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Fine Arts

Electronic Theses and Dissertations

Anthropocene

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The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow May 2023

The Landscape Does Not Care It Is A Landscape: A Utopian Pessimist Journey In Kentucky., Shachaf Polakow

Electronic Theses and Dissertations

These thesis and exhibition, invite the viewers to travel through different places in Central and Eastern Kentucky. The region’s landscape, like many other American landscapes, is often known to the public through the settler colonial lens—a lens that ignores Indigenous peoples’ history in the region. The work in the exhibition is a response to landscape art's history and its complicity with American settler colonialism- art that was recruited to create a new identity for the settlers and for the country from the beginning of the American Colonial Project. Landscape art was a crucial part of this effort, presenting the land …


Liminal Surfaces, Georgina E. Grenier Aug 2017

Liminal Surfaces, Georgina E. Grenier

Electronic Theses and Dissertations

The poet Ben Okri wrote: “Stories are the secret reservoir of values: change the stories individuals and nations live by and tell themselves, and you change the individuals and nations.” (Stibbe)

In the early 21st Century we are facing numerous environmental problems that are being caused by human activity. This era is termed the Anthropocene , a time when accumulated pollutants are causing detrimental ecological change. Ocean creatures are threatened by increasing seawater temperature, acidifying pH levels and melting ice. On land we are experiencing droughts, alteration of biomes, extinctions and an atmosphere that contains less oxygen per breath than …


Neon Nature, Jessamy G. Mcmanus Ms. Jan 2017

Neon Nature, Jessamy G. Mcmanus Ms.

Electronic Theses and Dissertations

The goal of this work is to explore my painting of nature in our contemporary time, considering the current geological epoch termed the Anthropocene, an era I think of as postnatural. Neon Nature is a collection of portraits of hypernatural creatures I call “pseudo-specimens”. These pseudo-specimens symbolize hypernature, which describes manufactured nature as better than authentic nature. These specimens are painted in vanitas-inspired still life scenes to act as a reminder of our changing nature, or new-nature.

Influenced by living in suburbia where nature is manicured and controlled, I am interested in the divide between the “born” and the “made,” …