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Full-Text Articles in Arts and Humanities
Guilt Free Homecoming, Ruby Elliott Zuckerman
Guilt Free Homecoming, Ruby Elliott Zuckerman
Art and Art History Honors Projects
No abstract provided.
Embodying Resistance: The Performance Art Of Ma Liuming, Zhang Huan, And He Yunchang, Jianda Wang
Embodying Resistance: The Performance Art Of Ma Liuming, Zhang Huan, And He Yunchang, Jianda Wang
Art and Art History Honors Projects
Chinese performance artists Ma Liuming, Zhang Huan, and He Yunchang produced works in the 1990s that responded to various forms of oppression prevalent in the Chinese society at the time. Relying on critical theories of Michel Foucault and Giorgio Agamben, this project interrogates the biopolitical domination of the Chinese Communist Party, revealing the strategies these three artists deployed to retaliate against government-sanctioned subjugation. Examining their works within China’s unique sociopolitical reality, this project places Ma, Zhang, and He within transnational cultures of dissent and contends that their performances constitute forces of political resistance that effectively undermine the sovereignty of the …
Four Rocks, Ema E. Erikson
Four Rocks, Ema E. Erikson
Art and Art History Honors Projects
Four Rocks integrates a community of moss and lichen onto four large-scale drawings of coupled figures drawn to resemble the basalt boulders of the Columbia River Gorge. These organisms obfuscate the divisions between the figures, embodying the inextricable role our relationships play in the formation of self. The four diptychs can be reconfigured into various combinations. Physically changing the work’s composition disrupts the figures’ realism, replicating the necessary discomfort of being known intimately by others. The work’s basis in a specific geography rendered from memory interrogates memory’s influence on our conception of self and our ability to connect with others.
Nalini Malani's Medea Project: Gender And Nationhood In Postcolonial India, Maya Varma
Nalini Malani's Medea Project: Gender And Nationhood In Postcolonial India, Maya Varma
Art and Art History Honors Projects
In 1996, renowned contemporary Indian artist Nalini Malani embarked on what would become a decades-long project exploring the Greek myth of Medea as an embodiment of postcolonialism. Considering Medea’s historical interpretations as a mistreated wife and a villainous mother, this thesis examines how Malani transforms Medea into a metaphor of resistance to British colonialism and anticolonial nationalism in post-Partition India. Against the backdrop of the 1947 Partition and subsequent political events relating nationhood with the female body, Malani negotiates Medea as an emancipatory figure who shifts essentialized notions of womanhood into more complex narratives of violence, subjectivity, and liberation.