Arts and Humanities Commons^™

Infrastructure, Production, And Archive: American And Japanese Video Art Production Of 1960s And 1970s, Ann Atsuko Adachi

Dissertations, Theses, and Capstone Projects

Focusing a study on the infrastructure of artistic production and maintenance opens a space in which to examine the relationship between artistic inspiration and knowledge making, the occurrences and the writing of its history. In the case of the comparative study of the emergence of Japanese and American video art, common artistic technique employed may indicate motivations derived from the technical possibility of the video medium, while the study of infrastructure demonstrates how large-scale funding, formation of archives, the establishment of systems of distribution and channels of education affect the emergence and development of video art as a genre. This …

Civilization Of The Living Dead: Canonical Monstrosity, The Romero Zombie, And The Political Subject, Nicholas Walter Robbins

Dissertations, Theses, and Capstone Projects

This dissertation analyzes the canonical monsters of Western political theory, including Plato's wolf-man, Hobbes's Leviathan and Tocqueville's mechanical mass. It argues that monster theorists - including horror film director George A. Romero, creator of the zombie and its apocalyptic narrative - utilize the horror genre in order to reveal the hidden dysfunctions and unrealized potentials of self and society. The canon features several prison-like heuristics - including Plato's cave, Hobbes's sate of nature, Tocqueville's prison, and Romero's zombie apocalypse - that bring to light the mass enslavement, intellectual dysfunction, appetitive tyranny, and cannibalism of the political subject. Theorists consistently depict …

Mapping Italian Women's Filmmaking: Urban Space In The Cinema Of The New Millennium, Laura Di Bianco

Dissertations, Theses, and Capstone Projects

My dissertation lies at the intersection of Italian studies, film studies, women's studies, and urban studies. Applying gender studies and feminist theoretical perspectives, I trace a thematic map of contemporary Italian women's cinema (2000-2012) that investigates female subjectivity in urban contexts. Examining the works of the filmmakers Marina Spada, Francesca Comencini, Wilma Labate, Roberta Torre, and Alice Rohrwacher, I identify a common tendency to treat locations like characters, apply similar modalities of incorporating city-views into the narration, and recurrently construct parallels between physical journeys through cities and inner journeys of the self. As a prism through which to look at …

Comparing Hitler And Stalin: Certain Cultural Considerations, Phillip W. Weiss

Dissertations, Theses, and Capstone Projects

There is a great temptation to compare the Adolf Hitler and Joseph Stalin. This is true for two reasons: first, the careers of both men converged at the same point in history, thus doubling the impact both made and second, because the names Adolf Hitler and Joseph Stalin have become metaphors for ideologies and crimes that today are reviled. The question then arises: who was worse, Hitler or Stalin? This project shows that there is no viable, credible, definitive, or final answer to this question, and that prevailing attitudes about Hitler and Stalin have become so ingrained in contemporary society …

"The Last Of The Great Bohemians": Film Poetry, Myth, And Sexuality In Greenwich Village And The Atlantic, 1930-1975, Thomas Winfield Hafer

Dissertations, Theses, and Capstone Projects

In Greenwich Village, a final generation of bohemians contested the rise and trajectory of gay liberation. During the 1930s, this generation blended modernist poetry and sexuality to develop a new manifestation of bohemia. In the postwar period, they transformed modern poetry into the new artistic medium of film that was critical to shaping postwar American art and culture. This wave of bohemia was built on certain modernist principles, including a universalist understanding of sexuality and identity that was different from, and incompatible with, the growth of identity politics in the 1960s. This dissertation argues that this was a last gasp …

Working Women: Contemporary Cinematic Costumes In "Desk Set" And "Working Girl", Karen Hummel Kinsley

Dissertations, Theses, and Capstone Projects

The contemporary cinematic costume designer is a visual storyteller. Through the dressing, or undressing of the actor's body, the costume designer narrates the cinematic character's physical and psychological journey from the first frame to the final credits. The costume designer creates the character's image by selecting specific garments and accessories that will inform the audience about the character's relationship with his cinematic environment.

The focus of this thesis is to examine how the contemporary cinematic costume designer unifies contemporary clothing with the actor's body to narrate a cinematic character's story. In order to understand how the costume designer creates a …