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Articles 1 - 16 of 16
Full-Text Articles in Arts and Humanities
The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren
The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren
CLCWeb: Comparative Literature and Culture
In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
CLCWeb: Comparative Literature and Culture
In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …
Images Of Sexually Deviant Women In French Film, Lara Fox
Images Of Sexually Deviant Women In French Film, Lara Fox
Student Scholar Symposium Abstracts and Posters
This research explores representations of sexually deviant women in French film beginning with the New Wave film movement of the1960s and continuing to present day. This work examines the extent to which the gender of a film’s director affects the presentation of female nudity, infidelity, homosexuality, BDSM, and pornography onscreen. Through the lens of scholarly articles of film theorists and feminists such as Laura Mulvey, Simone de Beauvoir, and Hélène Cixous; and of both feministic and anti-feministic works of famous French directors such as Jean-Luc Godard, Catherine Breillat, and Emmanuelle Bercot, this capstone work identifies filmic triumphs and failures of …
Lin-Manuel Meets Moana, Daniel Pollack-Pelzner
Lin-Manuel Meets Moana, Daniel Pollack-Pelzner
Faculty Publications
In this article originally published in Public Books, Daniel Pollack-Pelzner wonders whether a Disney musical and a Lin-Manuel Miranda musical want the same thing.
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
French Women In Art: Reclaiming The Body Through Creation/Les Femmes Artistes Françaises : La Réclamation Du Corps À Travers La Création, Liatris Hethcoat
Student Scholar Symposium Abstracts and Posters
The research I have conducted for my French Major Senior Thesis is a culmination of my passion for and studies of both French language and culture and the history and practice of Visual Arts. I have examined, across the history of art, the representation of women, and concluded that until the 20th century, these representations have been tools employed by the makers of history and those at the top of the patriarchal system, used to control women’s images and thus women themselves. I survey these representations, which are largely created by men—until the 20th century. I discuss pre-historical …
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Women, Convergent Film Criticism, And The Cinephilia Of Feminist Interruptions, Rachel L. Thibault
Doctoral Dissertations
This dissertation examines the ways in which female film critics practice film criticism in the convergent age. In original research drawn from ethnographic interviews with eight female film critics and bloggers as well as textual, historical, and reception analyses of criticism, this dissertation argues that women who write film criticism in the convergent era are not only writing from a space of marginalization based on the patriarchal dominance of the film industry, but also face a series of obstacles through gendered and discursive conflicts that are unique to writing online and which do not exert the same impact on male …
Mädchen Und Girls: Gender In Serie, Lisa Jasmin Merkel
Mädchen Und Girls: Gender In Serie, Lisa Jasmin Merkel
Masters Theses
Gender topics are an often discussed theme in both the English as well as in the German speaking world. Academic research in the discipline of media studies is addressing gender questions in film, TV series and media in general. In recent years gender media studies grew in a number of directions. This thesis discusses how women, specifically their negotiations of conventional gender roles in romantic relationships and in the work place are depicted in contemporary American and German TV series and what it means for societal development. It discusses the German telenovela Verliebt in Berlin (SAT.1, 2005-2007) which was adapted …
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Archiving The '80s: Feminism, Queer Theory, & Visual Culture, Margaret A. Galvan
Dissertations, Theses, and Capstone Projects
Archiving the '80s: Feminism, Queer Theory, & Visual Culture locates a shared genealogy of feminism and queer theory in the visual culture of 1980s American feminism. Gathering primary sources from grant-funded research in a dozen archives, I analyze an array of image-text media of women, ranging from well known creators like Gloria Anzaldúa, Alison Bechdel, and Nan Goldin, to little known ones like Roberta Gregory and Lee Marrs. In each chapter, I examine how each woman develops movement politics in her visual production, and I study the reception of their works in their communities of influence. Through studying hybrid visual …
Christ The Queer: Gender And Sexuality In Scorsese's "The Last Temptation Of Christ", Stephen Barnett
Christ The Queer: Gender And Sexuality In Scorsese's "The Last Temptation Of Christ", Stephen Barnett
Dissertations, Theses, and Capstone Projects
Although great strides have been made since the landmark 1969 Stonewall Riots in liberating queer equal rights, both politically and societally, there are still prevalent belief systems in strong opposition to those human rights of gender and sexuality. Biblical religion, through its various monotheistic faiths and denominations, continues to condemn queer as a sin against God because, they argue, God, (through the text of the Bible written solely by men), defines queer as an abomination. Yet, the Book of Genesis queers human gender and sexuality through its narrative of Adam and Eve in the Garden of Eden. Nevertheless, the first …
#Likeagirl: Realizing The Communicative Potential Of Fourth Wave Feminism, Samantha Keville
#Likeagirl: Realizing The Communicative Potential Of Fourth Wave Feminism, Samantha Keville
Communication Studies
Although the notion of feminism has existed among humanity for centuries, it continues to remain one of the most ambiguous and controversial terms in today's society. Throughout history, there have been numerous efforts enacted among humanity aimed at honing women's rights, typically falling under the categories of first, second, and third wave feminism. Recent discussion has taken place regarding the emergence of a new wave of feminism existing today, known as fourth wave feminism. Fourth wave feminism is a movement characterized by the utilization of technology to enhance feminist ideals. Many companies have developed an association with the feminist movement …
Pregnancy Denied, Pregnancy Rejected In Stephanie Daley, Susan Ayres, Prema Manjunath
Pregnancy Denied, Pregnancy Rejected In Stephanie Daley, Susan Ayres, Prema Manjunath
Susan Ayres
This article offers a reading of Hilary Brougher’s film Stephanie Daley (2006), in which a teen is accused of murdering her newborn (neonaticide). Brougher depicts a “phenomenology of unwanted pregnancy” and an example of therapeutic jurisprudence. Part One examines Brougher’s treatment of the “shadow side of pregnancy,” and highlights barriers to the empathetic treatment of neonaticide. Part Two emphasizes the process of therapeutic jurisprudence as experienced by the two main characters. Brougher’s film provides a social narrative and phenomenology that may influence laws and legal responses and enlarge social understanding of unwanted pregnancy.
