Arts and Humanities Commons^™

Whither The Material In New Media Studies?, John W. Kim

John Kim

This article addresses how new media theory has been founded on an endemic exclusion and erasure of a concept of the material, because of the ascendancy of a concept of the virtual in theoretical and historical research on the development of new media technologies. In order to develop this claim, three influential accounts of the virtual in media studies are reviewed (the history of technologies of the virtual, embodiment and informatics, and post-structuralist theories of digital media) in order to demonstrate how each is grounded in an exclusion of the material. On the basis of this analysis, the article poses …

Much Of Society's Unrest Caused By Barrage Of Negative Stereotypes In Films, Anthony Major

UCF Forum

Everybody has a perception about what the image of art should say – or not say – but few have an informed opinion. The power of the communicative arts transcends the mere power to inform. That power is used in film, television, newspapers, radio, art, magazines, music, theatre and the new social media network as a means of influencing and shaping attitudes by providing images and opinions.

A Hot Mess: Knowing Juliet Through Accidental Encounters In Popular Culture, Kirk Hendershott-Kraetzer

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Speed In Context: Real-Time News Reporting And Social Media, Jenny Hauser

Conference Papers

Dubbed the ‘tyranny of real time’, the immense acceleration of the news cycle poses serious challenges to professional journalism. As news media struggle to keep up with the speed at which news is reported on social media while maintaining journalistic standards of accuracy, real-time coverage is blamed for de-contextualising news events. While reports may be accurate, the question asked is if they also show the truth? This paper compares the effects of the real-time news coverage of both the Ukrainian uprising and the Gaza-Israel conflict in the summer of 2014, examining how context was shaped and relayed in both instances.

Cybertheology: Thinking Christianity In The Era Of The Internet, Antonio Spadaro S.J., Maria Way

Religion

How has Christianity and theology changed in the wake of the internet and mass communication? Tracing concepts in media studies, anthropology, and theology, Spadaro investigates this complex and enlightening topic.

Are Approval Ratings An Accurate Reflection Of Success? Effects Of Media Coverage On Public Opinion Of Colin Powell, Michaela Dalton

e-Research: A Journal of Undergraduate Work

No abstract provided.

Effect Of Convergence Culture On Spectatorship, Amanda Marcus

e-Research: A Journal of Undergraduate Work

Media convergence has changed how we receive and process information. No longer are we passive spectators, but we are part of the media we consume. Because of the explosion of technology since the turn of the century and a new definition of spectatorship, producers of media can no longer control how their messages are received; they have to engage their audience and listen to feedback in order to remain functioning. Fellow peers serve as informants or as a new source of media. This also affects our individual identities, which shapes our cultural identity. Social media enables us to present ourselves …

Heard Or Dreamed About, Priya Nadkarni

Masters Theses

ABSTRACT

HEARD OR DREAMED ABOUT

MAY 2014

PRIYA NADKARNI, B.F.A. RUTGERS UNIVERSITY

M.F.A. UNIVERSITY OF MASSACHUSETTS AMHERST

Directed by: Professor Shona Macdonald

Defining The Audience: Redefining Public Service, Ann-Marie Murray

Books/Book chapters

No abstract provided.

From Superhero To Human: A Genealogical Criticism Of Depictions Of Police Officers In Media From The 1970s To The Present, Samantha Wendy Ann Neher

Communication Studies

This senior project suggests that media depictions of law enforcement encourage viewers to adopt certain viewpoints towards police officers. In addition, the more realistic and humanizing that these presentations become, the more positive that the general public’s perceptions of police officers become. By utilizing a genealogical criticism of eight different law enforcement movies, and with support from public opinion polls and the communication theory of Cultivation, this paper will exemplify how the above statement is true.

The Criterion Of Quality: A Paratextual Analysis Of The Criterion Collection In The Age Of Digital Distribution, Jonathan Charles Hyatt

Film and Media Studies (MA) Theses

In 2011, home-video distribution company, The Criterion Collection, teamed up with streaming-content provider Hulu, extending their business model to include online streaming to subscribers through Hulu Plus. With the rise of Over-The-Top (OTT) media distribution services into the at-home market, the question that Criterion now faces is: how will the company survive as the market shifts away from Criterion’s established values? And, more pertinently, how does Criterion, by rebranding their image to compete in the streaming market, hope to attract new users without alienating their established fan base or sacrificing their brand identity? This thesis examines the Criterion Collection’s brand …

Through The Camera Lens Of Development: An Exploration Of Ngos' Representations Of Africa, Sebastian Lindstrom

Master's Capstone Projects

The purpose if this qualitative research is to acquire new knowledge in the African visual representational landscape, a digital space carefully filmed and edited by some of the most celebrated and acknowledged, mostly Western, NGOs in the world. The most watched Africa-related video from 50 NGOs were selected, downloaded and analyzed. After continuous re-watching of a 3.5 hour long set of visual data tree themes emerged. One segment relates around the NGOs intervention, another about the term or statement ‘help’, and the last theme is HIV/AIDS. The findings include the realization that the beneficiary was never explaining the intervention of …