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Full-Text Articles in Arts and Humanities

The Evolution Of Palestinian Narrative: ‘Mo' As An Illustration, Ihsan Abualrob, Ayman Talal Yousef Apr 2024

The Evolution Of Palestinian Narrative: ‘Mo' As An Illustration, Ihsan Abualrob, Ayman Talal Yousef

An-Najah University Journal for Research - B (Humanities)

The article aims to explore the present-day challenges facing the Palestinian narrative. It delves into the ways in which the narrative has been shaped by historical events namely the Nakba, the Naksa, and the Oslo Accords, and how these events have left a lasting impact on the Palestinian identity. The article then examines the potential for the development of a new form of cultural resistance utilizing personal stories; as demonstrated by the Netflix show ‘Mo’. The show proffers a novel approach incorporating Palestinain political messages onto comedy and drama, and therefore has the potential to reach a wider audience. In …


Herrens Veje: A Catalyst To Reflect Upon Military Chaplaincy And Ecclesial Issues In A Nordic Context, Jan Grimell, Mariecke Van Den Berg Oct 2023

Herrens Veje: A Catalyst To Reflect Upon Military Chaplaincy And Ecclesial Issues In A Nordic Context, Jan Grimell, Mariecke Van Den Berg

Journal of Religion & Film

This article is based on an analysis of the first season of the Danish series Herrens Veje (The Way of the Lord; Price 2017). The series portrays the young, idealistic pastor and military chaplain August, who is deployed to a conflict zone with a military unit. He accompanies the unit on a patrol to win the trust of the soldiers. During the patrol, they engage in combat and August kills an innocent civilian woman. Upon return, the transition from military to civilian life proves to be increasingly challenging and troublesome. As the series proceeds, August’s mental health deteriorates and his …


Dual, John C. Lyden Apr 2022

Dual, John C. Lyden

Journal of Religion & Film

This is a film review of Dual (2021), directed by Riley Stearns.


‘Convicted Of Patricide?’: Robert Frost’S Nationalism In The Eyes Of Contemporary Arab-American Women Writers, Eman K. Mukattash Oct 2021

‘Convicted Of Patricide?’: Robert Frost’S Nationalism In The Eyes Of Contemporary Arab-American Women Writers, Eman K. Mukattash

CLCWeb: Comparative Literature and Culture

Given the culturally expansive nature of the American literary tradition of today, the question of the relevance of Robert Frost’s poetry to the poetry of contemporary Arab-American women writers is an issue worth digging into. Writing almost one hundred years ago does not make Frost’s poetry out of date. Frost’s poetry is as relevant to today’s America as it has been to the America of his days. And this can be ascribed to the multiplicity of perspectives he presents in his poetry as he examines crucial questions lying at the core of America’s “grand narrative of national development.” (Westover 2004: …


Aoife Connolly. Performing The Pied-Noir Family: Constructing Narratives Of Settler Memory And Identity In Literature And On-Screen. Lexington Books, 2020., Tessa Nunn Aug 2021

Aoife Connolly. Performing The Pied-Noir Family: Constructing Narratives Of Settler Memory And Identity In Literature And On-Screen. Lexington Books, 2020., Tessa Nunn

Studies in 20th & 21st Century Literature

Review of Aoife Connolly. Performing the Pied-Noir Family: Constructing Narratives of Settler Memory and Identity in Literature and On-Screen. Lexington Books, 2020. ix, 223 pp.