Split Wounds: Diverging Formations Of Trauma In The Diagnostic And Statistical Manual Of Mental Disorders V, Girl With The Dragon Tattoo, And The Rat Laughed, And Once Were Warriors, Emily R. Johnston
Theses and Dissertations
Split Wounds interrogates naturalized, normalized trauma wisdom—particularly the individualization and pathologization of sexualized trauma. Drawing on Foucault’s concept of discursive formation, explicated in The Archaeology of Knowledge as a set of conditions that enables history, this dissertation elucidates differing discursive formations of trauma in contemporary medical documents, literary texts, and films. The introductory chapter explicates how founding texts in the field of trauma theory construct trauma as a preverbal, psychological experience that can only be represented through fragmented, non-linear, anti-narrative textual strategies. Chapter two exposes such Euro-American modernist ideology in the American Psychiatric Association’s clinical definition of posttraumatic stress disorder …
“He Who Kills The Body, Kills The Soul That Inhabits It”: Feminist Filmmaking, Religion, And Spiritual Identification In Vision, Carl Laamanen
“He Who Kills The Body, Kills The Soul That Inhabits It”: Feminist Filmmaking, Religion, And Spiritual Identification In Vision, Carl Laamanen
Journal of Religion & Film
In this article, I argue that the 2009 film, Vision: From the Life of Hildegard of Bingen, presents an example of feminist filmmaking that seeks to draw viewers into spiritual identification with the protagonist, 12th-century mystic Hildegard, through its narrative and formal techniques, encouraging the audience to share in Hildegard’s visionary experiences. The film does so in an explicitly feminist way, drawing upon unconventional visual and sonic aesthetics to highlight the power and authority of Hildegard’s spiritual experiences. In particular, Vision’s use of music and sound points toward a conception of feminine spirituality that values the …
The Acoustic Screen: The Dynamics Of The Female Look And Voice In Abbas Kiarostami's Shirin, Najmeh Moradiyan-Rizi
The Acoustic Screen: The Dynamics Of The Female Look And Voice In Abbas Kiarostami's Shirin, Najmeh Moradiyan-Rizi
Communication & Theatre Arts Faculty Publications
Since the 1979 Islamic Revolution in Iran, the representation of women in post-revolutionary Iranian cinema has been one of the main concerns of Iranian officials. This concern caused the enforcement of cinematic restrictions on Iranian cinema in 1982, known as the Islamic Codes of Modesty. The prohibition of the close-ups of women’s faces was one of these cinematic limitations. Since then, Iranian filmmakers have used a great amount of creativity in their films to not only represent Iranian women on the screen, but also to criticize the gender-segregated laws of Iran. Their creativity and efforts have gradually challenged and changed …
Developing Transnational Feminist Dialogues: How Chinese Women Craft Identity At The Intersection Of Tradition, Socialism, And Globalization, Anias Stambolis-D'Agostino
Developing Transnational Feminist Dialogues: How Chinese Women Craft Identity At The Intersection Of Tradition, Socialism, And Globalization, Anias Stambolis-D'Agostino
Senior Projects Spring 2016
Senior Project submitted to The Division of Languages and Literature of Bard College.
100% Pure Pigs: New Zealand And The Cultivation Of Pure Auckland Island Pigs For Xenotransplantation, Rachel Carr
100% Pure Pigs: New Zealand And The Cultivation Of Pure Auckland Island Pigs For Xenotransplantation, Rachel Carr
Animal Studies Journal
In 2008, the New Zealand based company Living Cell Technologies (LCT) was granted approval for human clinical trials of animal-to-human transplantation (xenotransplantation) in New Zealand. This was one of the first human clinical trials to go ahead globally following regulatory tightening in the 1990s due to concerns over disease transmission. In response to these disease concerns LCT is using special pigs, isolated on Auckland Island for 200 years and deemed to be the cleanest in the world. This article explores the way that LCT leverages off New Zealand national narratives of purity to market the Auckland Island pigs as safe …