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Full-Text Articles in Arts and Humanities
The Truth About Your Monsters, Cassidy Creek
The Truth About Your Monsters, Cassidy Creek
LSU Master's Theses
The Truth About Your Monsters is an immersive and dialogical exhibition formatted as a walk-through storybook environment. Viewers are transported into a child’s make believe world through hands-on stations. By building on the skeleton of an archetypal narrative, audience members are encouraged to tap into their own experience as they contribute imagery and action to the narrative. I call on audience members to discuss personal or universal fears by prompting them to draw images of monsters that represent their fear.
After;Life, Morgan Lynn Anderson
After;Life, Morgan Lynn Anderson
LSU Master's Theses
After;life is an exploration of the time and space between life and death. The installation, created from dozens of woodcut prints, creates this imaginary place, and encompasses viewers through sight, smell, sound, and touch. All elements of this installation are heavily influenced by Southern Louisiana culture and wildlife, and are meant to be familiar enough to provoke personal memory and experience. A set of rituals in the form of three poems, corresponding to three different spirit guides: The Black Dog, The Alligator, and The Opossum, lead the reader through the space from life, through liminal, into death.
This Is Only Temporary, Melanie Robyn Wall
This Is Only Temporary, Melanie Robyn Wall
LSU Master's Theses
This is only Temporary examines my personal history of homes as reimagined spaces. The series of prints in the exhibition depicts reconstructed memories of houses. These visual narratives give context to the installation constructed from handmade paper and raw materials. The framework is reminiscent of housing plans that converge into a labyrinth. Participants actively engage the space, navigating the confined structure. A playful nature runs throughout the prints and installation reflecting upon reinterpreted memories within transitional spaces.
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
A Crow And A Hanger, Kelsey Ann-Morgan Livingston
LSU Master's Theses
A Crow and A Hanger is a body of work that explores and illustrates the nature of life and death through the use of mixed-media drawing and printmaking techniques. My intention for this work, and this thesis paper, is to explain my thought process and how the imagery came to be. For me it is not at all important for every viewer to fully understand each image and the thoughts that went into the body as a whole. I let the images and their titles lead the viewer in a general direction and allow for their personal history and biases …
Facing Reality, Mitchell Patrick Hobbs
Facing Reality, Mitchell Patrick Hobbs
LSU Master's Theses
Facing Reality is a show of landscape paintings and drawings of Baton Rouge, executed mostly through direct observation. Working this way has allowed me to slow down and specifically engage my surroundings and the physical locations that are compelling to me. I am interested in being open to the possibilities provided by experience, and using what I find to create meaningful, honest, and visually poetic pictures.
Echoes And Artifacts, Molly Elizabeth Miller
Echoes And Artifacts, Molly Elizabeth Miller
LSU Master's Theses
Architecture has many different contexts and meanings, but regardless of time and place, buildings act as a physical container of memory. This body of work explores the use of large facades as residue of a personal memory and uses physical deterioration to parallel the distortion of memory as a result of time and emotion. The work makes use of warping and tearing of materials and is created through the combination of large-scale relief prints, drawing, sewing, and the cutting away of materials. The exhibition includes an installation of fabric-based prints, a series of wall-based altered paper prints, and several artist …
Drugged Paranoia And Warlust, Nathan Pietrykowski
Drugged Paranoia And Warlust, Nathan Pietrykowski
LSU Master's Theses
Drugged Paranoia and Warlust are stories of human depravity and violence that happened on an abandoned U.S. military base in the rural world of Indiana. These tales are told through a series of prints, drawings, animation and a comic. Scenes of bombings, mass graves, and drug overdoses are presented as humorous cartoons in playful colors to subvert the viewer into exploring imagery that discusses serious and somewhat bleak issues. The work in this exhibition is both satire of absurd events and trying to find meaning amongst madness.
Urban Monuments, David V. Contreras
Urban Monuments, David V. Contreras
LSU Master's Theses
Surviving in poverty in an urban environment is hard work. Fear of not having basic needs creates desperation, and not being able to improve upon these conditions can test ones patience and faith in others. The simple routine of daily life can be monumental. Small achievements can be huge moments for some and irrelevant to others. One learns to appreciate and hate what one has. Urban Monuments comes from a struggle to understand what painting is to me and the relationship it has with this idea. Working hard to better ones self or ones situation is a noble cause but …
Less Class, More Sass!, Amanda Lee James
Less Class, More Sass!, Amanda Lee James
LSU Master's Theses
Less Class, More Sass! is a visual soundtrack to the crass jokes, hairy faces and smelly wardrobes of my disorderly, and politically incorrect friends. These young men and women have mutated into a ragged crew of personified sasquatches to tell a collection of stories about coming of age in the American punk and metal music subcultures.
