Arts and Humanities Commons^™

"If You Have No Men, You Have No War!”: A Critical Overview Of Edgar Selwyn's Men Must Fight (1933), Ryan R. Copping

Cinesthesia

ABSTRACT: Edgar Selwyn’s Men Must Fight (1933) is an obscure yet culturally relevant science fiction drama. An atypical film from its era, the movie has an unusual subject for a Classical Hollywood film- gender socialization. The film didactically argues that wars are inevitable because men are inherently violent, and that, conversely, world peace world occur if women were in power, a possibility that appears to be regrettably impossible. It is also remarkably prescient in predicting that World War II would begin in 1940, only one year off from the German invasion of Poland. This paper combines a close content analysis …

Vindicating The Femme Fatale In Manuel Antín’S 'Circe', Daria Cohen

Dissidences

Vindicating the Femme Fatale in Manuel Antín’s Circe

The present article analyzes a classic Argentine film noir, Circe, to explore its representation of a powerful, autonomous female protagonist ahead of the historical moment of 1964. The director Manuel Antín creates a film adaptation that departs from the source text by Julio Cortázar by focalizing the motivations and actions of a female character that flouts societal expectations and mores. The article is theoretically grounded in feminist, subjectivity and film adaptation theory. The article contributes to the fields of Latin American Studies, Global Film and Media Studies, Argentine Cultural and Literary Studies, …

Mapping Italian Women's Filmmaking: Urban Space In The Cinema Of The New Millennium, Laura Di Bianco

Dissertations, Theses, and Capstone Projects

My dissertation lies at the intersection of Italian studies, film studies, women's studies, and urban studies. Applying gender studies and feminist theoretical perspectives, I trace a thematic map of contemporary Italian women's cinema (2000-2012) that investigates female subjectivity in urban contexts. Examining the works of the filmmakers Marina Spada, Francesca Comencini, Wilma Labate, Roberta Torre, and Alice Rohrwacher, I identify a common tendency to treat locations like characters, apply similar modalities of incorporating city-views into the narration, and recurrently construct parallels between physical journeys through cities and inner journeys of the self. As a prism through which to look at …

The Cable Network In An Era Of Digital Media: Bravo And The Constraints Of Consumer Citizenship, Alison D. Brzenchek

Doctoral Dissertations

This dissertation takes a historiographical approach to the evolution of cable television over thirty years. Case analysis of archival data is used to trace the trajectory of the Bravo cable network from 1980 through 2010. My dissertation is a vital contribution to critical cultural studies, feminist studies, citizenship studies, and media history because it historicizes the role branding, commodification, and convergence played in Bravo’s evolution from a highbrow arts programmer guided by bourgeois consumer citizenship, to a affluent lifestyle network guided by nouveau riche consumer citizenship. My combination of production studies and political economic analysis gives visibility to the interpenetrating …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

Long May She Reign: A Rhetorical Analysis Of Gender Expectations In Disney’S Tangled And Disney/Pixar’S Brave, Caitlin J. Saladino

Graduate Research Symposium (GCUA) (2010 - 2017)

This project addresses messages about gender expectations in Disney princess narratives. The two films included in my project are Tangled (2010) and Brave (2012), which feature the most recently inducted princesses to the marketed Disney Princess line (Rapunzel and Merida, respectively). Using genre as an organizing principle, I argue that Rapunzel and Merida are different from the past Disney princesses (Snow White, Cinderella, Ariel, Jasmine, etc.) because their narratives reflect new ideas about gender expectations in modern society. The central tension appearing in both films is the opposition between the image of woman as traditional, domestic, and dependent and woman …

Unruly Girls, Unrepentant Mothers: Redefining Feminism On Screen By Kathleen Rowe Karlyn; African American Actresses: The Struggle For Visibility, 1900-1960 By Charlene Regester; Unsettling Sights: The Fourth World On Film By Corinn Columpar: A Review By Mantra Roy, Mantra Roy

Faculty and Staff Publications

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