Arts and Humanities Commons^™

'What's In A List?' Cultural Techniques, Logistics, Poeisis, Liam Cole Young

Electronic Thesis and Dissertation Repository

This research explores the list as a cultural and communicative form. Inspired by the ubiquity of rankings, bullet points and registries in contemporary ‘list culture,’ and by Jack Goody’s famous question ‘What’s in a list?’ (1977), I ask: how can this seemingly innocuous form be studied? What does its analysis tell us about historical and contemporary media environments and logistical networks? What can studying this unconventional object bring to media studies?

I offer four intersecting arguments. The first proposes that media studies benefits from the incorporation of approaches and concepts that I group together as ‘media materialism.’ Approaches such as …

Yaari With Angrez: Whiteness For A New Bollywood Hero, Teresa Hubel

Department of English Publications

This chapter comments on the relative insignificance of whiteness to Hindi film narratives, with white characters turning up, when they do, often as peripheral figures to create the effect of historical accuracy. It argues that in Hindi cinema, whiteness cannot function as it does in the West, where the legacy of imperialism has made it an unmarked category, whose invisibility allows it to function as a norm against which the aberration of racial others may be measured. In Indian films, whiteness is marked; and it is, increasingly, markedly white—to be resisted, or desired, or dismissed.

Media Literacy And The English As A Second Language Curriculum: A Curricular Critique And Dreams For The Future, Clara R. Madrenas

Electronic Thesis and Dissertation Repository

This thesis investigates whether or not the Ontario English as a Second Language/English Literacy Development (ESL/ELD) curriculum imparts the critical literacy skills necessary for students to deconstruct the multimedia messages with which the contemporary world is saturated, in order to function as informed, agentic citizens of Ontario society. Using foundations of cultural theory, radical critical pedagogy, and critical race theory, particularly the work of James Paul Gee, Henry A. Giroux, Paulo Freire and Michael Apple, this thesis explores the ways in which the current ESL/ELD curriculum can be found lacking due to its enforcement of the banking model of education, …

The Ha-Ha Holocaust: Exploring Levity Amidst The Ruins And Beyond In Testimony, Literature And Film, Aviva Atlani

Electronic Thesis and Dissertation Repository

ABSTRACT

Jewish humour sheds a crude light on the social, political, and historical realities of the Holocaust. Paradoxically, contentiously, doses of levity during this period were very much a reality, and even a psychological necessity. The purpose of my thesis is to explore the historical, social, and political ramifications of such laughter provoking manifestations. In doing so, the nuances are highlighted which are found within the laughter of the ghettos, the transit camps, and the concentration camps. Furthermore, some of these jokes, and their subsequent variations, reappear within the discourse of children of survivors. The dissertation explores how some of …

Face Value: Beyond The Surface Of Brand Philanthropy And The Cultural Production Of The M.A.C Aids Fund, Andrea Benoit

Electronic Thesis and Dissertation Repository

This dissertation provides a cultural and business history of M.A.C Cosmetics and its philanthropic arm, the M.A.C AIDS Fund. M.A.C Cosmetics originated in Toronto, Canada in 1981 and its growth coincided with the AIDS epidemic. Since 1994, the M.A.C AIDS Fund has raised more than $315 million for organizations that assist people affected by HIV/AIDS, through the sale of M.A.C’s VIVA GLAM lipstick. While some business scholars have discussed M.A.C’s distinctive use of cause marketing, very few works on the cosmetics industry, as well as cultural and media studies works on cause marketing, have dealt at length with M.A.C. Tracing …

Labours Of Love: Affect, Fan Labour, And The Monetization Of Fandom, Jennifer Spence

Electronic Thesis and Dissertation Repository

Fans who launch campaigns to “save our show” or protest storytelling decisions typically see their efforts as standard fannish practices, but these “labours of love” must also be considered, as the name suggests, as labour. Using affect theory, I argue that fan activities and activism are motivated by affect, which in turn drives the affective, immaterial, and digital labour that makes up fandom. While fandom operates on a gift economy, the world of media production is fundamentally capitalist, and as fan labour becomes increasingly visible to producers, it also becomes increasingly susceptible to co-option and monetization. Through analyses of fan …

Turning To See Otherwise, Jennifer L. Martin

Electronic Thesis and Dissertation Repository

This thesis dossier, in combination with an exhibition at the McIntosh Gallery, considers whether an archival collection can generate an alternative narrative other than that which may already exist in the original film and photographic documents. Rather than represent a singular truth, I seek to articulate the transformative realities of collective memory by re-orienting the material for broader viewer identification. I have mined photographic and filmic materials from a personal family archive to focus fragments that specifically record the gesture of the turning face—the turning towards the observer. This “turn” then includes both the turn towards the initial film-maker embedded …