In this series of prints the characters grow from aimlessly rebellious youths into hopeless but happy young adults, ashamed of their desires for a nice neighborhood and a steady job. While thrashing through a sea of self-destructive tendencies, each character slowly finds their inner …
Domestic/Terror, Charles Russell Durio
Domestic/Terror, Charles Russell Durio
LSU Master's Theses
The focus of my studio work is an exploration of my interest in the physical and mental dynamics that take place within the confines of my home versus the world outside. The home, spatial arrangements (architecture, passageways), maritime disasters, and the ambiguity of abstract expressionism all have an identifiable impact on my images. Abstraction allows me to maintain a visual ambiguity that often reflects the ambiguity of the real-life situations on which they are based. My drawings are rooted in remembrances of events and interior architecture culled from childhood memories. It also explores the juxtaposition of domesticity and fear, both …
Your Loss, Lauren Jean Hegge
Your Loss, Lauren Jean Hegge
LSU Master's Theses
Your Loss is an exhibition of drawings, photographs, intaglio prints, found objects and prose. Drawn from personal and anonymous archives, the works in the exhibition acknowledge various forms of breakdown, exploring individual reactions and attempts to rebuild from the fragments of loss. Inherent in the work are discussions of remembering and forgetting, finding and losing, building and destroying, growth and decay. This work is both recognition of the desire to hold on too tightly and an effort to learn to let go.
Nature Vs. Nurture, Renee' Noel Smith
Nature Vs. Nurture, Renee' Noel Smith
LSU Master's Theses
My work utilizes the metaphor of the family garden gone wild to represent growing up in a difficult family environment. The plants struggle in an environment that turns the typical, quiet backyard garden into a chaotic jungle. This body of work illustrates a variety of printmaking techniques such as mezzotint, silkscreen, drawing, and etching. The vibration and saturation of intense colors create imaginary plants that are highly illusionistic. The troubled environment is represented by the nocturnal background.
Blood Work, Mack Gingles
Blood Work, Mack Gingles
LSU Master's Theses
The visual portion of BLOOD WORK is a record of my reconciliations with its parts: description based on the photograph, memory, and my concerns for abstraction. I am interested in the nuances of gesture as they convey meaning and evoke memory response. Though non-specific, the space surrounding the figures is emptied to accentuate their psychology. By adumbrating one reality and effacing another I attempt to transform the mundane into what I perceive as the uncanny.
True Image, Janet K. Link
True Image, Janet K. Link
LSU Master's Theses
A still-life is often the painted record of a complex arrangement of objects. My aim in making the visual portion of TRUE IMAGE is to turn this sort of still-life inside out. Rather than arranging a collection of objects and making a painted or drawn image of the set up, I made simple images of things and arranged them with actual objects into three larger tableaux. The subjects of the paintings and drawings are these: checkerboards, objects, portraits, and shadows. The subjects of the tableaux are work (LABOR), home (DOMUS), and church (ECCLESIA). Viewed as a whole the exhibition asks …
Push And Pull, Tessa Ann Mouton
Push And Pull, Tessa Ann Mouton
LSU Master's Theses
“…motion means…passing through time and through space.” “Pushes and pulls seem to be the cause of motion.” - Richard Wolfson. “Push and Pull” is about exploring process. While trying to locate my form of expression and process, I rediscovered my mother’s form of expression and process – crochet. I decided in order to continue forward, I must explore the past.
Drawing Of The Mind, Buddy Harper
Drawing Of The Mind, Buddy Harper
LSU Master's Theses
The rules of drawing I have described are an outline to my method of working. It is to be used like the rules of a game. The thesis paper provides the viewer the basic parameters for looking at my work. The body of work is produced like two people playing a game of chess. I establish the rules and then I develop the work in an investigative manner.
Mixed Feelings, Hillary Mcmahan
Mixed Feelings, Hillary Mcmahan
LSU Master's Theses
My thesis exhibition, entitled "Mixed Feelings," consisted of mostly figurative paintings and drawings. In this body of work I attempted to use fragments of the figure, separately and in combination with various objects and creatures, to create visual equivalents for a range of emotional states.