Arts and Humanities Commons^™

Visions Of A Captured Mind: Using Expressive Film Techniques To Convey The Experience Of Liberty Deprivation As A Neurodiverse Individual, Sam H. Grant, Ken Fero

Ought: The Journal of Autistic Culture

In this article, I make the case for the use of expressive film techniques to convey the emotional, or affective, experience of neurodiverse people who have been subjected to liberty restricting practices and policy. I do this by discussing my own experience with film practice as a man living with autism, presenting a broader philosophical case for how artistic modes of communication can close affective and social divisions between neurodiverse and neurotypical people, explaining why it is the cinematic techniques I advocate for are uniquely suited to neurodiverse people, and then I showcase some of my own work as a …

For The Love Of: Book Review Of Radiophilia By Carolyn Birdsall, Lucia Vodanovic

RadioDoc Review

Radiophilia, the new book in The Study of Sound Series, discusses radio in the context of recent literature about affects and emotions. Informed by various traditions within media and cultural studies, and guided by the work of Lauren Berlant and Arjun Appudarai, it approaches ‘radiophilia’ -love for, or strong attachment to, radio—as a wide-reaching concept that includes groups practices and social moods and that can be practised in public spaces and communities, beyond interior and domestic set-ups.

From Serial To Subreddit: An Analysis Of Modern True Crime And Web Sleuths, Alyssa T. Compton

English Dissertations

In this dissertation, I assert that the rise of the internet and social media has exacerbated the ethical concerns already present in true crime media. This dissertation argues that true crime web sleuths operate as an effective public, shaping the true crime archive and the genre itself. The aim of this project is to explore the lack of borders between the role of consumers, content creators, web sleuths, and media outlets. Via communication, affect, and archival theory I propose that modern true crime is dependent upon consumers ability to easily slip into the role of producer and vice versa. In …

Screening Bodies: Post-Dictatorship Chilean Cinema, Elaine Joy (Ej) Basa

Theses and Dissertations

Censorship was the modus operandi during Augusto Pinochet’s dictatorship. People and media alike suffered as the oppressive Chilean government suppressed many truths about the Coup, the torture and disappearance of victims and their families, and facts about the state violence that took place from 1973 to the late 1980s. The resulting trauma nurtured a culture of silence, a divided social fabric, and many gaps in historical knowledge. Those who absorbed the media experienced a lack of connection and identification with fabricated and falsified histories, thereby essentially cut off from truly engaging with the traumas of Chile’s dark history. The struggle …

Maria Stehle And Beverly Weber. Precarious Intimacies: The Politics Of Touch In Contemporary Western European Cinema. Northwestern Up, 2020., Paul Ardoin

Studies in 20th & 21st Century Literature

Review of Maria Stehle and Beverly Weber. Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema. Northwestern UP, 2020. 197 pp.

Third Reading Of Early Film Theory: The Turn To Dispositif, Affect, And Action Comedy, Yingjin Zhang

Theoretical Studies in Literature and Art

Early film studies has spread rapidly since the 1990s and become a mainstay in film studies in Euro-American academia, bringing technological innovation, visual culture, and urban modernity into film historiography and thus enriching scholarship in a field previously dominated by close textual reading. This article continues my tracking of early film studies but concentrates on methodological issues of the recent focus on “media archaeology.” My “Reading Early Film Theory: Collective Sensorium and Vernacular Modernism” (2005) introduces Miriam Hansen's theory and Zhen Zhang's book on reconstructing a cultural history of Shanghai film. My follow-up “Rereading Early Film Theory: In Pursuit of …

Visualising Anthropocene Extinctions: Mapping Affect In The Works Of Naeemah Naeemaei, Linda Williams

