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Film and Media Studies

2000

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Articles 1 - 30 of 43

Full-Text Articles in Arts and Humanities

Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor Oct 2000

Woman As Contender For The United States Presidency: A Look At The Movie, "The Contender", Ibpp Editor

International Bulletin of Political Psychology

This article explores whether the movie, "The Contender," supports the viability of a woman for the presidency of the United States.


On The Double: The Hidden (Queer And Jewish) Career Of Danny Kaye, Michael Bronski Jul 2000

On The Double: The Hidden (Queer And Jewish) Career Of Danny Kaye, Michael Bronski

Center for LGBTQ Studies (CLAGS)

Last year, in the early stages of applying for the Duberman Fellowship, I began by trying to discern a topic, a subject, that would involve me intellectually as well as emotionally. As a free-lance writer and cultural critic I am, more frequently than not, assigned subjects, books, movies, performances by my editors. If I received the Duberman I wanted to research and write about something that resonated with my life and current interests.


Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet Jul 2000

Which Original Works? Tracking Sophocles' Narrative In "Jean De Florette" And "Manon Des Sources", Marie-Jo Binet

French Faculty Publications

Pagnol's two-part novel, L'Eau des collines ( 1962), was inspired by his own films, Manon des sources and Ugolin, released ten years before (1952). Much better known are Berri's 1986 films bearing the novel's titles Jean de Florette and Manon des sources.

In this essay I want to examine the architectural and thematic transformations between the three types of "texts:'

I will show that each piece is referring to a different diegetic universe. Pagnol's film is a celebration of provencal verbal activity, ` joie de vivre," and of the Christian notions of redemption and forgiveness. The musical motif of L'Arlesienne …


Writing Photography: The Grandmother In Remembrance Of Things Past, The Mother In Camera Lucida, And Especially, The Mother In The Lover, Erin Mitchell Jun 2000

Writing Photography: The Grandmother In Remembrance Of Things Past, The Mother In Camera Lucida, And Especially, The Mother In The Lover, Erin Mitchell

Studies in 20th & 21st Century Literature

Proust, Barthes, and Duras describe photographs of maternal figures. Such photographs are not reproduced, but witheld or nonexistent. I include the Proustian narrator's imagined photograph of his grandmother; Barthes's unreproduced photo of his mother at five years old standing in the Winter Garden; and, the Durasien narrator's imagined photograph of her mother, Marie Legrand, in virtual photography. I explore the effects, in these instances, of virtual photography of maternal figures. Like actual photography, virtual photography implies that a referent exists for the image; like actual photography, virtual photography immobilizes, objectifies, and kills its referent even as it arrests the dying …


Oscar Micheaux's Body And Soul And The Burden Of Representation, Pearl Bowser, Louise Spence Apr 2000

Oscar Micheaux's Body And Soul And The Burden Of Representation, Pearl Bowser, Louise Spence

Communication, Media & The Arts Faculty Publications

This essay discusses the 1925 silent motion picture 'Body and Soul,' directed by Oscar Micheaux. It also explores the politics of racial identity of the time.


Ibpp Research Associates: Botswana, Ditso Anneleng Mar 2000

Ibpp Research Associates: Botswana, Ditso Anneleng

International Bulletin of Political Psychology

This article discusses educational and legal issues surrounding students from Botswana enrolled in an alleged fake educational institution - African Media University in South Africa.


Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek Mar 2000

Style Guide Of Clcweb: Comparative Literature And Culture, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek Mar 2000

Copyright Clcweb: Comparative Literature And Culture ©Purdue University, Steven Tötösy De Zepetnek

CLCWeb Library

No abstract provided.


Creative Writing, Storyboarding And Video Script Writing As Techniques To Stimulate The Development Of Imagination And Imagery To Aid In Reading Comprehension, Ellen Settlemyer Bartelli Jan 2000

Creative Writing, Storyboarding And Video Script Writing As Techniques To Stimulate The Development Of Imagination And Imagery To Aid In Reading Comprehension, Ellen Settlemyer Bartelli

All Graduate Projects

The relationship between imagination, pretend play, and reading comprehension was researched through the literature. A curriculum unit was designed featuring two exercises using imagination and imagery in conjunction with the book Night by Elie Wiesel. The first exercise asked students to write a 10 entry journal synthesizing information from a variety of sources into a first person narrative of a Jewish child. The second exercise calls for student groups to write, storyboard, and film a scene from Night on videotape.


Ken Burns’S Rebirth Of A Nation: Television, Narrative, And Popular History, Gary Edgerton Jan 2000

Ken Burns’S Rebirth Of A Nation: Television, Narrative, And Popular History, Gary Edgerton

Scholarship and Professional Work - Communication

Gary Edgerton's contribtution to "Landy, Marcia. The Historical Film: History and Memory in Media. New Brunswick, NJ: Rutgers UP, 2001."


