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Articles 1 - 14 of 14
Full-Text Articles in Arts and Humanities
The Collaged Practice : (Un)Familiar, Raina Beth Wirta
The Collaged Practice : (Un)Familiar, Raina Beth Wirta
LSU Master's Theses
My thesis exhibition is an installation of works including sculpture, video, paintings, a hand made book, sound, and drawings that emanated from a series of two-dimensional collages: self-contained forms that evoke the surreal, (un)familiar, and/or grotesque. Infused with a sort of mysterious being-hood and intended to inspire curiosity (at the least), they are unfamiliar in relation to a particular biological thing, but (mostly) recognizable in the autonomous bits and pieces. I seek to question where our physicality ends and the next form of biological life begins, and our responses to that physicality. With childlike inquisitiveness and wonder, and a healthy …
Without Words : An Exhibition Of Functional Objects, Paul William Callahan
Without Words : An Exhibition Of Functional Objects, Paul William Callahan
LSU Master's Theses
At the core of my artwork lie two essential goals, to make objects that convey my understanding of beauty, and while doing this, to preserve the objects functional qualities. The materials that I select to build with, primarily wood and porcelain, are renown for their durability and longevity, resulting in objects that become a permanent fixture in the life of the user. Through utility, the things that I create infiltrate the lives of those around me and provide an entry point for a conversation between myself and the user via the object. Newly developed technological methods are an integral component …
Suspensory Filaments, Santiago Pineda
Suspensory Filaments, Santiago Pineda
LSU Master's Theses
The interrelationships between vision, desire, and language are the elements that drive my artistic practice. “What is seeing?” “How is seeing related to desire?” These questions are at the base of my interests. I recognize optics as a subset of perception, yet I strive to reform them into interchangeable components. My interest in optics is based on doubt. I’m not interested in optic’s correctness, clinical orientation, or current sophistication, but rather in undermining its limitations. Our culture still struggles to absorb the notion of the sentient being, one example is our acuity of vision being standardized to 20/20. Within my …
Placed Residue, Thomas Lapann
Placed Residue, Thomas Lapann
LSU Master's Theses
“Placed Residue” is a series of eight works that highlight nature and its transformative quality. The video, photos, and sculptural objects, contained in the show, call attention to different materials and how they undergo growth and decay. Using various resources ranging from Kinect to video projection I incorporate the unnatural in order to depict a natural narrative involving the viewer. In order to emulate these natural processes, a cause and effect system had been developed where nature completes the final object. These systems activate the material providing for behaviors to be visible through their tactile qualities and allowing for their …
Domestic/Terror, Charles Russell Durio
Domestic/Terror, Charles Russell Durio
LSU Master's Theses
The focus of my studio work is an exploration of my interest in the physical and mental dynamics that take place within the confines of my home versus the world outside. The home, spatial arrangements (architecture, passageways), maritime disasters, and the ambiguity of abstract expressionism all have an identifiable impact on my images. Abstraction allows me to maintain a visual ambiguity that often reflects the ambiguity of the real-life situations on which they are based. My drawings are rooted in remembrances of events and interior architecture culled from childhood memories. It also explores the juxtaposition of domesticity and fear, both …
Intermix: Traditional Pre-Columbian Art Meets Contemporary Design, Luisa Fernanda Restrepo
Intermix: Traditional Pre-Columbian Art Meets Contemporary Design, Luisa Fernanda Restrepo
LSU Master's Theses
Cultural identity is something that impacts the individual, shaping and influencing them, during their lifetime journey. Each person chooses to embrace that identity differently. For my thesis, I investigated pre-Columbian culture and it’s rich history, specifically source visuals of faces as symbolic forms integrated into my visual study. Exploring: various media, elements that are expressive of national identity, image-making techniques, and my graphic design knowledge as vehicles in my work to uncover a different point of view of my own cultural heritage. The process of finding new graphic representations of traditional pre-Columbian faces, while deconstructing and reconstructing their structure and …
Temporal Cycles, Sarah Anne Shearer
Temporal Cycles, Sarah Anne Shearer
LSU Master's Theses
Temporal Cycles explores how systems and changes in the human body parallel those in nature. The investigation takes the form of a print installation, which captures the essence of bodily processes. The serial nature of printmaking and the organic world plays an important role as biomorphic forms and hourglass shapes are repeated in numerous renditions that breathe, pulse, expand, wither, ovulate, and transform. Labyrinths of pattern, texture, and color connect the symbolic forms as the installation tracks the evolution of processes in the body, and the forms reveal themselves through their pictorial associations.