Narrative Of Habitus Distinction: From Fantasy Of Identity To Competition Of Elegance——Centering On The Image Of People Subject To Identity Transformations In Modern Fictions, Daizong Yu Apr 2021

Narrative Of Habitus Distinction: From Fantasy Of Identity To Competition Of Elegance——Centering On The Image Of People Subject To Identity Transformations In Modern Fictions, Daizong Yu

Theoretical Studies in Literature and Art

Sociological or anthropological list of the habitus of people are from different classes, focusing on the strategy and function of habitus distinction in social struggles from the perspectives of political culture, economic level, and intergenerational reproduction. In contrast, modern fictions depict different forms of struggles from the perspectives of perceptual experience, emotional change, and taste preference. The narrative of habitus distinction in modern fictions shows the obstinacy of old habitus, the fragility of new habitus, and the aggressiveness of habitus in the struggles of classification. Its insight and aesthetic interpretation provide not only a more precise way but also a …


Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd Jul 2020

Creatively Exploring Self: Applying Organic Inquiry, A Transpersonal And Intuitive Methodology, Larisa J. Bardsley Phd

The Qualitative Report

This article explores the merit of using Organic Inquiry, a qualitative research approach that is most effectively applied to areas of psychological and spiritual growth. Organic Inquiry is a research approach where the psyche of the researcher becomes the instrument of the research, working in partnership with the experiences of participants and guided by liminal and spiritual influences. Organic Inquiry is presented as a unique methodology that can incorporate other non-traditional research methods, including intuitive, autoethnographic and creative techniques. The validity and application of Organic Inquiry, as well as its strengths and limitations are discussed in the light of the …


Temporal And Topological: Two Ways Of Living Israel/Palestine, Rocco Giansante Oct 2019

Temporal And Topological: Two Ways Of Living Israel/Palestine, Rocco Giansante

Journal of Religion & Film

Elia Suleiman and Amos Gitai are two Israeli filmmakers, Palestinian and Jewish respectively. Gitai’s first film, House (1980), was censored by Israeli Television—the producers of the film—due to its sympathetic portrayal of Palestinians. Elia Suleiman’s debut film, Chronicle of a Disappearance (1996), was criticized at the Carthage Film Festival in Tunisia for a sequence showing an Israeli flag and Suleiman himself was accused of being a Zionist collaborator. By comparing the ways in which these two films deal with the political and social implications of the Israel-Palestine conflict, this article highlights two distinct methods of relating to facts on the …


Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz Mar 2019

Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz

CLCWeb: Comparative Literature and Culture

This article touches upon issues of captivity, suppression, misrepresentations and exclusion of black people from a historical and cultural point of view through the analysis of Chase-Riboud’s neo-Victorian novel Hottentot Venus (2003). It also focuses on the implications and consequences for contemporary South Africa of situations of slavery and exploitation of African descended peoples. Notions of identity and moral and legal inclusion of black women into past and contemporary societies and communities will be also discussed from the point of view of postcolonial and gender and sexuality studies. The complexities of blackness and the violation of human rights as a …


Greyhounds And Racing Industry Participants: A Look At The New South Wales Greyhound Racing Community, Justine Groizard Jan 2019

Greyhounds And Racing Industry Participants: A Look At The New South Wales Greyhound Racing Community, Justine Groizard

Animal Studies Journal

Subsequent to the exposure of live baiting and animal cruelty within the NSW greyhound racing industry in 2015, a public debate emerged about animal welfare, oppression and exploitation. It resulted in a community outcry, an inquiry into live baiting and animal welfare within the industry and a proposed ban of greyhound racing in the state of NSW. Whilst the proposed ban of greyhound racing was celebrated amongst animal activists, it was met with a mixture of sadness, shock and animosity from people from within the industry. Many of the people within the greyhound racing community felt stigmatised and discriminated against, …


‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun Dec 2018

‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun

Journal of Religion & Film

In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …


Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli Jun 2018

Sharing Identity: Indexing Cultural Perspectives Through Writing Responses To Graphic Novels, Alex Romagnoli

SANE journal: Sequential Art Narrative in Education

Indexing identity through writing responses among ELL students in response to a graphic novel helps provide insight into how writing responses represent people and how graphic novels can aid in that process of self-discovery through their inherent multimodalities. This study takes looks at four students in an ELL class at an urban high school in southern Pennsylvania as they responded in writing to a portion of Will Eisner's New York: Life in the Big City (2006). All of the participants took events from the portion of the graphic novel provided to them and indexed their urban, cultural perspectives through their …


