Arts and Humanities Commons^™

Statistical Plight Of Black Women, Kimberly-Joy M. Walters

Sociology Summer Fellows

The purpose of this research is to examine how television shows and their portrayals of professional Black women impact the interpretation of marriage rates by race and perpetuate ideologies about the angry, unlovable Black woman. Using a content analysis of cable and network television shows with Black professional women as lead characters, this study connects an analysis of the characters’ lived experiences to normative expectations of Black women in relationships to call into question the prevailing narrative that Black women are in part personally responsible for their statistical plight. I will closely study how the two stereotypes, the Jezebel and …

Broadcasting The Crisis: Spanish Television As Critique, Eva Velasco Pena

Dissertations, Theses, and Capstone Projects

Television is often thought of as monolithic and totalizing, controlling viewers and upholding the status quo. This project will propose different understandings of the mass-medium. In order to historically contextualize my study, I will begin with a brief discussion of the role of television in democratic Spain (from c.1978-present). The thesis will primarily consist of an analysis of two sides of contemporary Spanish TV: fiction and politics; and will explore the way that certain programs, alternately catalyze critical thought and actions or enable spectators to, following John Ellis, “work through” traumatic events. I furthermore propose that imaging a concept might …

A Critical Study Of The African-American Comedic Tradition, Allison Longo

Honors Theses

This thesis examines the changes in African-American comedy during the 1980s. In exploring the changes during this decade, specific attention is paid to Eddie Murphy, who achieved incredible success beginning with his 1980 entrance on Saturday Night Live. In a relatively short period of time, Murphy was able to ascend to a level of cultural significance that far dwarfed that reached by any of the African American comedians who had preceded him. Through a comprehensive presentation of the historical development of African American humor, the following thesis challenges the consensus critical assumption that Murphy both consciously forewent opportunities to be …

Lost In Adaptation, Caitlin S. Manocchio

Student Scholar Symposium Abstracts and Posters

philosophical societies that send us here as their representatives- can no longer, in this case, allow itself [the philosophical idea] to be enclosed in a single idiom, at the risk of floating, neutral and disembodied, remote from every body of language

(Derrida 1994: 14)

Introduction

In Sending: on representation (1994), Jacques Derrida questions the function of representation that we can use to offer a challenge to the experience and structure of representation as a practice in visual culture and for contemporary spectatorship. When the function of representation is being questioned, rather than its subject, the practice of representation is seen …

New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk

Cinesthesia

This essay analyzes the manifestations of America’s post-1960 film industry, more specifically the rise of “New Hollywood.” In response to governmental intervention of the studio system, the popularization of commercial television, and the influences of the French New Wave, Hollywood’s emerging “film generation” embraced the commercialization of the star auteur and the blockbuster picture. George Lucas and Steven Spielberg, sons of the “Hollywood Renaissance,” capitalized on the potential of “high concept,” “ultra-high-budget” feature films and their associated synergetic marketing systems, a phenomenon referred to as the “blockbuster syndrome.” Jaws, a pioneering New Hollywood megapicture directed by Spielberg, exhibits the “Lucas-Spielberg” …

Exploring Ethnic Stereotypes Through The Production Of Five Short Films, Ines Galiano Torres

Electronic Theses and Dissertations

This is a nontraditional thesis that combines social research in ethnic stereotypes in TV and film with the creative process of film production. This paper contains the formal step of research, in addition to the details on the production and creation of five original short films related to the issue of ethnic representations.

Gay Doesn’T Begin To Cover It: Non-Binary Sexuality In Community’S Dean Pelton”, Jessica Mae Harmon

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

In modern media, characters whose sexuality lies outside of binary gender and sexuality representations are few and far between. Most queer characters in mainstream American television are labeled as either gay or lesbian, and in a few rare cases bisexual. Bisexuality, while least visible among sexual minorities that fit within the prescribed LGBT acronym, is most visible outside of the gay/straight dichotomy. Meanwhile the spectrum of non-binary sexualities is largely ignored. In this essay I will examine one character that breaks this mold and forces the modern viewer to consider non-binary sexuality, Dean Craig Pelton of NBC/Yahoo’s Community. The …

Fiction As Reality: Chinese Youths Watching American Television, Yang Gao

Research Collection School of Social Sciences

American television fiction is gaining traction among educated urban Chinese youths. Drawing on 29 interviews with fans among college students in Beijing, this article examines a shared perception among these youths that American television is ‘‘real.’’ This perceived realism, which is essential to their viewing pleasure, has two sources: American programming’s textual quality and the Chinese context in which it is consumed. First, US television appeals to Chinese youths because they perceive its topical content and complex characterization as true to life. This perception can be explained by the higher transnational cultural capital of these youths, which renders US programming …

Developments In Television Viewership, Lucile E. Hecht

Dissertations, Theses, and Capstone Projects

In recent years the ways in which we watch television has changed, and so has the television we watch. “Binge watching,” almost the Oxford English Dictionary’s Word of the Year in 2013, has taken a firm hold on the American television audience who now watches television not according to the broadcast schedule but on its own terms. So, too, has the practice of engaging with other audience members, be they friends, family, or strangers, while watching a show by using a secondary device – a “second screen.” These practices have been developing for some time, and as technology adapts to …

How 9/11 Changed The Movies: The Tony Scott Barometer, E. Deidre Pribram Ph.D.

Faculty Publications: Communication

In an essay written some years ago on the 1945 film, Mildred Pierce, Linda Williams raises the intriguing question, why does the narrative frequently allude to but refrains from ever specifically mentioning World War II (22)? Williams’ assessment is that certain films are capable of addressing the most significant political events of the era in ways they could not have had they chosen to use direct depictions (24). Released in October 1945, following the end of U.S. involvement in the war, Mildred Pierce coincided with a period of demobilization and the economic and social reintegration of the returning American, largely …

How To Save...A Nation? Televisual Fiction Post-9/11, Melissa R. Ames

Faculty Research & Creative Activity

To claim that the national tragedy of 9/11 is a defining moment in thefirst decade of the tV1renty-first century for the United States is not profound,nor is the statement that it directly and indirectly influenced thecultural production within American society throughout these years.Regardless of the obviousness of these claims, it is exactly upon theseassumptions that this chapter rests. In the years following the attackson the World Trade Center and Pentagon, cultural products have beensites for interrogating and remediating the trauma that 9 /11 causedfor the citizens of a country that believed itself to be untouchable.Although these cultural concerns were played …