Open Access. Powered by Scholars. Published by Universities.®
Articles 1 - 5 of 5
Full-Text Articles in Arts and Humanities
How To Save...A Nation? Televisual Fiction Post-9/11, Melissa R. Ames
How To Save...A Nation? Televisual Fiction Post-9/11, Melissa R. Ames
Faculty Research & Creative Activity
To claim that the national tragedy of 9/11 is a defining moment in thefirst decade of the tV1renty-first century for the United States is not profound,nor is the statement that it directly and indirectly influenced thecultural production within American society throughout these years.Regardless of the obviousness of these claims, it is exactly upon theseassumptions that this chapter rests. In the years following the attackson the World Trade Center and Pentagon, cultural products have beensites for interrogating and remediating the trauma that 9 /11 causedfor the citizens of a country that believed itself to be untouchable.Although these cultural concerns were played …
Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames
Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames
Faculty Research & Creative Activity
Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …
Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames
Where Have All The Good Men Gone? A Psychoanalytic Reading Of The Absent Fathers & Bad Dads On Abc's Lost, Melissa R. Ames
Faculty Research & Creative Activity
Fictional fathers in narratives are often allegorical in nature and contemporary television is not immune from this. ABC’s groundbreaking television drama, Lost, offers a multitude of father figures that suggests not only a crisis concerning the role of the father in the 21st century but also the crisis of national security experienced by Americans after the attacks. In particular, the program showcases three specific types of troubled father/child relationships: those in which the father is absent and/or dead, those where the father is portrayed as abusive and/or evil, and those where the father and child are estranged and/or their relationship …
Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames
Time In Television Narrative: Exploring Temporality In 21st Century Programming, Melissa R. Ames
Faculty Research & Creative Activity
This collection analyzes twenty-first-century American television programs that rely upon temporal and narrative experimentation. These shows play with time, slowing it down to unfold the narrative through time retardation and compression. They disrupt the chronological flow of time itself, using flashbacks and insisting that viewers be able to situate themselves in both the present and the past narrative threads. Although temporal play has existed on the small screen prior to the new millennium, never before has narrative time been so freely adapted in mainstream television. The essayists offer explanations for not only the frequency of time play in contemporary programming, …
When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames
When Predator Becomes Prey: The Gendered Jargon Of Popular Culture, Melissa R. Ames
Faculty Research & Creative Activity
Throughout the first decade of the twenty-first century the vernacular of popular culture has been bombarded by sexualized terminology. Although these terms are often formed with humorous intent, their staying power and use as cultural descriptive categories is both intriguing and disturbing. Also troubling is the fact that the majority of these new terms, such as puma (a thirty-something female “dating” a younger male), cougar (a forty-plus female “dating” a younger male), and MILF (“mother I’d like to fuck”), are restricted to the female gender alone. This article analyzes the etymology of these terms, their use in popular culture (ranging …