Melodramatic Masculinity, National Identity, And The Stalinist Past In Postsoviet Cinema , Susan Larsen Jan 2000

Melodramatic Masculinity, National Identity, And The Stalinist Past In Postsoviet Cinema , Susan Larsen

Studies in 20th & 21st Century Literature

The genre of melodrama, sweepingly scorned by Soviet film critics, proved a convenient screen vehicle for a distinctively Postsoviet imagination responding to the historical and social conundrums of the 1990s. Retrospection dominated the decade's most distinctive films, which enlisted melodramatic conventions to identify heroic Russian masculinity as the principal victim of Stalinist evil. In an intersection of national, historical, and sexual identities, directors of different backgrounds and generations collapsed feminine and Stalinist "nature" into one. Illustrative of this trend were three of the period's best known and most provocative films: Petr Todorovskii's Encore, Again, Encore (1992), Ivan Dykhovichnyi's Moscow Parade …


Digital Songlines: The Use Of Modern Communication Technology By An Aboriginal Community In Remote Australia, Lydia Buchtmann Jan 2000

Digital Songlines: The Use Of Modern Communication Technology By An Aboriginal Community In Remote Australia, Lydia Buchtmann

Aboriginal Policy Research Consortium International (APRCi)

In the mid-1980s the AUSSAT satellite brought television and radio to remote Australia for the first time. There was concern amongst Aboriginal communities that the imposition of mass media without consultation could result in permanent damage to culture and language. However, over the years, the Warlpiri people have adopted modern communication technology including radio, video making, locally produced television, and more recently on-line services. This paper examines why the Warlpiri have adopted modern communication technology and whether there have been social changes as a result. It also looks at the pioneering media work by the Pitjantjatjara people at Ernabella in …


On Cultural And Structural Change In Rte Television Drama, Edward Brennan Jan 2000

On Cultural And Structural Change In Rte Television Drama, Edward Brennan

Articles

No abstract provided.


Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower Jan 2000

Outing Hybridity: Polymorphism, Identity, And Desire In Monika Trent's Virgin Machine, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

Monika Treut's 1988 film, Virgin Machine, offers a playful, self-ironizing look at the construction of sexual identities, utilizing the techniques specific to the filmic medium to create cuts and bridges between concepts, characters, and locations. In its portrayal of the passage and passages of the story's central character, Dorothe Muller, the film takes the viewer on a voyage of self-exploration and self-discovery that moves from one harbor city, Hamburg, and ends in another, San Francisco. The move between harbor cities carries associations of commerce and exchange, arrivals and departures, as well as the potential for import and export of …


Winter/Spring 2001, 90.9 Wmpg Fm Jan 2000

Winter/Spring 2001, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format.


Summer 2000, 90.9 Wmpg Fm Jan 2000

Summer 2000, 90.9 Wmpg Fm

WMPG Program Guides

No abstract provided.


Winter/Spring 2000, 90.9 Wmpg Fm Jan 2000

Winter/Spring 2000, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format


Review Of Searching For Hawa's Secret, John Stephen Brantley Jan 2000

Review Of Searching For Hawa's Secret, John Stephen Brantley

Faculty Research & Creative Activity

No abstract provided.


Dracula And The Gothic Imagination Of War, Bryan Alexander Jan 2000

Dracula And The Gothic Imagination Of War, Bryan Alexander

Journal of Dracula Studies

When Jonathan Harker first describes Castle Dracula, his journals rely on the language of war. Unable to pin down the castle’s site on an Ordnance Map, Harker is able to see instead the liminal city of Bistritz in terms of a historic siege (11). As he approaches nearer, Harker relates a companion’s (mis)quotation from Burger’s “Lenore,” a line spoken by an undead soldier, all too recently at war (17). Castle Dracula itself appears textually as a mix of military and Gothic discourses, whose “frowning walls and dark window openings” (21) serve both to situate Harker in classically Gothic space, and …


Apocalyptic Visions, Amir Hussain Jan 2000

Apocalyptic Visions, Amir Hussain

Theological Studies Faculty Works

On November 20, 1999, I was privileged to chair a session of the Religion, Film and Visual Culture group at the annual meeting of the American Academy of Religion (AAR). The session was entitled "Film and the Apocalypse", and consisted of the five papers that are collected in this volume. The word "apocalypse" comes from a Greek root meaning to reveal or uncover, which is precisely what I understand films to do, reveal something about the world. In these five papers, much is revealed about the apocalyptic visions of a number of contemporary Hollywood films. This essay will be a …


Fall/Winter 2000, Wmpg 90.9 Fm Jan 2000

Fall/Winter 2000, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall/Winter 2000

Includes notes from Program Director, information on shows and events, and schedule.


