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Fine Arts

LSU Master's Theses

Ceramic

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Course Over Ground, Kyle James Bauer Jan 2011

Course Over Ground, Kyle James Bauer

LSU Master's Theses

This exhibition, Course Over Ground, cohesively combines a metaphorical reference to maritime navigation with sculptural forms that convey balance, tension, and control. My mixed media sculptures are conceived with an adherence to the formalist perspective of objects. Each sculpture exists as an honest form. The work, and my intention in making it, is evidence of the process of breaking down selective images or objects into what I understand to be their purest representational forms, such as a squares, cylinders, pyramids, and rectangles. I allude to themes and the metaphor of a journey, which coupled alongside my continual quest for self-discovery, …


Communiplaytion: Getting Our Hands Dirty Together, Brooke Tyson Cassady Jan 2011

Communiplaytion: Getting Our Hands Dirty Together, Brooke Tyson Cassady

LSU Master's Theses

CommuniPLAYtion: getting our hands dirty together is a weeklong installation of a collective ceramics studio implanted in Foster Gallery. It is a participatory and interactive exhibition that demonstrates how material play creates moments for personal reflection and contemplation, while also facilitating communication and social relations within a specific place. CommuniPLAYtion is an opportunity for an altruistic exchange among individuals in contrast to the monetary transactions that momentarily connect strangers. These engagements, similar to the “Do-It-Yourself Geopolitics” of other contemporary artists, empower individuals to develop modes of interaction that suit their interpersonal needs. The exhibition, communiPLAYtion enables the basic precursors that …


Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene Jan 2005

Re-Envisioning My Backyard, One Brick At A Time, Kimberly Ellen Greene

LSU Master's Theses

My work is inspired by my immediate environment. I am especially interested in places which exhibit visual evidence of history, of industrial, natural and human life and the corresponding cycles of building, abandonment, destruction and salvage. In Baton Rouge, these relationships are dramatic, the lush vegetation, birds and overwhelming presence of industry make this interplay constantly tangible. My current work began with the phenomenal concerns within the struggle of nature and industry. Newly built industry is highly ordered, the perfect symbol of not only technology, but also control. However, older industry is more chaotic, with the initial order obscured over …


Projected Idol: A Madman's Obsession, Aaron Paul Hussey Jan 2002

Projected Idol: A Madman's Obsession, Aaron Paul Hussey

LSU Master's Theses

My art work explores societal issues and the effects of accepted norms on the public and on myself. The baseline issue is security. People will go to extremes to feel secure! My goal is to create images that will start a dialog that addresses these issues and disseminates information that will cause social change. Projected Idol: a madman’s obsession is a sculptural installation that examines the theme of the ideal male body image in western culture and the mixed signals that are projected through mass media. These conflicting images play a direct role in the security or insecurity of people …