Arts and Humanities Commons^™

Identity And Scene: Alterity And Authenticity In Taxicab Confessions, Steven W. Schoen

Faculty Publications

This essay examines the visual rhetoric of HBOs reality TV program Taxicab Confessions, New York, New York (2005). Drawing on Burke’s rhetorical understanding of scene and Straw’s approach to scene as a category for the analysis of urban culture, I argue that the taxicab interior and nighttime street images of New York City structure a scene of indeterminacy, intimacy, and “reality,” thus framing the passengers’ self-presentations within a context of “authenticity.” The program’s visual structure locates passengers simultaneously outside of and within social norms and reinforces hegemonic notions of race, gender, and sexuality. Passengers are situated within a scene that …

Infancia (In)Visible: La Subjetividad De La Niñez Como Transgresión A La Marginalidad En Las Películas Conducta Y Pelo Malo, Tania Carrasquillo Hernández

Faculty Publications

Tania Carrasquillo Hernández's research on race, gender, and sexuality has led her to develop a more specific interest in the study of childhood and sexuality in literature and cinema. This article, based on a presentation given at the Hispanic Literatures Across Cultures Conference (October 6–8, 2016 at Fresno Pacific University), analyzes the representation of boyhood and masculinity in contemporary Cuban and Venezuelan cinema via the films Conducta (2014, directed by Ernesto Daranas) and Pelo Malo (2013, directed by Mariana Rondón).

In the case of Chala (Armando Valdes Freire, Conducta), Carrasquillo Hernández explores how his masculinity is related to the …

The Double Abcx Model, Family Stress Theory, Risk, Protection, And Resilience In The Movie “Precious”, Cassandra Chaney Phd

Faculty Publications

The critically acclaimed movie Precious [1] highlights the multiple stressors and crises experienced by an abused Black teen female living in poverty. Given its introduction to the screen, scholars have yet to make critical connections between the family dynamics portrayed in this movie and a particular family theory. The purpose of this paper is to help scholars who teach family stress courses apply the experiences of this young woman and her family to McCubbin and Patterson’s [2] Double ABCX Model. Furthermore, this paper will examine the risk factors, the protective factors, and the resilience demonstrated by the movie’s protagonist, Claireece …

Style, Affect, And Subjectivity: An Introduction To" Readings Of The Romanian New Wave", Alina Haliliuc, Jesse Schlotterbeck

Faculty Publications

No abstract provided.