Review Of Searching For Hawa's Secret, John Stephen Brantley Jan 2000

Review Of Searching For Hawa's Secret, John Stephen Brantley

Steve Brantley

No abstract provided.


Seeing The Past: Jesse James And American History In Motion Pictures, Clinton S. Loftin Jan 2000

Seeing The Past: Jesse James And American History In Motion Pictures, Clinton S. Loftin

Electronic Theses and Dissertations

An Abstract of the Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (in History) May, 2000 Historically-based films often reveal more about the time in which they were made than about their historical subjects. Three motion pictures about Jesse James made in three very different eras reveal more about contemporary history than they do about the facts surrounding the legendary outlaw’s life. While each film, in some way, purports to tell the “true” story of Jesse James’ life, each offers a different history of that life. In order to understand the reasons for …


Desire And Loathing In Bram Stoker's Dracula, Nancy F. Rosenberg Jan 2000

Desire And Loathing In Bram Stoker's Dracula, Nancy F. Rosenberg

Journal of Dracula Studies

No abstract provided.


Filming Dracula: Vampires, Genre, And Cinematography, Jörg Waltje Jan 2000

Filming Dracula: Vampires, Genre, And Cinematography, Jörg Waltje

Journal of Dracula Studies

No abstract provided.


Vampire Crime, Katherine Ramsland Jan 2000

Vampire Crime, Katherine Ramsland

Journal of Dracula Studies

While most of the vampire subculture these days is a benign form of role-playing, there have been cases of people who were inspired by the predatory image to kill. To their minds, the vampire mythos provides a framework that inspires and even licenses certain types of violent behaviors. Although this bloodthirsty impulse reaches back centuries and crosses cultures, I want to examine the mythology’s influence on three cases in recent American culture: Roderick Ferrell, James Riva, and Richard Trenton Chase. I will take one case at a time and then discuss how they attach to the vampire frame.


About That: Deploying And Deploring Sex In Postsoviet Russia , Eliot Borenstein Jan 2000

About That: Deploying And Deploring Sex In Postsoviet Russia , Eliot Borenstein

Studies in 20th & 21st Century Literature

Desovietization brought sex as a visible cultural phenomenon into Russia, one rife with contradictions and conflicts. Newspapers, popular magazines, advertisements, pornography, the first Russian sex talk show (About That), and pronouncements by a broad range of quotable public figures indicate that the problematics of sex during the 1990s consisted of the following: a sexualized relationship between Russia and the West; a sexualization of politics (rather than the politicization of sex); an inflexible yet implicit code governing the deployment of sex in "high" and "low" culture; and, above all, the development of a sexual discourse that defied circumlocution and …


Fit To Print: A Content Analysis Of The Regent Universities' Student Papers, Ivy A. Sprague Jan 2000

Fit To Print: A Content Analysis Of The Regent Universities' Student Papers, Ivy A. Sprague

Presidential Scholars Theses (1990 – 2006)

To the best of my knowledge, this is the first comparative study conducted regarding the student publications for the three Iowa Regents' universities. The data collected shows that the three publications are not as different in terms of content as many of their readers seem to believe. As the data reflects, the Northern Iowan is significantly more campus-centered in its coverage. However, the difference is not so significant that the staff of the Northern Iowan could not increase its national and international coverage to make it more comparable to the other two newspapers. I hope this research can be of …


Style And S(T)Imulation: Popular Magazines, Or The Aestheticization Of Postsoviet Russia , Helena Goscilo Jan 2000

Style And S(T)Imulation: Popular Magazines, Or The Aestheticization Of Postsoviet Russia , Helena Goscilo

Studies in 20th & 21st Century Literature

The new Postsoviet genre of the glossy magazine that inundated bookstalls and kiosks in Russia's urban centers served as both an advertisement for a life of luxury and an advice column on chic style. Conventionalized signs of affluence, models of beauty, "educational" articles on topics ranging from the history and significance of ties to correct behavior at a first-class restaurant filled the pages of magazines intended to provide an accelerated course in etiquette, appearance, and appurtenances for Russia's newly wealthy. The lessons in spending, demeanor, and taste emphasized moneyed visibility. Despite their differing emphases, popular magazines all shared the new-found …


Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch Jan 2000

Machian Epistemology And Its Part In František Kupka's Painterly Cognition Of Reality, John G. Hatch

Visual Arts Publications

A consensus has emerged amongst art historians that portrays the work the Czech painter, František Kupka (1871-1957), as fluctuating between differing styles and never resolving itself into one straightforward and single-minded direction beyond abstraction. Visually this is true, but for Kupka the visual was secondary in that it plays a subsidiary role to the process involved in the creation of the work itself. A failure to properly understand this process has resulted in an inaccurate reading of Kupka's art, essentially missing the point that his paintings embody in their imagery the cognitive process involved in their creation. Significantly, as I …