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Articles 1 - 11 of 11

Full-Text Articles in Arts and Humanities

Turn-On's And Edible Friends: An Imaginal Menagerie, Matthew Ryan Henderson Jan 2012

Turn-On's And Edible Friends: An Imaginal Menagerie, Matthew Ryan Henderson

LSU Master's Theses

Turn-on’s and Edible Friends explores alternative sexual behavior. Societal standards have an overwhelming interest in imposing judgment upon sexual identity. The imagery is influenced by taboo and peculiar sexual fetishes. Animal personifications of the fetish are used as satire to detach the viewer from the action, and also as a metaphor for the reins with which the general public takes control over our private relationships. Thus the work becomes confrontational with the viewer and forces them to question their perceptions and comforts about sexual identity.


From Here To There, Dana Statton Jan 2012

From Here To There, Dana Statton

LSU Master's Theses

The photographs in the series From Here to There are not a description of a place; instead, the images are about engaging in a particular type of looking. Elements of “here” and “time” are included in the work; by photographing a moment that will never exist again, transitory objects are imbued with importance. A tree branch drifts, a puddle evaporates, and light shifts, slowly, but immediately. In the midst of this change, my photographs represent specific moments. Integral to the work is the act of finding the photograph, as is the act of framing, taking, and making the photograph. Each …


Eight Thousand Daughters Woven Into Bayou Birds, Megan Marie Singleton Jan 2012

Eight Thousand Daughters Woven Into Bayou Birds, Megan Marie Singleton

LSU Master's Theses

Over the course of the last year I have spent nearly every weekend investigating this aquatic landscape by canoe, deciphering the differences between native and invasive flora and fauna. I am interested in ways that art can address the natural world. My thesis exhibition, Eight Thousand Daughters Woven into Bayou Braids, depicts and interprets the Louisiana landscape, exploring the destructive beauty and materiality of invasive aquatic plants.


North To South, Mercedes Jelinek Jan 2012

North To South, Mercedes Jelinek

LSU Master's Theses

North to South is a series of photographs that reflect ideas of home and community. The images and video components depict portraits of my neighbors taken over the last two years. The individuals I photographed were crucial to my process, for with their help and a simple homemade photo booth, I found a “home” here in the south.


Visual Translation: A New Way To Design A Chinese Typeface Based On An Existing Latin Typeface, Yifang Cao Jan 2012

Visual Translation: A New Way To Design A Chinese Typeface Based On An Existing Latin Typeface, Yifang Cao

LSU Master's Theses

The visual consistency of branding makes a significant difference when successfully introduced to another culture. My study focuses on how to facilitate a smooth visual transition in western branding from Latin letters to Chinese characters. To move beyond traditional Chinese type design, Visual Translation introduces a new method for designing Chinese typefaces using existing Latin typefaces. This web-based educational tool seeks to help Chinese graphic design students and type enthusiasts, with emphasis on designers who are working in a cross-cultural environment to maintain visual consistency for branding.


Up Like Weeds, Danielle Burns Jan 2012

Up Like Weeds, Danielle Burns

LSU Master's Theses

A child playing with matches is forgivable. Kids are curious. They want to explore adult activities through play. Does it stay innocent when that child experiments with the effects of firecrackers in frogs and gasoline on animals? What happens when they light the match? The grey area between childhood innocence and realization of wrong intrigues me and I find it fascinating how adult perspectives of such malicious deeds often vary. Up Like Weeds questions these responses using a collection of narrative prints and freestanding woodcut figures. They visually tell five tales of children in a rural environment acting out in …


Peacocking, Margaux Hymel Jan 2012

Peacocking, Margaux Hymel

LSU Master's Theses

My work attempts to express personal experiences and external observations of the present day western female ethos. Through visual depictions of forms with mixed media, my paintings convey females exposing themselves as sexual beings yet displaced in reality, as the illusion of their character is a projection based on environment and other people. Dressed in intimate garments with different hairstyles or wigs, I reference myself and create various extensions of my persona. Through these facades I investigate aspects of womanhood dictated by a cultural paradigm. I aim to create sexually charged scenes and explore the concept of perception, the internal …


Inside And Outside, Joshua Harry George Jan 2012

Inside And Outside, Joshua Harry George

LSU Master's Theses

The boxing paintings and drawings are not about fighting as much as they are about the fighter’s existence. Many of the images show the boxer training or in an isolated environment in order to show how methodical their lives become. I see boxers as sacrificial athletes, not only because their health is at risk, but also because they must separate themselves from loved ones during training, as well as abstain from certain foods in order to maintain a certain weight. Every boxer is an underdog, in a sense. They are all at risk of losing something, whether it is their …


Permitted Memories And Ornamentation, Salima Mohammed Hasan Jan 2012

Permitted Memories And Ornamentation, Salima Mohammed Hasan

LSU Master's Theses

Hasan, Salima, B.F.A, University of South Alabama, 2009. Master of fine Art, spring commencement, 2012. Major: Studio Art, painting and drawing. Permitted Memories and Ornamentation. Thesis directed by professor Denyce Celentano. Pages in thesis, 18, word in abstract, 116. ABSTRACT My thesis project is a collection of paintings and drawings that juxtapose iconic Islamic ornamentation with portraits of members of my family, both living and dead. The creation of images of living beings, particularly people, has long been banned in Islam and, as a result, the faces of my loved ones have long lived only in my memory. For my …


Color Locality, Michael Frederick Secor Jan 2012

Color Locality, Michael Frederick Secor

LSU Master's Theses

Secor, Michael, B.A. Art, Centre College, 2006 Master of Fine Arts, Spring Commencement, 2012 Studio Art Color Locality Thesis directed by Professor John Malveto Pages in thesis, 10. Words in abstract, 188. ABSTRACT I go outside to make small drawings and sketches of the local landscapes. My paintings are created in my studio. I use the lines and shapes from the drawings as a guide in making a design of color and space. This practice allows me to relate my enjoyment of the outdoors to my interest in color relationships. It is very important to me to spend time outside, …


I Saw Life, David Clayton Williams Jan 2012

I Saw Life, David Clayton Williams

LSU Master's Theses

My thesis embodies the uncertainties and reservations that surround one’s mortality. Dealing with the loss of my father who suddenly passed away two and a half years ago has sparked an emotionally driven artistic process. The abruptness of my Dad being alive one second and with little or no warning deceased the next has impacted my work tremendously. My goal has been to evoke and share the very human emotions that occur during the erratic stages of grief. This research acknowledges the ‘black and white’ absolutes of living and dying, yet those ideas are juxtaposed with the many gray areas …