Arts and Humanities Commons^™

Great Directors: Sidney Lumet, William Blick

Publications and Research

Given the breadth of Lumet’s oeuvre, it’s debatable whether or not he has a distinctive, recognizable style. The canon encompasses such a large canvas, it is impossible to say whether or not his films are instantly recognizable. There are, however, trademark characteristics: gritty New York urban realism, dynamic and snappy dialogue coupled with frequent collaborations with the best actors and writers in the business. These collaborations captivated film critics and the public alike, as both bore witness to Lumet’s talent for translating text to screen. Lumet’s politics are unabashedly liberal and often elicit distrust of the establishment as characters challenge …

Once Upon A Time In Tarantino’S West: Persistence Of The Western As An American Fairy Tale, Beth Jane Toren

Faculty & Staff Scholarship

Traditionally associated with fairy tales, “Once upon a time” invites us to suspend disbelief, leave time behind, and be transported to an alternative world. Sergio Leone’s Once Upon a Time in the West (C’era una volta il West, 1968), a follow-up to his Dollars Trilogy, invites us to visit “The West” not as a historical landscape but a surreal domain. Like the fairy-tale worlds of Grimm or Perrault, or in the film medium of Leone’s, Quentin Tarantino’s cinematic universes invite the audience to experience another dimension entirely. Not surprisingly then, his ninth film Once Upon a Time in …

Buddhism In Korean Film During The Roh Regime (1988-1993), Ronald S. Green

Philosophy and Religious Studies

This article outlines and critically discusses South Korean Buddhist films made during the time of the Roh Tae-woo government (1988-1993), which can be called a semi-democratic and semi-dictatorial regime. This was a period of transition in film policy from the censorship of the earlier dictatorial regimes to the freedom of expression offered to directors by the later democratic administrations, unprecedented in Korean film history. During this period the technical skill of directors improved bringing about a corresponding improvement in the quality of Korean Buddhist films and thus international attention. Although the government allowed filmmakers considerably more freedom to express ideas …

Post-9/11 New York On Screen: Mourning, Surveillance And The Arab Other In Tom Mccarthy’S 'The Visitor', Elizabeth Toohey

Publications and Research

New York, as a capital of finance and culture, has been one of Hollywood’s favorite settings, often functioning as a glamorous character itself. Yet in the wake of 9/11, escalating government surveillance prompted filmmakers to call this image into question. Tom McCarthy’s 2007 film "The Visitor" marks a turning point. Set in the aftermath of the towers’ collapse, support-the-troops signs and flags haunt the city, saturating it with reminders of 9/11’s political repercussions. In this article, I explore McCarthy’s portrayal of New York and its Muslim immigrants, who overturn stereotypes of (male) terrorists or (female) victims. Their displacement instead creates …

Hollywood’S Image Of The Second World War - David Ayer’S Fury (2014) And The Depiction Of Violence In War, Frank Jacob

Publications and Research

The article describes the way in which violence is depicted in David Ayer’s World War II movie Fury (2014). It also deals with the general question how violence is visualized in current Hollywood movies.

Love In The Time Of Capitalism: A Marxist Feminist Reading Of Modern Times, Brooke M. Beloso

Scholarship and Professional Work - LAS

Dr. Brooke Beloso's contribution to Marxism and the Movies: Critical Essays on Class Struggle in the Cinema, Ed. Kevin K. Durand and Mary K. Leigh, McFarland Publishers.

The Docks Of New York, William Blick

Publications and Research

Josef Von Sternberg was a master film craftsman. Known for its use of shadow and closeup, The Docks of New York, demonstrates the work of a filmmaker at the peak of his powers.

This article was written for Senses of Cinema magazine to accompany the screenings at the Cinemateque in Melbourne, Australia.

Script To Screen: "Wicked Like The Chaff", Robert J. Deignan

Mahurin Honors College Capstone Experience/Thesis Projects

No abstract provided.

Book Review: Performing Whiteness, By Gwendolyn Audrey Foster, Tim Engles

Faculty Research & Creative Activity

No abstract provided.