Conditions Of My Release, Michael Alford
Conditions Of My Release, Michael Alford
LSU Master's Theses
ABSTRACT From the dawn of human history, technology has driven and shaped our evolution as a species. It has vastly accelerated our ability to communicate, create, conquer and do more with less time, space and energy. Throughout the history of Art, technology has forged new methods, movements and Masters. “Conditions Of My Release” is a series of mixed media works that utilizes a variety of common and cutting edge technologies as a way to explore the relevance of “Time & Space” as an influential medium in artistic production. Have they been masked or obscured by the technology used to create …
Color Journal, Meichi Lee
Color Journal, Meichi Lee
LSU Master's Theses
Color Journal consists of a collection of works, which depict landscapes and cityscapes with an underlining consciousness of the interrelationship between humans and their environment. Over the ages, the relationship changes through the history of human civilization. In the current age, nature seems to suffer a losing battle. Therefore, there is a personal nostalgic sentiment to emphasize the beauty of our natural environment and the importance of the balance of the relationship. The image of houses is chosen to represent human activities because of the inherent symbols embedded in houses. All the paintings in the collection rely heavily on memory …
Stillnoticing, Roberta Ann Massuch
Stillnoticing, Roberta Ann Massuch
LSU Master's Theses
The installation stillNoticing contains ceramic still lifes and drawings that illustrate and bring permanence to ephemeral and fleeting moments. The work is an attempt to share my experience of being captivated by the phenomenon of light affecting the perception of objects and spaces. These moments are often found in familiar spaces, with familiar objects. Each work addresses a particular type of looking: one in which the act of noticing an object transforming from one moment to the next becomes a silent, almost meditative experience.
Interiors Imagined And Remembered, Andrew Brown
Interiors Imagined And Remembered, Andrew Brown
LSU Master's Theses
My paintings are about the concept of home and how this notion constantly evolves with each successive experience, changing how I perceive and experience interior spaces. The imagery in my work is limited to common forms such as cardboard boxes and shelving, as these are elements that are easily related to, and that speak to everyday experiences. Color, space and form are manipulated to work within and at times subvert the implied narrative of each painting. Although memory remains an active part of my process, imagination and the exploration of paint’s physical and expressive possibilities have risen to the fore. …
Now And Then, Scottt Arthur
Now And Then, Scottt Arthur
LSU Master's Theses
I am interested in painting that begins in observation and manifests itself as a meeting ground of the subject and myself. My paintings explore color and spatial relationships as well as a surface that is manipulated over time. I often paint from nature on site as well as from small sketches and drawings that are later brought back to the studio and painted on a larger scale.
I Died I Lived : Shaping An Ecological Balance, Shelby Prindaville
I Died I Lived : Shaping An Ecological Balance, Shelby Prindaville
LSU Master's Theses
I Died I Lived: Shaping an Ecological Balance is a body of work about our tenuous ecological situation and the power humanity has to preserve or destroy it. Through a broad range of two- and three-dimensional media, my installation transforms the gallery into an environment that demonstrates the enrichment nature delivers and the compensatory responsibility we have to conserve that experience.
Your Loss, Lauren Jean Hegge
Your Loss, Lauren Jean Hegge
LSU Master's Theses
Your Loss is an exhibition of drawings, photographs, intaglio prints, found objects and prose. Drawn from personal and anonymous archives, the works in the exhibition acknowledge various forms of breakdown, exploring individual reactions and attempts to rebuild from the fragments of loss. Inherent in the work are discussions of remembering and forgetting, finding and losing, building and destroying, growth and decay. This work is both recognition of the desire to hold on too tightly and an effort to learn to let go.