All In - And More! Gambling In The James Bond Films, Pauliina Raento Oct 2017

All In - And More! Gambling In The James Bond Films, Pauliina Raento

UNLV Gaming Research & Review Journal

Scholarly analysis of gambling in the James Bond films is rare, despite the multitude of topics in Bondology and the fictional agent’s global fame. The odd commentary in gambling scholarship criticizes the franchise from the perspective of harm prevention. This article counters both groups of scholars with a qualitative interpretation of Bond’s gambling habits and the role of gambling and risk taking in the film series. A basic toolkit of visual methodologies is applied to the 24 EON-produced Bond films released in 1962–2015. The examination shows the critical importance of gambling to character identity, power hierarchies and communication, atmosphere, and …


Frances Gateward And John Jennings. The Blacker The Ink: Constructions Of Black Identity In Comics And Sequential Art. Rutgers Up, 2015., Evan B. Thomas Sep 2017

Frances Gateward And John Jennings. The Blacker The Ink: Constructions Of Black Identity In Comics And Sequential Art. Rutgers Up, 2015., Evan B. Thomas

Studies in 20th & 21st Century Literature

Review of Frances Gateward and John Jennings. The Blacker the Ink: Constructions of Black Identity in Comics and Sequential Art. Rutgers UP, 2015.


Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler Jun 2017

Tey (Aujourd’Hui) : L’Irruption Du Temps Dans L’Espace Filmique Schizophrène, Ute Fendler

Présence Francophone: Revue internationale de langue et de littérature

This paper is a reflection on space in film and the experience of migration in the film Tey by Alain Gomis. Tey shows the temptations to overcome the painful cleavage between the schizophrenic perception of a space filled with feelings and memories on one side, and the structures of power and economic interests on the other one. The focalisation on space becomes evident in the reduction of time down to one single day and the waiting for death of the individual. In the process of negotiation between absence and presence, the film makes evident what neo-liberal politics mean to the …


Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Introduction To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided for the introduction.


Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke Dec 2016

Thematic Bibliography To New Work On Immigration And Identity In Contemporary France, Québec, And Ireland, Dervila Cooke

CLCWeb: Comparative Literature and Culture

No abstract provided.


Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper Sep 2016

Differentiating The Transnational From The National In A Multicultural Setting: Identity In Persepolis And Rush Hour, Laura A. Kasper

The Kennesaw Journal of Undergraduate Research

This essay explores the differences between transnational identities and national identities in a multicultural setting by juxtaposing the films Persepolis and Rush Hour. Furthermore, it examines the characteristics of both transnational and national identities and how they are represented in film. In an increasingly globalized world, it is important to distinguish these two types of identity and consider how these individuals interact with today’s society; thus, this essay asks readers to think about the influence that the commingling of transnational and national identities has on the modern world.


The Crisis Of Identity In Post-Revolutionary Cuban Film: A Sociological Analysis Of Strawberry And Chocolate, Andrew Zachary Shultz Aug 2015

The Crisis Of Identity In Post-Revolutionary Cuban Film: A Sociological Analysis Of Strawberry And Chocolate, Andrew Zachary Shultz

Kaleidoscope

This paper analyzes Tomás Gutiérrez Alea and Juan Carlos Tabío´s Strawberry and Chocolate (1993) from the sociological perspective of film as a cultural text informed by the political, historical, and social world in which it is produced. A symbolic interactionist/cultural studies model is used as a guide for the interpretive and qualitative methods utilized in approaching the film. Of particular interest to the sociological analysis of the film is the changing political context of the Cuban Revolution during the “special period” of the early 1990s, the use of stereotypes in the characterization of the actors, and finally its representation of …


Queer Hybridity And Performance In The Multimedia Texts Of Arroyo And Lozada, Ed Chamberlain Dec 2014

