Arts and Humanities Commons^™

Going In Circles, Mark C. Raymond

University of New Orleans Theses and Dissertations

No abstract provided.

In Service, Spencer R. Kancher

University of New Orleans Theses and Dissertations

No abstract provided.

Making Fun Of Franco: Representations And Caricatures Of Spanish Fascism In The Films El Espiritú De La Colmena, Cría Cueros And El Laberinto Del Fauno, Elizabeth Pruchnicki

Honors Capstone Projects - All

The end of the Spanish Civil War marked the beginning of Francisco Franco’s dictatorship, which lasted more than 35 years. Throughout this time, he systemized terror, executing more than 100,000 republican sympathizers in the first few years of his regime and marginalizing the remainder of the population. Therefore, the Fascist Era lasting from 1940-1975 is one plagued with strained relationships, ambiguous loyalties and distant relatives. The films El espiritú de la colmena by Victor Erice, Cría cuervos by Carlos Saura and El laberinto del fauno by Guillermo del Toro’s illustrate these kinds of challenges, from the point …

Sensuality, Camels, And Islam: Disney Music And American Perception Of The Middle Eastern Experience, Laura Schildbach

Student Scholar Symposium Abstracts and Posters

In a world that is constantly changing and becoming more open to diversity and equality, filmmakers are faced with the challenge of presenting films and characters that embrace the ever-evolving world around us. In particular, Disney has been presented with this challenge; as a cinema powerhouse with an audience primarily made up of children, there is a perception that Disney has a moral responsibility to present accurate and unbiased representations of all cultures. This paper will analyze how Disney musically represents the Middle East in two Disney feature films, Aladdin and Prince of Persia, and how the musical choices affect …

Binoculars: Management Strategies In Film, Kamryn Fall

Liberal Arts and Engineering Studies

No abstract provided.

“How This World Is Given To Lying!”: Orson Welles’S Deconstruction Of Historiographies In Chimes At Midnight, Jeffrey Wayne Yeager

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hamlet: A Creature Swimming, Rachel Zlatkin

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

Hamlet, 9/11, And Cultural Authority, James Lewin

Selected Papers of the Ohio Valley Shakespeare Conference

No abstract provided.

The Birth Of A Nation: The Case For A Tri-Level Analysis Of Forms Of Racial Vindication, Charles Fred Hearns

USF Tampa Graduate Theses and Dissertations

Early American film scholars often critique the relative ineffectiveness of a single literary work, protest movement or silent film to achieve racial vindication following the release of The Birth of a Nation in 1915. Thomas Cripps, for example, examines a relatively ineffective isolated attempt to counter the notions of White supremacy promoted in the film. This study makes the case for applying a non-traditional tri-level analysis when measuring the effectiveness of such attempts. The paper focuses on efforts to redeem the image and the potential of African Americans after 1915 in the Black public sphere in three concurrent vehicles: the …

Mdocs Poster-2014-11-06, Screening Of Fatal Assistance With Director Raoul Peck, Jordana Dym, Sarah Dean

MDOCS Publications

Poster designed by Shane Boissière, '15, and Sarah Dean, '15, for the fall 2014, November 6, visit of Raoul Peck, Haitian film director and head of France's film academy (La FEMIS).

Simply Genre Films: Extracting “King Lear” From “House Of Strangers” And “Broken Lance", Sophia G. I. Funk

FIU Electronic Theses and Dissertations

The purpose of this thesis is to evaluate and refute Yvonne Griggs’ claims that the films “House of Strangers” (1949) and “Broken Lance” (1954) are as Griggs deems “genre-based adaptations” of William Shakespeare’s “King Lear.” I argue that the films, although they have some essential elements of “King Lear,” lack intentionality and reception, pivotal components in determining viability as a Shakespearean film adaptation. Using Griggs’ book as my critical background, I will show that these films are better classified under their respective genre categories, Western and film noir, not as “King Lear” genre adaptations. I will …

Post-Holocaust Revenge Fantasies: Quentin Tarantino’S Inglourious Basterds, Heidi Schlipphacke

Jan Karski Conference

No abstract provided.

