Arts and Humanities Commons^™

Dark Shadows: Monster Culture On Daytime Television, Bill Svitavsky

Faculty Publications

The soap opera Dark Shadows (ABC, 1966–71) gradually took on elements from horror movies, including an immensely popular vampire character. This article examines how the mixing of genre elements took place and how it changed the show’s audience and messaging.

Lin-Manuel Meets Moana, Daniel Pollack-Pelzner

Faculty Publications

In this article originally published in Public Books, Daniel Pollack-Pelzner wonders whether a Disney musical and a Lin-Manuel Miranda musical want the same thing.

Blackfish-Ing For Buzz: The Rhetoric Of The Real In Theme Parks And Documentary, Steven W. Schoen

Faculty Publications

In 2014, a year of record tourism in the state of Florida, SeaWorld saw a drop of one million visitors to its theme park in Orlando. The decline followed Gabriela Cowperthwaite’s 2013 documentary film Blackfish, which presented the circumstances of orcas, or “killer whales,” held in captivity at parks like SeaWorld as cruel to the animals and dangerous to their trainers. In 2016, SeaWorld announced it will stop breeding orcas, and phase out its orca theatrical shows by 2019, a move widely attributed in the press to the impact of Cowperthwaite’s film. This article examines the film Blackfish as a …

Smith On Telotte, 'Replications: A Robotic History Of The Science Fiction Film', Anne Collins Smith

Faculty Publications

Review of J. P. Telotte: Replications: A Robotic History of the Science Fiction Film. Urbana: University of Illinois Press, 1995. 222 pp. $37.00 (cloth), ISBN 978-0-252-02177-0; $19.00 (paper), ISBN978-0-252-06466-1.

Reviewed by Anne Collins Smith (Austin Community College, Austin, Texas) Published on H-PCAACA (April, 1996)