Queer Hybridity And Performance In The Multimedia Texts Of Arroyo And Lozada, Ed Chamberlain

CLCWeb: Comparative Literature and Culture

In his article "Queer Hybridity and Performance in the Multimedia Texts of Arroyo and Lozada" Ed Chamberlain examines the unconventional writing of Puerto Rican writers Rane Arroyo and Ángel Lozada. Arroyo and Lozada craft texts which can be interpreted as performances and these performative texts blend internet-based writings with more traditional genres including the novel and poetry. Arroyo's and Lozada's stylistic approaches exhibit a queer sensibility which resembles the way in which Latina/o queer people construct and perform their cultural identities. Chamberlain argues that these queer performances suggest we can neither create nor identify absolute truth in matters of identity …


Is First, They Killed My Father A Cambodian Testimonio?, John Maddox Dec 2013

Is First, They Killed My Father A Cambodian Testimonio?, John Maddox

CLCWeb: Comparative Literature and Culture

In his article "Is First, They Killed My Father a Cambodian testimonio" John T. Maddox discusses aspects of the testimonial. Dialoguing with leading Latin Americanists, Maddox argues that Cambodian writer Loung Ung's First, They Killed My Father (2000) challenges this uniqueness and opens studies on the testimonio to new possibilities for intellectual reflection and political activism. In Maddox's view, the continued use of the term testimonio would serve as a reference to this long-standing tradition of writing and thinking about political violence in Latin America. After a discussion of the debate of the definition and function of testimonio and …


Homeric Heroes In Ethan And Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) And No Country For Old Men (2007), Vaughan S. Roberts Apr 2013

Homeric Heroes In Ethan And Joel Coen's The Hudsucker Proxy (1994), The Big Lebowski (1998) And No Country For Old Men (2007), Vaughan S. Roberts

Journal of Religion & Film

This paper explores how the Homeric trope of the ‘hero’ appears in three films by the writer/directors Ethan and Joel Coen – The Hudsucker Proxy (1994), The Big Lebowski (1998) and No Country for Old Men (2007). It will identify the classical traits of hero and anti-hero, mapping them onto characters in these movies. The paper concludes by examining how the ways in which the Coen brothers' play with the notion of the 'hero' connects with recent thinking on culture and myth in the work of Graham Ward, William A. Dyrness and Robert N. Bellah.


Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large Jan 2007

Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large

Undergraduate Review

No abstract provided.


Orphans Of The Motherland: Puerto Rican Images Of Spain In Jacobo Morales's Linda Sara , Wadda C. Ríos-Font Jan 2006

Orphans Of The Motherland: Puerto Rican Images Of Spain In Jacobo Morales's Linda Sara , Wadda C. Ríos-Font

Studies in 20th & 21st Century Literature

Puerto Rican identity has been confounded by Puerto Rico's prolonged colonial relationship to Spain (nearly 80 years longer than that of most other Latin American colonies) and its abrupt change in status to that of United States protectorate in 1898 after the Spanish American War. Increasingly, Puerto Rican identity has been theorized in sole reference to the political relationship with the United States. The residual presence of Spain and Spaniards in the construction of the new Puerto Rican collective, and the denial or nostalgia that might still be elicited by the former empire, have gradually receded into the background. Perhaps …


Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann Jun 2003

Surreal And Canny Selves: Photographic Figures In Claude Cahun , Gayle Zachmann

Studies in 20th & 21st Century Literature

In her 1975 essay, Le Rire de la méduse, Hélène Cixous enthusiastically announced that it was high time for women to enter into discourse. A full half-century earlier, Claude Cahun (1894-1954), a powerful writer and a haunting photographer and artist, was already inscribing herself, Woman, and a woman's voice in visual and verbal self-portraits, photomontages, prose texts, poetry, and aesthetic and political treatises. Cahun's uncanny interventions in both verbal and visual discourse cannily interrogate conventions of literary and pictorial representation and the constructions of self, gender and culture that they exhibit. Insistently asking readers and spectators, "What's wrong with …


From War Films To Films On War: Gendered Scenarios Of National Identity—The Case Of The Last Metro, Leah D. Hewitt Jan 2002

From War Films To Films On War: Gendered Scenarios Of National Identity—The Case Of The Last Metro, Leah D. Hewitt

Studies in 20th & 21st Century Literature

If France's ongoing struggle for self-definition in the late twentieth century involved new conceptions of citizenship and nationality, in short what it means to be French, this struggle also entailed the search for an accurate portrayal of a past in which France could recognize itself...