“Finding” Guam: Distant Epistemologies And Cartographic Pedagogies, Cathy J. Schlund-Vials

Asian American Literature: Discourses & Pedagogies

No abstract provided.

Mdocs Series Flyer-2014-09-01, Li113 Workshops, Jordana Dym

MDOCS Publications

List of Fall 2014 LI 113 Workshops including:

"Caricatures in the Round" with artist J.P. Crangle. Workshop includes a performance in caricature drawing and a conversation on character development, followed by a workshop in caricature drawing.

"GoPro Visual Storytelling" where students create a short doc using only a GoPro camera and Adobe Premiere software. Learn to focus on the essential elements of visual storytelling, such as movement, color, pace and rhythm.

"Getting the Story with Eileen McAdam-" This two-part workshop provides an introduction to the work of digital audio storytelling: the collecting, processing, and preserving of cherished stories using the …

Bridging The Political Deficit: Loss, Morality And Agency In Films Addressing Climate Change, Philip Hammond

Philip Hammond

This article examines the emotional rhetorical strategies of three films – The Day After Tomorrow (2004), An Inconvenient Truth (2006) and The Age of Stupid (2009) – which attempt to create engagements with the “post-political” problem of climate change. In all three films the experience of personal loss, the potential for future loss, and the emotions associated with loss are fundamental to affective engagement. The emotional loading of representations of environmental problems derives partly from concerns about human political agency and subjectivity. It is not so much that emotional or moral appeals are simply added on in order to bolster …

Highlighting The Hidden: Visual Representation In Gutiérrez Aragón's Demonios En El Jardín, Linda Willem

Linda M. Willem

According to Spanish film maker Manuel Gutiérrez Aragón, there is an intimate relationship between the family and the state, with the traits of the family mirroring those of the state in which it exists: "la primera célula del Estado es la familia, y si el Estado, por definición, es opresivo, la familia es igualmente opresiva" (García Fernández 331). "Yo utilizo la familia en mis películas porque es muy real, muy testimonial. La familia repite fielmente la estructura social 0 estatal" (Payán and López 27). In Demonios en el jardín (1982) Gutiérrez Aragón uses the metaphor of the family not only …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

Thinking Through Film: Doing Philosophy, Watching Movies, Damian Cox, Michael Levine

Damian Cox

An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike.

Notes On The Rockumentary Renaissance, Michael Brendan Baker

Faculty Publications and Scholarship

Rockumentaries are, generally speaking, documentary films about rock music and related idioms, and usually feature some combination of performance footage, interviews, and undirected material. The genre arrived when it did because of the profile of rock music within youth culture and the transformation of the music industry, and it was delivered to the screen with tools and technology newly available to filmmakers at the time. Rockumentary emerges in the 1960s as part of a larger shift in the character and content of Western youth culture and popular music and ascends to the status of the theatrical documentary par excellence through …

Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin

Nat DeBruin

Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.

The Laes Pocketbook For Filmmaker Enthusiasts, Steven (Sven) Thien Le

Liberal Arts and Engineering Studies

The LAES Pocketbook for Filmmaker Enthusiasts was written to be an essential tool for Cal Poly students to use when approaching the broad spectrum of film making. This introductory pocketbook tackles many of the confusions and questions that arise when first starting with film making and utilizes the equipment available at Cal Poly to make the film making process simpler for students. Printed out on standard 8.5" x 11" paper, this portable pocketbook is meant to be folded, stapled down the spine, and carried with the student on their filming endeavors.

