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Film and Media Studies

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A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith Jan 2014

A Prison For Others—A Burden To One's Self, Anne Collins Smith, Owen M. Smith

Faculty Publications

Women have come a long way since the mid-1960's, both in the real world and in the world of philosophy. Given the advances in society and the developments within feminism that took place between that decade and the first decade of the 21st century, we might reasonably expect the new Prisonerseries to present a more contemporary perspective on women than the original. Such is most emphatically not the case. If we compare the original Village to the new one, it looks as if those pennyfarthing wheels are spinning backwards instead of forwards.


Smith On Jenkins, 'Textual Poachers: Television Fans And Participatory Culture', Anne Collins Smith Aug 1997

Smith On Jenkins, 'Textual Poachers: Television Fans And Participatory Culture', Anne Collins Smith

Faculty Publications

Textual Poachers: Television Fans and Participatory Culture by Henry Jenkins. New York: Routledge, 1992. viii + 343 pp. $95.00 (cloth), ISBN 978-0-415-90571-8; $38.95 (paper), ISBN 978-0-415-90572-5.

In Textual Poachers, Henry Jenkins examines the underground world of the media fandom, people who create fiction, artwork, and other forms of expression based on television shows. Drawing on a rich theoretical background with sources ranging from feminist literary criticism to cultural anthropology, Jenkins applies and adapts Michel de Certeau's model of "poaching," in which an audience appropriates a text for itself. Taking a stand against the stereotypical portrayal of fans as obsessive …


Smith On Bacon-Smith, 'Enterprising Women: Televisionfandom And The Creation Of Popular Myth, Anne Collins Smith Jan 1997

Smith On Bacon-Smith, 'Enterprising Women: Televisionfandom And The Creation Of Popular Myth, Anne Collins Smith

Faculty Publications

In Enterprising Women scholar Camille Bacon-Smith describes the underground culture of "media fandom," that is, the network of fans who create fiction, poetry, art, and other creative works based on favorite television shows and then gather to circulate these works. Because I have been an active participant in this culture for twenty years, Bacon-Smith's book was of particular interest to me, not only as an academic, but as a fan.

Bacon-Smith has taken on a daunting task: reporting on a cultural phenomenon both as an engaged participant and as an unbiased observer. Her position is typical of the ethnologist who …