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Full-Text Articles in Arts and Humanities
“You’Ll Never Meet Someone Like Me Again”: Patty Jenkins’S Monster As Rogue Cinema, Michelle D. Wise
“You’Ll Never Meet Someone Like Me Again”: Patty Jenkins’S Monster As Rogue Cinema, Michelle D. Wise
Languages, Literature & Philosophy Faculty Research
Film is a powerful medium that can influence audience’s perceptions, values and ideals. As filmmaking evolved into a serious art form, it became a powerful tool for telling stories that require us to re-examine our ideology. While it remains popular to adapt a literary novel or text for the screen, filmmakers have more freedom to pick and choose the stories they want to tell. This freedom allows filmmakers to explore narratives that might otherwise go unheard, which include stories that feature marginal figures, such as serial killers, as sympathetic protagonists, which is what director Patty Jenkins achieves in her 2003 …
Foreign Films In The Context Of Hollywood: A Look Into Adaptations And Remakes From Foreign Cinema, Christina Schrage
Foreign Films In The Context Of Hollywood: A Look Into Adaptations And Remakes From Foreign Cinema, Christina Schrage
Lawrence University Honors Projects
Adaptations of novels are not an uncommon thing in the global cinema market, but what is it that Hollywood wishes to accomplish by adapting foreign films into their own language and context? This paper takes a look at the differences in Swedish, French, Argentine, and Korean cultural codes through the lenses of film narrative and how those codes are translated, or in some cases eradicated, from their Hollywood counterparts. This paper analyzes the films narrative, themes, and aesthetics, as well as the audience’s reception, to question whether Hollywood’s remake has added any new meaning to the film’s world, or if …
Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik
Globalization Tropes In Films: A Focus On Crazy Rich Asians, Nikhilesh Dholakia, Deniz Atik
Marketing Faculty Publications and Presentations
Learning from and encouraged by the impacts of film film-based windows into globalization phenomena, in this issue of MGDR, we have focused on the film Crazy Rich Asians. In the popular press, the movie has been hailed as a major cultural point of departure for Hollywood as well as panned as just an Asian Asian-themed romantic comedy that celebrates the super-rich of Asia. The buzz around this movie does, however, indicate a slight bend in the curve of the geopolitics of the globalization discourse – and hence our decision to feature a number of academically insightful reviews of this movie …