This pocketbook will go over types of filming equipment, …

The Origins And Evolution Of Corporate Sponsored Film, Clara Boesch

Honors Theses

Though possibly one of the most extensive genres in cinematic history, corporate sponsored films have been largely untouched by both historians and film critics. This thesis explores the origins and evolution of corporate-sponsored film resulting from the technological and economic climate of the nation from the late 19th century to the mid-20th century. It references the works of a few specialists in the field such as Rick Prelinger and Walter Klein, among others, as well as contemporary publications such as the trade journal Business Screen. In addition, it critically analyzes corporate-sponsored films from the pre-and post‐war periods to identify the …

Explorations In The Domestic Space: How Hollywood Made A Home In Film Melodrama, Elana Katz

Honors Theses

This thesis utilizes the Hollywood domestic melodramas and sex comedies of the 1950s as a lens to discover the evolution of family and home from Eisenhower’s America to modern day. As a mode of expression with roots in nineteenth-century theater, melodrama serves as a primary genre for tracking historical and social shifts in twentieth-century American society. However, as the narrative form has evolved over time, what satisfies melodrama is difficult to define as its boundaries have been redrawn. Historians and film scholars examine melodrama through three overarching schools of thought: melodrama as a genre, a mode, or both. Film melodrama …

Comparing Hitler And Stalin: Certain Cultural Considerations, Phillip W. Weiss

Dissertations, Theses, and Capstone Projects

There is a great temptation to compare the Adolf Hitler and Joseph Stalin. This is true for two reasons: first, the careers of both men converged at the same point in history, thus doubling the impact both made and second, because the names Adolf Hitler and Joseph Stalin have become metaphors for ideologies and crimes that today are reviled. The question then arises: who was worse, Hitler or Stalin? This project shows that there is no viable, credible, definitive, or final answer to this question, and that prevailing attitudes about Hitler and Stalin have become so ingrained in contemporary society …

The Release: A Thesis, Jonathan Frey

University of New Orleans Theses and Dissertations

Possessing elements of both dark comedy and dramatic suspense, The Release is the story of Sean Coleman, a young, idealistic documentary filmmaker, who, in fighting for his film's release, discovers that his beliefs may not be as strong as his desire to get what he wants. This paper will examine the total production process that went into the development, creation and finalization of this film.

Nostalgic Frontiers: Violence Across The Midwest In Popular Film, Adam R. Ochonicky

Theses and Dissertations

In "Nostalgic Frontiers: Violence Across the Midwest in Popular Film," I analyze the temporality and politics of nostalgia while providing a critical history of Midwestern representations in popular culture from the turn of the twentieth century through the first decade of the new millennium. A general line of inquiry informs this project: how do narratives set in the Midwest imagine, reify, and reproduce Midwestern identity, and what are the repercussions of such regional imagery circulating in American culture? Throughout this project, I identify shifting cultural perceptions of the Midwest at particular historical moments. In relation to these regional considerations, I …

Language, Race, And Body Rhetorics: Relationships Of Hegemony In Neill Blomkamp's Elysium, Kathryn E. Peck

Chancellor’s Honors Program Projects

No abstract provided.

Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin

Librarian Research

Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.

[Sabbatical Report], Joon Sung

Sabbatical Reports

The primary purpose of this sabbatical project was to film. edit and produce short video pieces based on the footage collected in Tokyo, Japan.

The Virgin Mary On Screen: Mater Dei Or Just A Mother In Guido Chiesa’S Io Sono Con Te (I Am With You), Timothy J. Johnson, Barbara Ottaviani-Jones

Journal of Religion & Film

Guido Chiesa’s Io Sono con Te (I Am with You) offers a unique, albeit controversial take on Mary, the mother of Jesus. Filmed in Tunisia, and subject to criticism by Italian Catholic authorities and film critics alike, Io Sono con Te presents a rich anthropological-theological reflection on religion, culture, gender, and sacrifice. Not surprisingly, Chiesa draws on René Girard’s scapegoat theory throughout his film as he fashions Mary as the forceful protagonist in a familiar yet controversial story.