Animal Studies Journal

While many writers have advocated the importance of narrative as a means of engaging with the problem of extinction, this paper considers what the qualities of visual aesthetics bring to this field. In addressing this question, the discussion turns to the problem of the ethical limits of art raised by Adorno and takes a theoretical turn away from posthumanism to consider how visual responses can redirect attention back to human agency. The focus of visual analysis is on five paintings by the contemporary Iranian artist Naeemeh Naeemaei. Neither exclusively Western nor overtly internationalist in their approach, these artworks refer to …

Imperial Myths, Abject Devotion: Mapping Affect In New Mexican Visual Culture And Discourse, N. C. Lira-Pérez

American Studies ETDs

New Mexican visual art and culture, as molded by state-sanctioned endeavors, is often casted in order to conceal the tension, conflict, and violence of settler colonialism and imperialism. Widely known myths of empire, such as the Tricultural myth, create a visualizing enterprise through which settler colonial logics transit and create political material reality. This thesis explores the following questions: How do New Mexican Hispanos and queer Chicanxs position themselves in relation to the logics of settler colonialism and empire? How are they positioned in relation to settler colonialism and empire? On the one hand, I argue that the state of …

Inclinaciones Del Yo: Aproximaciones Desde El Afecto Y La Vulnerabilidad A La Literatura Y El Cine Autobiográficos De La España En Crisis (2008–2019), Salvador Gómez Barranco

Dissertations, Theses, and Capstone Projects

This dissertation explores the autobiographical literature and cinema produced in the context of a Spain in Crisis (between 2008 and 2019), using recent theories on affect (Brian Massumi, Sarah Ahmed ...) and vulnerability (Judith Butler, Adriana Cavarero…). Through comprehensive close reading, it examines three novels (Clavícula by Marta Sanz, Ordesaby Manuel Vilas and El amor del revés by Luisgé Martín) and three films (Mapa by Elías León Siminiani, True Love by Ion de Sosa, both representative of the Other Spanish Cinema, and Dolor y gloria by Pedro Almodóvar) in order to identify the “inclinations of the …

Terrorists, Zombies, And Robots: The Political Unconscious, Thematics, And Affectual Structures Of The Post-9/11 American Fear Narrative, Nathanael J. Cloyd

English Theses & Dissertations

This dissertation examines the post-9/11 American fear narrative across media and genre. First, it proposes the concepts of the fear narrative, the primary fear theme, and the secondary fear theme. Second, it proposes that the fear narrative has a long tradition in American culture, in which its themes have adapted and evolved in historically sedimented layers of development. Third, it proposes that American fear themes change depending on its historical context of production, its cultural regime, its genre, and the form of media in which it is expressed. To help uncover the political unconsciousness of the American fear narrative, it …

Feel-Sad Tv: Sadness Pornography In Contemporary Serials, Blake K. Beaver

disClosure: A Journal of Social Theory

This article develops a theory of sadness pornographies in contemporary feel-sad television. Under the sad porn category, the essay explores a key sub-genre in contemporary serial dramas: trauma porn. The article is anchored in an affective analysis of two contemporary serials: Amazon's Transparent and NBC's This Is Us, both of which center multigenerational, familial trauma. Through a combined Berlantian and Spinozist optic, the essay attends to various episodes from the two serials to illuminate the phenomenon of trauma porn in current feel-sad media. In this reading, the essay considers how Spinoza's understandings of the temporality of affect relate to the …

Existentialmd.Com: Building Towards An Embodied Internet Aesthetic, Natasha Ochshorn

Dissertations, Theses, and Capstone Projects

ExistentialMD.com is a website that aims to treat the body as an emotional and social subject in an online space that is purposefully bodied and fleshy. The website contrasts original creative nonfiction essays with a formal structure that alludes to the medical website WebMD. Mimicking WebMD’s symptom checker, which asks users to locate their discomfort with increasing specificity before suggesting conditions they might be suffering from, ExistentialMD uses a similar structure to yield results that are more exploratory than diagnostic, and which envision the body as a site of experience and emotionality. Form and content combine to create an …

(And I Can't Stress This Enough) In My Mouth: Extradiegetic Affect As Material, C. Klockner

Theses and Dissertations

(and i can’t stress this enough) in my mouth: Extradiegetic Affect as Material is a non-linear exploration into the structures of feeling that exist in relation to cinema in its role as a technology for generating subjectivity. In the development of this research, a proposal of cinema’s likeness to the ecological circulation of microplastics is drawn in order to illustrate cinema’s materiality and nearly invisible ubiquity. The notion of extradiegetic affect is outlined as a post-cinematic condition in which lived experience becomes secondary to cinematic representation and which, simultaneously, becomes directly shaped by engaging with these representations.

