Arts and Humanities Commons^™

Whither The Material In New Media Studies?, John W. Kim

John Kim

This article addresses how new media theory has been founded on an endemic exclusion and erasure of a concept of the material, because of the ascendancy of a concept of the virtual in theoretical and historical research on the development of new media technologies. In order to develop this claim, three influential accounts of the virtual in media studies are reviewed (the history of technologies of the virtual, embodiment and informatics, and post-structuralist theories of digital media) in order to demonstrate how each is grounded in an exclusion of the material. On the basis of this analysis, the article poses …

Media Representations Of Perpetrators: Case Study Of South Africa’S Eugene De Kock, Emily H. Freilich

ehf02014@pomona.edu

This paper examines the importance and practices of media portrayal of perpetrators in human rights atrocities. Specifically, it investigates the media portrayal of Eugene de Kock, the commander of the Vlakplaas death squad in South Africa and one of the most notorious perpetrators of the South African apartheid. The paper first introduces the debates and moral dilemmas surrounding the media portrayal of perpetrators. It then examines the how news media and books represented Eugene de Kock and his Amnesty Committee trial and analyses how those portrayals help or hinder the transitional justice process in South Africa. The media surrounding de …

Digital Prometheus: Wikileaks, The State-Network Dichotomy And The Antinomies Of Academic Reason, Athina Karatzogianni, Andy Robinson

Athina Karatzogianni

Student-Directed Blended Learning With Facebook Groups And Streaming Media: Media In Asia At Furman University, Tami Blumenfield

Tami Blumenfield

Furman University prizes itself on being an engaged learning, liberal arts institution with extensive faculty-student interaction. 96% of students live on campus, leading some to question whether reducing face-to-face instructional time makes any sense pedagogically. Coming from a different institution that encouraged faculty to create hybrid courses, and seeing the creativity and freedom that offered, I wanted to experiment with the format in this new institutional environment. Would it still be effective? What adaptations would be necessary, and how would students react to this different course format? In Fall 2013, I taught a carefully designed blended learning course that met …

New Master's Degree In Media Literacy And Digital Culture Announced, Lori Bindig

Lori Bindig

Sacred Heart University is announcing a new master’s degree in media literacy and digital culture expected to launch in the fall of 2015.

A Vampire Hitman From San Francisco, Joel M. Drotts Esq.

Joel M. Drotts Esq.

Join our main character Joel in one of San Francisco's roughest neighborhoods, where vampires have decided to hide in plain sight. Joel earns his blood is deadly to vampires, as he learns that the Freemasons are also undercover vampire slayers battling an ancient evil who wants to take over mankind!

Getting Your Bloke On: Gender Issues In The Reality Competition 'I Will Survive', Frank Miller

Frank M Miller III

The Australian reality competition "I Will Survive" set out to find a cast replacement for the leading role in the Broadway production of "Priscilla, Queen of the Desert." The stage version closed halfway through production the series, forcing a repositioning of the competition as the search to find "Australia's next triple threat." Even when the main prize was a role as a drag queen, however, the series presented a heterocentric approach to gender that treated drag less as a means of personal expression than as a part in a play that just happened to be about two gay men and …

Dark Awakening: Transmedia And Narrative Transportation, Rafeeq Roberts, Kimberly Neuendorf

Rafeeq I Roberts

Media convergence has led content creators to produce narratives that stretch across platforms, known as Transmedia. A Transmedia narrative titled Dark Awakening was created using three different platforms: A short film, an interactive short story, and a text based role playing game. All of these share overlapping themes, characters, and settings. Each narrative platform was designed to be taken and understood on its own, or viewed in conjunction with the others. A study of audience response to the Transmedia experience of Dark Awakening has been planned. The conditions for the study include the order in which the media are consumed, …

From Here To InFinnerty: Tony Soprano And The American Way, Terri Carney

Terri M. Carney

As fellow critics have pointed out in a myriad of published studies on the series, The Sopranos challenges the traditional gangster genre formula and brings the mob closer to all of us: Tony and his gang inhabit a recognizable world of Starbucks, suburbia, and SUVs. They discuss issues of the day, the same ones we discuss when we turn off the TV after the episode. In short, they inhabit a quotidian reality that is continuous with our own, and we are prevented from drawing the neat lines that allow us a comfortable remove from the horror of the “criminal world,” …

Mannequin Iii Full Story, Taras Zenyuk

Taras Zenyuk

An international student from Ukraine, Tim studies LLM at New York Law School. Tim won a fully paid scholarship, not because of his intellectual ability but because he was lucky. It turned out that many students did not file an application for the scholarship because they believed they would never win anyway.

