Arts and Humanities Commons^™

“She Was No Taller Than Your Thumb. So She Was Called Thumbelina”: Gender, Disability, And Visual Forms In Hans Christian Andersen’S “Thumbelina” (1835), Hannah J. Helm

Journal of Gender, Ethnic, and Cross-Cultural Studies

This article explores representations of femininity and disability in Hans Christian Andersen’s fairy tale “Thumbelina” (1835) and select examples of his paper art. In this article, I argue that, on one level, the fairy tale and Andersen’s own paper cuttings uphold feminine and ableist norms. However, on another level, these literary and visual forms simultaneously work to destabilise social prejudices and challenge bodily normativity. I explore how characters and themes associated with the fairy tale and paper art can be (re)read in strength-based ways. In the story, Thumbelina experiences the world through her smallness, and key themes including accessibility, physical …

When Sexuality Becomes Healing: An Interview With Elsbeth Fraanje On Her Documentary Sexual Healing, Johan Roeland

Journal of Religion & Film

This is an interview with Elsbeth Fraanje, the director of Sexual Healing.

Sexual Healing, Johan Roeland

Journal of Religion & Film

This is a film review of Sexual Healing (2022) directed by Elsbeth Fraanje.

The Rhetorical Use Of The Other: An Analysis Of Symbolic Disability In Contemporary Horror Films, Seth Hadley

MSU Graduate Theses

In this research, I examine the concept of the Other in horror films. I use Kenneth Burke’s identification, Jean-Francois Lyotard’s metanarrative concept, and Lennard Davis’s bell curve of normalcy to describe the Other and how otherness relates to disability. First, I discuss how horror films have portrayed the Other historically in a negative context and slowly transition to the virtuous Other, the final girl. Next, I discuss the trend of portraying disability or otherness as an asset or tool in contemporary films like A Quiet Place, Birdbox, and Don’t Breathe. Then, I examine how current horror films explore the implications …

A Man Not A Monster : Reimagining Disability In Hollow Crown's Richard Iii, Taylor E. Uphus

Honors Theses

Traditional portrayals of William Shakespeare’s Richard III (1592) in film interpret Richard’s physical disability as an outward reflection of his evil. In recent years, disabilities studies scholars have reconsidered the historic association of Richard’s physical deformity with immorality. Unlike previous Richard III films, the BBC’s Hollow Crown: Richard III (Dominic Cooke, 2016) highlights Richard’s mental abuse and trauma. While the film does not shy away from Richard’s villainy, its more empathic depiction of Richard contests the one-dimensional stage and film representation of him as a conniving monster. Ultimately, this film presents Richard III to critique society’s treatment of disabled individuals.

Forget Me Not, William L. Blizek

Journal of Religion & Film

This is a film review of Forget Me Not (2021), directed by Olivier Bernier.

Mutual Rescue: Disabled Animals And Their Caretakers, Lynda Birke, Lori Gruen

Animal Studies Journal

In this paper, we explore how caretakers experience living with disabled companion animals. Drawing on interviews, as well as narratives on websites and other support groups, we examine ways in which caretakers describe the lives of animals they live with, and their various disabilties. The animals were mostly dogs, plus a few cats, with a range of physical disabilities; almost all had been rehomed, often from places specializing in homing disabled animals.

Three themes emerged from analysis of these texts: first, respondents drew heavily on the common narrative of disabled individuals as heroes, often noted in disability rights literature – …

The Ableist Gaze And Disability Trauma: How Onscreen Representation Erases The Truth, Emily Brown

Departmental Honors Projects

This project critically engages with disability representation in the media through an uncensored autoethnography of everyday ableism. In particular, it focuses on how the Netflix series Special reveals the duality of representation: being seen is validating yet (re)traumatizing. As a queer woman with Cerebral Palsy, I’ve spent my whole life trying to find myself in TV shows and movies, latching onto the few disabled and disabled-coded characters available. I never felt fully seen until I watched Special: a show about a gay man with Cerebral Palsy gaining independence through a writing internship and romantic prospects. Special allowed me to acknowledge …

Please, Hold Your Toothpicks: An Analysis Of Autism On Contemporary Television, Kellie N. Veltri

Haslam Scholars Projects

In the past decade, there has been a boom in representations of varied identities on entertainment television, including characters with mental illness and disabilities. There has particularly been an increase in television representations of autism spectrum disorders, which has coincided with the reframing of autism in the DSM-5. Exposure to these characters has increased public awareness of what autism actually looks like, but their characteristics are still very narrow and do not represent the full range of people with autism and what their experiences with the condition are actually like. In this thesis, I will explore historic representations of autism …