Un/Dead Animal Art: Ethical Encounters Through Rogue Taxidermy Sculpture, Miranda Niittynen

Electronic Thesis and Dissertation Repository

Beginning in 2004, the Minnesota Association of Rogue Taxidermists began an art movement of taxidermied animal sculptures that challenged conventional forms of taxidermied objects massively produced and displayed on an international scale. In contrast to taxidermied ‘specimens’ found in museums, taxidermied ‘exotic’ wildlife decapitated and mounted on hunters' walls, or synthetic taxidermied heads bought in department stores, rogue taxidermy artists create unconventional sculptures that are arguably antithetical to the ideologies shaped by previous generations: realism, colonialism, masculinity. As a pop-surrealist art movement chiefly practiced among women artists, rogue taxidermy artists follow an ethical mandate to never kill animals for the …

Affective Ecologies: Empathy, Emotion, And Environmental Narrative By Alexa Weik Von Mossner, David Tagnani

The Goose

Review of Alexa Weik von Mossner's Affective Ecologies: Empathy, Emotion, and Environmental Narrative.

#Cut/Paste+Bleed: Entangling Feminist Affect, Action And Production On And Offline, Alexandra Juhasz

Publications and Research

I consider my media praxis project to be labs, encounters, theory-making and scholarly output where doing and thinking in community (often the classroom and its linked spaces) in the sites or technologies under consideration is the “scholarly” product. That is to say, the doing and the process is the product, and what remains can also be shared and/or evaluated, as needed. This sharing of process is what I model now. I describe my most recent project, Ev-Ent-Anglement, engaging again critically with social media networks from inside them, share some of my lessons learned about production and action-based New Media/DH research, …

Alexis Wright’S Literary Testimony To Intersecting Traumas, Meera Atkinson

Animal Studies Journal

This article proffers a reading of Alexis Wright’s The Swan Book (2013), hailed as ‘the first truly planetary novel’ (Gleeson-White), arguing that Wright’s poetics of transgenerational trauma witnesses to intersected trans-species injustices and traumas. Exploring the way Wright testifies to entanglements of human-nonhuman trauma, I challenge entrenched humanist and speciesist preoccupations in trauma theory to address trauma transmissions with particular focus on trauma as a social and political force generated by patriarchal imperialism. In doing so, I show how Wright’s fiction serves as a form of advocacy for nonhuman sentient beings.

Una Democracia Aterrorrizada: Justicia Y Afecto En Los Textos De La Transición Democrática Argentina, Mariana Graciano

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the links between justice and affect in some of the most emblematic texts of the democratic transition in Argentina. Films, novels and photos are incorporated here as texts or complex utterances, as they constitute a framework of signs with a communicative intention that makes sense in a given context. In order to analyze these links, I consider terms from the field of transitional justice (reconciliation, forgiveness, restoration) and specific affects (terror, empathy, guilt, resentment, tenderness, happiness and cruelty).