Fan Letters To The Cultural Industries: Border Literature About Mass Media, Claire Fox Jan 2001

Fan Letters To The Cultural Industries: Border Literature About Mass Media, Claire Fox

Studies in 20th & 21st Century Literature

The concentration of the Mexican and U.S. cultural industries in cities outside of the border region and the intermittent outsourcing of Hollywood movies to production facilities in Baja, California, have had a marked impact on the literary practice of "fronterizo" 'border' intellectuals. This essay discusses the theme of the cinema in three narratives by authors from the U.S.-Mexico border region: "Hotel Frontera" ("Border Hotel"), by Gabriel Trujillo Muñoz, "Canícula," by Norma Elia Cantú, and "The Magic of Blood," by Dagoberto Gilb. These narratives provide ethnographic information about the reception of nationally distributed mass media in the border region; at the …


Identity At The Border: Narrative Strategies In María Novaro's El Jardín Del Edén And John Sayles's Lone Star , Amy Kaminsky Jan 2001

Identity At The Border: Narrative Strategies In María Novaro's El Jardín Del Edén And John Sayles's Lone Star , Amy Kaminsky

Studies in 20th & 21st Century Literature

In María Novaro's El jardín del Edén and John Sayles's Lone Star, the narrative and visual art of film functions as ritual does: to make sense of the dangerous liminal space of the border. Novaro and Sayles both locate their protagonists' identity quests in the Mexico-U.S. borderlands, but they approach the problem from different directions: Sayles from the north, Novaro from the south; Sayles from the perspective of men in search of themselves through their fathers, Novaro from that of women in search of identity with the help of each other. With her focus on the stories of three …


Style And S(T)Imulation: Popular Magazines, Or The Aestheticization Of Postsoviet Russia , Helena Goscilo Jan 2000

Style And S(T)Imulation: Popular Magazines, Or The Aestheticization Of Postsoviet Russia , Helena Goscilo

Studies in 20th & 21st Century Literature

The new Postsoviet genre of the glossy magazine that inundated bookstalls and kiosks in Russia's urban centers served as both an advertisement for a life of luxury and an advice column on chic style. Conventionalized signs of affluence, models of beauty, "educational" articles on topics ranging from the history and significance of ties to correct behavior at a first-class restaurant filled the pages of magazines intended to provide an accelerated course in etiquette, appearance, and appurtenances for Russia's newly wealthy. The lessons in spending, demeanor, and taste emphasized moneyed visibility. Despite their differing emphases, popular magazines all shared the new-found …


Mysterious Illnesses Of Human Commodities In Woody Allen And Franz Kafka , Iris Bruce Jan 1998

Mysterious Illnesses Of Human Commodities In Woody Allen And Franz Kafka , Iris Bruce

Studies in 20th & 21st Century Literature

The article examines correspondences between Woody Allen's film Zelig and texts by Franz Kafka. Both Leonard Zelig and Gregor Samsa (The Metamorphosis) suffer from mysterious illnesses which are multi-determined. Twentieth-century racial stereotypes are partially responsible for them; other causes lie in the commercialization of life in early twentieth-century society. Zelig's illness parallels the cultural trends and political movements of his time and becomes full-blown in the fascist movement. Zelig is therefore also a commentary on the cultural climate which helped bring about the rise of fascism. Kafka could not benefit from Allen's hindsight, but Kafka's representation of what …