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Full-Text Articles in Arts and Humanities
Review Of Berke, Their Own Best Creations, Cynthia Meyers
Review Of Berke, Their Own Best Creations, Cynthia Meyers
Journal of 20th Century Media History
Review of Their Own Best Creation: Women Writers in Postwar Television, by Annie Berke.
“America’S Nervous Breakdown”: Mary Hartman, Mary Hartman, Popular Psychology, And The Demise Of The Housewife In The 1970s, Kate L. Flach
“America’S Nervous Breakdown”: Mary Hartman, Mary Hartman, Popular Psychology, And The Demise Of The Housewife In The 1970s, Kate L. Flach
Journal of 20th Century Media History
In 1976, soap opera satire Mary Hartman, Mary Hartman (MH, MH) debuted and reached an estimated 55 million households. Produced by Norman Lear, the central storyline developed during the first season involved the mental breakdown of Mary Hartman (Louise Lasser), a typical consumer housewife who Lear claimed metaphorically represented the United States. Portraying a discontent housewife with mental illness as a proxy for the nation reflects how ubiquitous popular psychology became in explaining American anxieties over the transformations of the family and politics. An analysis of tape-recorded writers meetings reveals that the show’s creators pulled from contemporary books, theories, and …
Ari J. Blatt And Edward Welch, Editors. France In Flux: Space, Territory, And Contemporary Culture. Liverpool Up, 2019., Suzanne Black
Ari J. Blatt And Edward Welch, Editors. France In Flux: Space, Territory, And Contemporary Culture. Liverpool Up, 2019., Suzanne Black
Studies in 20th & 21st Century Literature
Review of Ari J. Blatt and Edward Welch, editors. France in Flux: Space, Territory, and Contemporary Culture. Liverpool UP, 2019. xiii + 221 pp.
Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez
Ang Boys’ Love Bílang Papausbong Na Telebiswalidad (Boys’ Love As Emerging Televisuality), Louie Jon A. Sánchez
Akda: The Asian Journal of Literature, Culture, Performance
Sa sanaysay na ito, pinahahalagahan ang sandali ng pag-usbong ng mga boys’ love webserye sa panahon ng pandemya. Sinusulit nito ang telebiswal na penomeno sa pamamagitan ng pahapyaw na pag-uugat sa mga minumulang tradisyon o impluwensiya; sa pagsasakonteksto ng paglaganap nito; sa pangkabuuang pagbása sa nagkakaisang salaysay ng mga serye; at sa pagtukoy sa mga transgresyong tinutupad nito sa anyo at kagawian ng panonood ng teleserye, at sa pangkalahatan, sa telebisyong patuloy na umaagapay sa mga hámon at pagbabago ng kalakaran. Sa kasaysayan ng teleserye at ng telebisyong Filipino, pinangangatwiranang mahalaga ang sandali ng BL sa gitna ng pandemya dahil …
Add Women And Stir: Female Presidents In Pop Culture, 2012-2016, Angela Laflen, Michelle Smith, Kristin Bayer, Riana Ramirez, Jessica Recce, Molly Scott
Add Women And Stir: Female Presidents In Pop Culture, 2012-2016, Angela Laflen, Michelle Smith, Kristin Bayer, Riana Ramirez, Jessica Recce, Molly Scott
The Seneca Falls Dialogues Journal
In this article, we argue that there was a representational shift in popular culture representations of female presidents following Hillary Clinton’s 2008 primary run, from earlier representations that were entirely preoccupied with gender to more recent depictions that tried to set aside “the gender question.” We explore three representations of female presidents produced since 2012 that can illuminate popular understandings of gender and the presidency between the 2008 and 2016 elections: Veep, State of Affairs, and Scandal. While all three texts attempt to normalize images of female presidents and break from earlier representations by treating a female …
An Analysis Of Lgbtq+ Representation In Television And Film, Katelyn Thomson
An Analysis Of Lgbtq+ Representation In Television And Film, Katelyn Thomson
Bridges: An Undergraduate Journal of Contemporary Connections
As LGBTQ+ representation in television and film increases, viewers must continue to question if this representation is accurate and enough to represent a whole spectrum of individuals. TV and film hold a powerful role in shaping societies perceptions, biases and stereotypes of a community and individuals. This essay analyzes TV and film representations to provide the reader with a better understanding of the power and impact that accurate representations of LGBTQ+ can have on the community and society as a whole. By looking at the issue through the lenses of queer theories, scripting theory, in addition to Stuart Hall and …
The Pre-Fab Fab Four, Thyra L. Chaney
The Pre-Fab Fab Four, Thyra L. Chaney
The Downtown Review
This paper describes the formation of The Monkees as a manufactured boy band and pop culture phenomenon, and the social and cultural context that led to the group's dissolution and lasting legacy in the history of television and popular culture.
