Arts and Humanities Commons^™

"We Are Legion": Primal Dreams And Screams In The Satanic Screen, Carrol L. Fry Dr

Journal of Religion & Film

Satan figures prominently in the Christian tradition as the ultimate Other, the enemy of our species, and he has been a central villain first in literature and now in horror films. Why viewers enjoy films that scare them is a conundrum of long standing. An explanation might come from the work of a new generation of Darwinists who have expanded on the master's findings to develop the field of evolutionary biology. Scholars in these fields believe that adaptation to the environment and survival of the fittest created not only physical forms for species but also behaviors that were adaptive for …

Theorising Film-To-Game Adaptation, Scott Knight

Scott J. Knight

This paper investigates the intersection of ludic and cinematic forms and theories how games are adapted from films in the case of movie-licensed games. It proposes a series of film-to-game adaptation models which describe the practice of this type of adaptation based on structuralist approaches to adaptation theory, aesthetic game studies, and scholarship on transmedia storytelling.

A Miniseries Of Unfortunate Events: Realizing The Full Potential Of Lemony Snicket's Book Series Through Television Adaptation, Ryan T. Pait

Mahurin Honors College Capstone Experience/Thesis Projects

Lemony Snicket’s A Series of Unfortunate Events, a series of 13 children’s books, seemed like it had the potential to become a massive franchise in a similar vein to the Harry Potter film series. Snicket’s books feature three plucky protagonists, a sinister villain, and constantly-shifting settings—all elements that could make a successful movie series. A film adaptation, titled Lemony Snicket’s A Series of Unfortunate Events was made in 2004. It adapted the first three books in the series, and became a moderate financial and critical success. Despite the success, no further films were made.

As a fan of Snicket’s …

Turning The Page: Fandoms, Multimodality, And The Transformation Of The 'Comic Book' Superhero, Matthew Alan Cicci

Wayne State University Dissertations

Superheroes are increasingly becoming more affiliated with film media than comic books. The amount of revenue generated, the formation of new fans, and the interests of comic publishers’ parent companies all suggest that superhero film adaptations are the medium most associated with the superhero character. Such a monumental shift in the distribution of superheroes—comic books were long the dominant medium of superhero characters—is indicative of ongoing media convergence practices; the success of these contemporary adaptations, from 1998 on, have not only caused the filmic superhero to eclipse the comic one, it has inevitably led to a rewriting of superhero comic …

Representations Of Gatsby: Ninety Years Of Retrospective, Christine Anne Auger

USF Tampa Graduate Theses and Dissertations

Jay Gatsby, F. Scott Fitzgerald’s most famous character, has starred in a variety of stage and screen adaptations in the ninety years since he was first introduced in The Great Gatsby (1925). This dissertation explores the Gatsby character as depicted in six important adaptations of the novel, including two Broadway productions, Owen Davis’ 1926 drama and John Collins’ 2010s play, Gatz, and four major motion pictures: Herbert Brenon’s 1926 lost silent film (starring Warner Baxter); Elliott Nugent’s 1949 black and white film (starring Alan Ladd); Jack Clayton’s 1974 color film (starring Robert Redford); and Baz Luhrmann’s 2013 3-D film (starring …