Bridging The Political Deficit: Loss, Morality And Agency In Films Addressing Climate Change, Philip Hammond

Philip Hammond

This article examines the emotional rhetorical strategies of three films – The Day After Tomorrow (2004), An Inconvenient Truth (2006) and The Age of Stupid (2009) – which attempt to create engagements with the “post-political” problem of climate change. In all three films the experience of personal loss, the potential for future loss, and the emotions associated with loss are fundamental to affective engagement. The emotional loading of representations of environmental problems derives partly from concerns about human political agency and subjectivity. It is not so much that emotional or moral appeals are simply added on in order to bolster …

Encircling Linearity In Carlos Saura's Peppermint Frappé, Linda M. Willem

Linda M. Willem

Spanish director Carlos Saura is internationally famous for creating films where the past, the present, and the future are fused together and intermixed with reality, fantasy, and dreams. Although this practice is generally recognized by critics as one of Saura's strategies for circumventing the repressive censorship operating during the Franco era, María Delgado points out that Saura's continued reliance on non-linear narratives in his post-Franco work "indicates that his style was determined as much by a desire to interrogate the possibilities of the medium as by censorship" (375). Indeed, in an interview with Antonio Castro, Saura has been quoted as …

Highlighting The Hidden: Visual Representation In Gutiérrez Aragón's Demonios En El Jardín, Linda Willem

Linda M. Willem

According to Spanish film maker Manuel Gutiérrez Aragón, there is an intimate relationship between the family and the state, with the traits of the family mirroring those of the state in which it exists: "la primera célula del Estado es la familia, y si el Estado, por definición, es opresivo, la familia es igualmente opresiva" (García Fernández 331). "Yo utilizo la familia en mis películas porque es muy real, muy testimonial. La familia repite fielmente la estructura social 0 estatal" (Payán and López 27). In Demonios en el jardín (1982) Gutiérrez Aragón uses the metaphor of the family not only …

Text And Intertext: James Whale's Frankenstein In Víctor Erice's El Espíritu De La Colmena, Linda M. Willem

Linda M. Willem

Víctor Erice's use of clips from James Whale's Frankenstein as the basis for actions by his young protagonist, Ana, in El espíritu de la colmena has led critics to speculate on the symbolic meaning of the monster within that Spanish film. For Virginia Higginbotham the monster represents Franco's Spain, a country that has lost both its memory and its moral sense (116-20). For Marvin D'Lugo the monster stands for the mysterious, the unknown, the different, and the deviant, all of which Ana identifies with as she defines herself as an oppositional spirit (2862). Carmen Arocena sees Ana's rebellion as an …

Liverpool Science Fiction Texts And Studies, 47, Sonja Fritzsche

Sonja Fritzsche

Edited by Sonja Fritzsche, the collection contains fourteen chapters written by specialists from around the world. Film traditions represented include Argentina, Australia, Brazil, Cameroon, China, the Czech Republic, France, Germany, India, Ireland, Italy, Japan, Kenya, Poland, the United Kingdom, and the United States plus a chapter on digital shorts.

Sound In Film, John A. Duvall

John Duvall

The Aesthetic Of Revolution In The Film And Literature Of Naguib Mahfouz, Nathaniel Greenberg

Nathaniel Greenberg

In the wake of the 1952 Revolution, Egypt’s future Nobel laureate in literature devoted himself exclusively to writing for film. The Aesthetic of Revolution in the Film and Literature of Naguib Mahfouz is the first full-length study in English to examine this critical period in the author’s career and to contextualize it within the scope of post-revolutionary Egyptian politics and culture. Before returning to literature in 1959 with his post-revolutionary masterpiece Children of the Alley, Mahfouz wrote or co-wrote some twenty odd scripts, many of them among the most successful in Egyptian history. He did so at a time when …

Thinking Through Film: Doing Philosophy, Watching Movies, Damian Cox, Michael Levine

Damian Cox

An introduction to philosophy through film, Thinking Through Film: Doing Philosophy, Watching Movies combines the exploration of fundamental philosophical issues with the experience of viewing films, and provides an engaging reading experience for undergraduate students, philosophy enthusiasts and film buffs alike.

Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin

Nat DeBruin

Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.

Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames

Melissa A. Ames

Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …

Postcards From Metaxas' Greece: The Uses Of Classical Antiquity In Tourism Photography, Katerina Zacharia

Katerina Zacharia

No abstract provided.

The Time & The Place: Sundance London 2014 Review Article, Vaughan S. Roberts

Vaughan S Roberts

Senior Project - Boyland Artist Statement, Gabriella Rubin

Gabriella Rubin

No abstract provided.

Working With The Pr Industry, Jane Johnston

Jane Johnston

From wearing out shoe leather to the latest technologies, Journalism Research and Investigation in a Digital World helps journalism students and journalists who are embarking on their careers learn how to conduct complex investigations. It recognises that journalists need to develop skills that will enable them to work across a range of media platforms, while adapting to the new technology that will help them locate, interpret and package information in a faster, more efficient way.

Silent Film Online, Julie A. Decesare

Julie A DeCesare

Alexander Street Press (ASP) has become a leader in providing libraries and institutions access to streaming video and multimedia content. Since 2006, their offerings of online and streaming video databases have grown quickly. Recently, they released Silent Film Online (SFO), a collection of silent films, clips, trailers, and documentaries about filmmaking during the silent film era. ASP pricing is average for this content, and flexible, based on type of institution, budget, and FTE. Annual subscription or one time purchase of perpetual rights are options. Like other ASP online video databases, functionality is high. ASP is currently in beta with a …

Tötösy De Zepetnek, Steven Curriculum Vitae, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Purdue University Press Monograph Series Of Books In Comparative Cultural Studies, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Cumulative Index Of Clcweb: Comparative Literature And Culture (1999-), Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Selected Bibliography For Work In Reading, Literacy, And Pedagogy, Geert Vandermeersche, Kris Rutten, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.

Introduction To New Work About World Literatures, Graciela Boruszko, Steven Tötösy De Zepetnek

Tötösy de Zepetnek, Steven & Totosy de Zepetnek, Steven

No abstract provided.