Criticizing Past And Modern Ideology Through Twisted Comedy Series: A Case Of "Comrade Detective", Damian Winczewski, Slawomir Czapnik
Criticizing Past And Modern Ideology Through Twisted Comedy Series: A Case Of "Comrade Detective", Damian Winczewski, Slawomir Czapnik
Class, Race and Corporate Power
The objective of the paper is to solve the interpretative controversies around Comrade Detective, one of the most original TV entertainment productions of the recent years. This production is a pastiche of American buddy police films. The plot refers to the reality of the socialist Romania in the 1980s and presents in a satirical way the local militia’s fight against the American threat. We have attempted to prove that its not only deriding the reality of the political system, but the series constitutes also a satire on American propaganda films. Although the humour in the series seems vulgar and …
Feel-Sad Tv: Sadness Pornography In Contemporary Serials, Blake K. Beaver
Feel-Sad Tv: Sadness Pornography In Contemporary Serials, Blake K. Beaver
disClosure: A Journal of Social Theory
This article develops a theory of sadness pornographies in contemporary feel-sad television. Under the sad porn category, the essay explores a key sub-genre in contemporary serial dramas: trauma porn. The article is anchored in an affective analysis of two contemporary serials: Amazon's Transparent and NBC's This Is Us, both of which center multigenerational, familial trauma. Through a combined Berlantian and Spinozist optic, the essay attends to various episodes from the two serials to illuminate the phenomenon of trauma porn in current feel-sad media. In this reading, the essay considers how Spinoza's understandings of the temporality of affect relate to the …
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
La Fermeture Des Salles De Cinéma En Afrique De L'Ouest Et Ses Impacts Sur L'Internet Et La Télévision, Mouhamadou Cissé
Présence Francophone: Revue internationale de langue et de littérature
This article analyzes the importance of the film industry in West Africa by posing the problem of the closure of cinemas in recent decades in three countries: Senegal, Mali and Burkina Faso. The disappearance of movie theatres jeopardizes reception and drives the use of the Internet and television as broadcasting outlets for movies. This issue occupies little space in film criticism that privileges, according to Claude Forest, the "creative and cultural aspects" and therefore the aesthetics of African film.
The Gang Beats The Odds: It's Always Sunny In Philadelphia's Consistent Popularity, Matt Nutile
The Gang Beats The Odds: It's Always Sunny In Philadelphia's Consistent Popularity, Matt Nutile
Cinesthesia
No abstract provided.
Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders
Derek C. Maus And James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: Up Of Mississippi, 2014., Jacinta Yanders
Studies in 20th & 21st Century Literature
Review of Derek C. Maus and James J. Donahue. Post-Soul Satire: Black Identity After Civil Rights. Jackson: UP of Mississippi, 2014.
Frederick Luis Aldama. Latinx Superheroes In Mainstream Comics. Tucson: U Of Arizona P, 2017., Danielle A. Orozco
Frederick Luis Aldama. Latinx Superheroes In Mainstream Comics. Tucson: U Of Arizona P, 2017., Danielle A. Orozco
Studies in 20th & 21st Century Literature
Review of Frederick Luis Aldama. Latinx Superheroes in Mainstream Comics. Tucson: Uof Arizona P, 2017.
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Jeffrey A. Brown. The Modern Superhero In Film And Television: Popular Genre And American Culture. New York: Routledge, 2016., Danielle A. Orozco
Studies in 20th & 21st Century Literature
Review of Jeffrey A. Brown. The Modern Superhero in Film and Television: Popular Genre and American Culture. New York: Routledge, 2016.
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
New Hollywood: Classical Hollywood In A New Light, Wesley D. Buskirk
Cinesthesia
This essay analyzes the manifestations of America’s post-1960 film industry, more specifically the rise of “New Hollywood.” In response to governmental intervention of the studio system, the popularization of commercial television, and the influences of the French New Wave, Hollywood’s emerging “film generation” embraced the commercialization of the star auteur and the blockbuster picture. George Lucas and Steven Spielberg, sons of the “Hollywood Renaissance,” capitalized on the potential of “high concept,” “ultra-high-budget” feature films and their associated synergetic marketing systems, a phenomenon referred to as the “blockbuster syndrome.” Jaws, a pioneering New Hollywood megapicture directed by Spielberg, exhibits the “Lucas-Spielberg” …
Faith, Doubt, And Chiasmus In Krzysztof Kieslowski's Decalogue I, William Bartley
Faith, Doubt, And Chiasmus In Krzysztof Kieslowski's Decalogue I, William Bartley
Journal of Religion & Film
This article proposes a reinterpretation of Krzysztof Kieslowski’s exploration of the first commandment in Decalogue I. It argues that the narrative structure of the story is chiastic—i.e., inversely parallel—which follows from recognizing for the first time the crucial role that Irena, the devoutly Catholic sister of Krzysztof, a professor and religious skeptic, plays in the story. The pattern of inverse parallelism (chiasmus) emerges as Krzysztof and Irena respond separately to the tragic death of Krzysztof’s son, Pawel: as Krzysztof’s skepticism gives way to a new faith in God, inversely and unexpectedly Irena’s faith retreats into doubt. This outcome, in …