The key questions guiding this thesis are: what links did visual arts and literature have in relation to the …

The Queer Allure Of Digital Sociality, Benjamin Parrish Haber

Dissertations, Theses, and Capstone Projects

This dissertation explores the resonance between queer sociality and emergent forms of digital communication. Drawing from queer theory and LGBTQ social histories, this dissertation charts the convergence of digital social modulation with the polyvalence, promiscuity, and mutability of queer sociality. A close analysis of the infrastructure and design of Facebook, Snapchat, Grindr, and other queered social media platforms demonstrates how digital capitalism’s desire for lifelong compulsive engagement is in part facilitated by an appropriation of the ongoingness of queer sexuality and relationality. In highlighting the key role of temporality, aesthetic, and affect in regulating the creation and circulation of digital …

"You Want It All To Happen Now!": The Jinx, The Imposter, And Re-Enacting The Digital Thriller In True Crime Documentaries, Brett Michael Phillips

USF Tampa Graduate Theses and Dissertations

In this thesis, I outline the changing shape of the reenactment in the contemporary true crime documentary to illustrate a burgeoning crisis of epistemology and anxieties about the authority of evidence in the Digital Age. I examine two works—The Jinx and The Imposter—that deal with evidence in formally similar but ideologically opposite ways.

Logic in the Digital Age prioritizes an ever-widening collection of increasingly more precise artifacts and details, which supposedly paint a more complete picture but end up highlighting what is unknown more often. Key to this examination is the adoption of classic Hollywood thriller techniques (e.g., non-traditional narrative …

Affect Bleeds In Feminist Networks: An "Essay" In Six Parts, Alexandra Juhasz

Publications and Research

No abstract provided.

Feeling And Healing Eco-Social Catastrophe: The "Horrific" Slipstream Of Danis Goulet's Wakening, Salma Monani

Environmental Studies Faculty Publications

Cree/Métis filmmaker Danis Goulet’s science fiction short Wakening (2013) is set in Canada’s near future, yet the film reveals a slipstream of time where viewers are invited to contemplate the horrors of ecosocial crises—future, past, and present. I argue Wakening, as futuristic ecohorror, produces horrific feelings in the moment of its viewing that are inevitably entangled with the past, inviting its audiences to experience the monstrous contexts of Indigenous lives across time. To articulate this temporal dynamism, I overlay two key conceptual understandings: Walter Benjamin’s critiques of Western progress and historicism, and Indigenous notions of a Native slipstream. When brought …

In God’S Land: Cinematic Affect, Animation And The Perceptual Dilemmas Of Slow Violence, Salma Monani

Environmental Studies Faculty Publications

In this paper, I argue that Indian independent filmmaker Pankaj Rishi Kumar's documentary In God’s Land (2012) blends animation and live-action to illuminate the destructive nuances of postcolonial literary scholar, Rob Nixon's notion of slow violence. In turning to cinema, I also suggest that In God’s Land’s “aesthetic strategies” further eco-film scholarship’s recent interests in animation, which have tended to highlight the mode's "feel good affect." I draw attention to In God's Land's hybrid of dark, discordant animation spectacle interspliced in the documentary live-action to articulate the potential of eco-animation outside of this affect. Ultimately, the film not only draws …

Moving Environments: Affect, Emotion, Ecology, And Film Edited By Alexa Weik Von Mossner, Ted Geier

The Goose

Ted Geier reviews Completely Affecting: The Cinematics of Environmental Concern and Real Change, edited by Alexa Weik von Mossner.

Relational Viewing: Affect, Trauma And The Viewer In Contemporary Autobiographical Art, Matthew Ryan Smith

Electronic Thesis and Dissertation Repository

This dissertation examines the communicative relationship between contemporary autobiographical art and the viewer. By analyzing the work of six artists, Richard Billingham, Jaret Belliveau, Larry Clark, Nan Goldin, Lisa Steele and Bas Jan Ader, I maintain that lived experience and personal history condition the way viewers respond to autobiographical art. I turn to literary theory as a critical methodology to argue that autobiographical art operates as a catalyst for identification, memory and self-discovery. I use affect and trauma theory to demonstrate how artwork produces meaning and discourse through the viewer’s feelings, emotions and bodily sensations. Consequently, I survey the importance …

New York Transfixed: Notes On The Expression Of Fear, Sharon Sliwinski

Sharon Sliwinski