastidiosa, a bacteria responsible for the loss of many thousand-year-old olive trees in the Italian region of Puglia. During the second visit, in 2016, she witnessed the illness of her father.

By weaving together the two stories, My Giants is a snapshot of a transitional moment in the filmmaker’s life, a moment when illness became an opportunity to reconnect with her roots.

I Like America: Painting In The Expanded Field, Isaac Aden

Theses and Dissertations

Using Structuralist theory, Krauss created a Klein group diagram. the diagram included site sculpture, construction, marked sites, and axiomatic structures.Could the same strategy be applied to painting? As I attempted to engage painting from a critical perspective, I formed of a body of work entitled Painting in the Expanded Field.