Shared Resources (Contractual Obligations), Jordan Lord

Theses and Dissertations

Shared Resources (Contractual Obligations) is a feature-length documentary that seeks to understand how various kinds of debt––emotional, historical, moral, social and financial––are entangled in my family. After my dad was fired from his job as a debt collector, my parents declared Chapter 13 bankruptcy––a 5-year debt repayment plan. The film follows my parents over the course of their bankruptcy, joining observational footage of their day-to-day lives with essayistic voiceover narration, my parents’ reactions to an early edit of the film, my family members’ and my own audio descriptions of what is visible in the film, and open captions of the …

Bibliography On Suffering, Simon C. Estok

CLCWeb: Comparative Literature and Culture

No abstract provided.

Disability, Victorian Biopolitics And Oscar Wilde's Dorian Gray, Hiu Wai Wong

CLCWeb: Comparative Literature and Culture

In her article “Disability, Victorian Biopolitics and Oscar Wilde's Dorian Gray,” Hiu Wai Wong discusses The Picture of Dorian Gray as Oscar Wilde’s life writing of the androgynous beauty. Extending his praise of Lord Alfred Douglas in De Profundis, Wilde’s descriptions of Dorian as the androgyne can be read as the demonstration of Michel Foucault’s techniques of the self. She argues that the androgynous beauty can be a strategy of bodily practice that overthrows the Victorian biopolitics which enforces a rigid gender role. Moreover, she explores the notion of camp and Judith Butler’s theory of performance to explain the …

Tears Of A Clown: Reexamination Of Disabled Narrators In William Faulkner's The Sound And The Fury And As I Lay Dying, Alexandra Rose Smith

Electronic Theses and Dissertations

This thesis argues that Darl Bundren of Faulkner's As I Lay Dying, and Benjy Compson of The Sound and the Fury exhibit certain similarities, suggesting that, in relation to Donald M. Kartiganer's model from the introduction of The Fragile Thread: The Meaning of Form in Faulkner's Novels, they would be paired together better than his initial couplings. This argument proposes to discuss why Darl Bundren is the reincarnated version of Benjy Compson in terms of their internal discourses, narratorial skills, and disability within each novel. As both characters could easily be labeled "disabled," this endeavor will also speculate …

Swimming For Inclusion, Alexa Draman

The Review: A Journal of Undergraduate Student Research

This paper attempts to demonstrate how disabilities are portrayed to children through Walt Disney's popular film Finding Nemo. Through this film, children are exposed to inclusiveness which can then transfer to their overall impressions of disability in society. This film ultimately spins the negative connotation associated with disability and portrays it positively as an exceptionality.

Audio Documentary Script: Heroes Behind The Scenes., Farah Hany Tawfeek

Papers, Posters, and Presentations

Audio Documentary: Heros Behind the Scenes This Audio Documentary tells the story of two physically disabled people who made it in life: Magdy Shahir who became a motivational speaker and Amr Osama who, after a horseback riding accident became a ping pong player. It also focuses within their stories on the people who supported them through their journey: for Magdy this was his mom Christina Smith as for Amr this was his coach Mohamad Sakr. Special Thanks to the interviewees: Christina Smith, Magdy Sahir, Mohamad Sakr and Amr Osama. This Documentary tells the story of the struggles of disabled people …

Fantasizing Disability: Representation Of Loss And Limitation In Popular Television And Film, Jeffrey M. Preston

Electronic Thesis and Dissertation Repository

Most media texts currently being developed with disabled characters are crafted by individuals who are nondisabled and, as such, are based on what the nondisabled think it would be like to be disabled—a perception that is informed by the fantasy of disability. The fantasy of disability is a net of ideas, created by no single individual but perpetuated and circulated between subjects and which seeks to contain the danger of limitation, to subject it to a set of societal preconceived notions about what it means to be disabled and how a person is expected to act and react to the …

Blind Advocacy: Blind Readers, Disability Theory, And Accessing John Gower, Jonathan Hsy

Accessus

Toward the end of his life, medieval poet John Gower (d. 1408) composed Latin poetry about his own progressive blindness, and later nineteenth-century Blind readers appropriated Gower’s work as part of a platform to advocate for changed perceptions and opportunities for the blind and other people with disabilities. In this essay, I approach nineteenth-century narrative compilations of blind lives (which include Gower’s) as transformative acts of literary historiography. These compilers not only appropriate the medieval blind poet to advance their own social and political ends, but they also create a new disability-centered approach to the entire Western artistic tradition. I …