Open Access. Powered by Scholars. Published by Universities.®
- Institution
Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
Screening For Our Fathers: Representations Of Native American Masculinity In American Film, Jeromy Duane Miller
Screening For Our Fathers: Representations Of Native American Masculinity In American Film, Jeromy Duane Miller
Graduate Theses and Dissertations
In this work, I examine representation of Native American masculinity in the American film industry. The American film industry began just over a century ago, and one of its earliest subjects was the Native American. Throughout its history, the American film industry has maintained a steady trajectory of exploitation and erasure of Native American men and their subsequent masculine qualities. While there are notable historical outliers and critical exceptions in the 21st century, Native American men in film have been continually reduced to corpses, devoid of significant social presence, and denied meaningful explorations of their sexuality and interpersonal identity. The …
Bitten By The Demon Of Cinema: An Examination Of Women-Made Horror, Erica Tortolani
Bitten By The Demon Of Cinema: An Examination Of Women-Made Horror, Erica Tortolani
Doctoral Dissertations
Moving away from a discussion of horror films directed by men, “Bitten by the Demon of Cinema” those films—and, where appropriate, works across media, like on television, the Internet, and in the visual arts—created by women. As I explore in this dissertation, women-made horror has narrative, thematic, and stylistic qualities that borrow from the genre at large but are then transformed into a class of films all of their own. While seemingly diverse, they share enough commonalities to constitute a new mode of filmmaking altogether. The films and filmmakers that I have chosen in this dissertation are cases in point …
Framing Of Female Leading Roles In Drama Series On Video Streaming Platforms, Manatalah Soliman
Framing Of Female Leading Roles In Drama Series On Video Streaming Platforms, Manatalah Soliman
Theses and Dissertations
This comparative study examines the female-centered drama series aired on VOD services from three different genres. While several studies have established the stereotypical representation of women in the drama series, most research has focused on individual countries. The significance of this study relies upon the fact that the series is from VOD services, notably Netflix and Shahid VIP. The study bridges a gap in the literature by adopting a comparative perspective to analyze gender portrayals from six drama series, three from each country, from three genres. The contemporary drama genre included Valeria from Spain and Leh Laa?! Why Not?! from …
Tale As Old As...Feminism? The (Re)Making Of Beauty And The Beast, Cara Doreen Hardman
Tale As Old As...Feminism? The (Re)Making Of Beauty And The Beast, Cara Doreen Hardman
Theses - ALL
In this thesis, I investigate Disney's positioning of the live-action Beauty and the Beast as feminist. Up to this point, Disney's animated Beauty and the Beast has both been hailed as presenting audiences with an empowered princess and criticized for the Beast's aggressive behavior and the positioning of Belle as a woman meant to propel the Beast's story forward. I provide an assessment of the gender politics depicted in Disney's live-action Beauty and the Beast, and I problematize the tendency to classify texts as either entirely feminist or utterly antifeminist. As a whole, this thesis provides an in-depth analysis of …
Beyond The Image: Marilyn Monroe, Shelley Winters, And The Method, Emily K. Oliver
Beyond The Image: Marilyn Monroe, Shelley Winters, And The Method, Emily K. Oliver
Film and Media Studies (MA) Theses
Sexist gossip for women and professional celebration for men is a longstanding, detrimental trend within popular culture, society, and film studies scholarship. While this tendency can be traced consistently throughout film history, it is particularly apparent within the discourse surrounding the transitional period of postwar Hollywood (1945 - 1960). Though frequently disassociated from one another for their seemingly oppositional contemporary legacies, Marilyn Monroe and Shelley Winters began their careers synonymously as studio- created ’blonde bombshell’ archetypes. Monroe’s and Winters’ early acting credits represent severe industry illustrations of objectification and sexist tactics to utilize female bodies to sell performances. Following variable …