Evangelizing The ‘Gallery Of The Future’: A Critical Analysis Of The Google Art Project Narrative And Its Political, Cultural And Technological Stakes, Alanna Bayer

Electronic Thesis and Dissertation Repository

This thesis explores the digitization initiative Google Art Project and the ways in which the Project negotiates its place between rapidly developing Web technologies and the often-contradictory fine art tradition. Through the Project’s marketing and website design, Google constructs a narrative that emphasizes the democratization of culture, universal accessibility and a new progressive future for the art world while obscuring more complex political, social and cultural questions. Bringing together scholarship from various disciplines including library studies, digital studies, art history, and cultural studies this thesis highlights how the Project might open up a space to talk about art publics and …

Fantasizing Disability: Representation Of Loss And Limitation In Popular Television And Film, Jeffrey M. Preston

Electronic Thesis and Dissertation Repository

Most media texts currently being developed with disabled characters are crafted by individuals who are nondisabled and, as such, are based on what the nondisabled think it would be like to be disabled—a perception that is informed by the fantasy of disability. The fantasy of disability is a net of ideas, created by no single individual but perpetuated and circulated between subjects and which seeks to contain the danger of limitation, to subject it to a set of societal preconceived notions about what it means to be disabled and how a person is expected to act and react to the …

Transnational Conversations: The New Yorker And Canadian Short Story Writers, Nadine Fladd

Electronic Thesis and Dissertation Repository

This dissertation explores The New Yorker magazine's role in shaping the Canadian short story, the contributions of Canadian authors to the magazine, and the aesthetic and ideological implications of transnational literary production. Using archival evidence, it explicates the publication histories of stories by Morley Callaghan, Mavis Gallant, and Alice Munro, as well as these authors' relationships with their editors at The New Yorker, in order to demonstrate some of the ways that Canadian literature emerged out of, as well as contributed to, North American transnational contexts. This project uses the work of textual studies scholars, and applies theories of …

Covers Uncovered: A History Of The "Cover Version," From Bing Crosby To The Flaming Lips, Sean Dineley

Electronic Thesis and Dissertation Repository

This thesis engages with the “cover version” as it has developed since the mid-1940s. This single term has survived across historical eras “so that it now indiscriminately designates any occasion of rerecording” (Coyle 2002, 134). This thesis views changing cover trends as aspects of broader cultural changes. In order to effectively illustrate the wide scope of practices to which this term has referred, the history of cover versions is separated into three broad periods: pre-rock, rock, and post-rock. This thesis explores the shifting attitudes toward, and motivations for, cover recording across these periods. It argues that it is more useful …

Tragedy, Ecstasy, Doom: Modernist Moods Of "West Side Story", Andrew M. Falcao

Electronic Thesis and Dissertation Repository

This thesis looks to reposition West Side Story (Jerome Robbins/Robert Wise, 1961) as an example of (neo-)modernist art. Placing the film within its context of Hollywood musicals, I see West Side Story as a particularly rich locus in which to study the genre’s modernist impulses. Using the theories of Miriam Hansen’s vernacular modernism and John Orr’s neo-modernism primarily, I examine the film’s formal aspects, especially that of colour. Seeing the cinematic screen as analogous to a painter’s canvas, I draw comparisons with modern art of the period, particularly the Abstract Expressionists of the New York School. The film’s precarious blending …

Cultivating Better Brains: Transhumanism And Its Critics On The Ethics Of Enhancement Via Brain-Computer Interfacing, Matthew Devlin

Electronic Thesis and Dissertation Repository

Transhumanists contend that enhancing the human brain—a subfield of human enhancement called cognitive enhancement—is both a crucial and desirable pursuit toward cultivating a better world. The discussion thus far has almost entirely focused on cognitive enhancement through genetic engineering and pharmaceuticals, both of which fall within the realm of medicine and are thus subject to restrictive policies for both ethical development and distribution. This thesis argues that cognitive enhancement through brain-computer interfacing (BCI), despite being considered like any other form of cognitive enhancement, is developing outside of medical ethics, and is on track to avoid myriad legal and ethical regulations …

The Proto-Pixel Art Of Malevich And Kandinsky: Black Square, Its Digital Descendant And Neo- Vitalist Impulse, Irina Lyubchenko

Modern Languages and Literatures Annual Graduate Conference

In the beginning of the 20th century Kazimir Malevich, an important Russian avant-garde artist and thinker, created his iconic painting Black Square, which represented what he believed to be the basic unit of visual reality. Around the same time Wassily Kandinsky, another important Russian artist renown for his experiments in purely abstract art, discovered his own unit of representation – the point. This paper examines how the visual and philosophical aspects of contemporary digital reality, reflected in the aesthetic of the pixel, could have sprung from the early 20th century experiments in assembling the visible world from its basic units, …