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Full-Text Articles in Arts and Humanities

Dossier Chris Marker: The Suffering Image, Gavin W. Keeney Dec 2012

Dossier Chris Marker: The Suffering Image, Gavin W. Keeney

Gavin W Keeney

Dossier Chris Marker is a study of a late-modern chiasmus, impersonal-personal agency, as it comes to expression in the works of French artist and filmmaker Chris Marker as the dynamic interplay of political and subjective agency. As chiasmus, the complementary halves of this often-apocalyptic dynamis (a semi-catastrophic, temporal or historical force-field) also – arguably – secretly agree to meet, through the work of art, in the futural. Consistent with the classical figure of concordia discors, these irreducible warring aspects of life experience are, in fact, resolved in an atemporal and ahistorical moment that inhabits the work of art from its …


Scott, Ian. American Politics In Hollywood Film (Book Review), James Castonguay Aug 2012

Scott, Ian. American Politics In Hollywood Film (Book Review), James Castonguay

Communication, Media & The Arts Faculty Publications

Book review by James Castonguay.

Scott, Ian. American Politics in Hollywood Film. 2nd ed. Edinburgh: Edinburgh University Press, 2011. ISBN 9780748640249, ISBN 9780748640232 (pbk.)


The Foundational Structures Behind Star Wars., Aaron Nusz Aug 2012

The Foundational Structures Behind Star Wars., Aaron Nusz

Electronic Theses and Dissertations

The Star Wars franchise is one of the most successful film series of all time. The original three movies, along with the more recent three prequels, serve as the foundation to a vast empire of Star Wars television shows, action figures, comic books, and novels. Millions of people have already been exposed to these films, and millions more will be exposed to it in the future. With such a vast amount of people which continue to view these movies, it is easy to understand the impact Star Wars has had on our culture. But how did creator George Lucas sculpt …


A Blue Flower: The Development Of A Personal Documentary, Nils Taranger Jan 2012

A Blue Flower: The Development Of A Personal Documentary, Nils Taranger

Electronic Theses and Dissertations

A Blue Flower is a feature-length documentary film by Nils Taranger, made as part of the requirements for earning a Master of Fine Arts in Entrepreneurial Digital Cinema from the University of Central Florida. The film focuses on the director’s journey to find healing, both physically and emotionally. Following the guidelines of UCF’s program, Nils produced the film on a microbudget (under $50,000) level. The majority of filming took place in Florida with only a one or two person crew. This thesis is a record of the film’s progression from development to picture lock, in preparation for distribution


Translation And Distortion Of Linguistic Identities In Sinophone Cinema: Diverging Images Of The ‘Other, Henry Leperlier Jan 2012

Translation And Distortion Of Linguistic Identities In Sinophone Cinema: Diverging Images Of The ‘Other, Henry Leperlier

Books/Book Chapters

In today’s globalized market, Asian films are being increasingly exported; often,

multilingual movies deal with more complex societal issues and catch the interest of

a foreign audience interested in having an open door, one might say multiple doors,

into another society. The nearly complete lack of a system enabling such an audience

to be made aware of the complex multilingual and multilingual characters in such

movies ends up providing a distorted and simplified view of Chinese, Taiwanese,

Hong Kong and Singaporean societies as reflected in its cinemas.

This chapter examines all the resulting issues and cultural misunderstandings that can occur …


Accelerated Culture: Exploring Time And Space In Cinema, Television And New Media In The Digital Age, Thomas J. Connelly Jan 2012

Accelerated Culture: Exploring Time And Space In Cinema, Television And New Media In The Digital Age, Thomas J. Connelly

CGU Theses & Dissertations

This dissertation seeks to understand the impact of speed on the interrelation and the overlapping of the production and consumption of cinematic and televisual texts. It explores the immediacy of digital media and new economic processes, and how they are informing structures of perception, as well as lending themselves to new and different ways of seeing the moving image in the digital age. These visual expressions are evident in the changing perception of the long take; the increasing use of video gaming aesthetics and database narratives; new and variant forms of narrative and visual styles in television; and the speed …