Arts and Humanities Commons^™

The Orpheus Figure: The Voice In Writing, Music And Media, Jason R. D'Aoust

Electronic Thesis and Dissertation Repository

This study traces a historical trajectory of the voice as it encounters the Orpheus figure in writing, music, and other media. Following a critical discussion of Auerbach’s literary figuration, the author questions certain aspects of phonocentrism in relation to opera and texts using the voice for authoritative or rhetorical purposes. Grounded in the prefiguration of opera’s earlier displacement of the singing voice, the understanding of mass media and digital media then developed is critical of theories of immersion in media. The analyses of the series of works and figures (Orpheus, Ossian, and Tristan) in this study lead the author to …

We’Re On This Road Together: The Changing Fan/Producer Relationship In Television As Demonstrated By Supernatural, Lisa Macklem

Electronic Thesis and Dissertation Repository

This thesis explores the changing relationship between fans and producers of television. The traditional hegemonic relationship between these two groups has changed in the digital age giving fans more access to the production process than ever before. Television is under some duress to remonetise itself in the changing landscape. The cultural, media, and communication theories of Bourdieu, Fairclough, D’Acci, and Jenkins, among others, can help to shed light on the dynamics of this relationship and help to understand how it has changed in recent years. While many studies have examined fan communities and fan cultural production, this thesis will focus …

Manufacturing Legitimacy: A Critical Theory Of Election News Coverage, Gabriel N. Elias

Electronic Thesis and Dissertation Repository

To what degree does instrumental reason influence election news coverage? Using Habermas's understanding of system/life-world as a heuristic, I map the rationalization process of political communication. This illuminates the institutional logics at play in the field of politics and the field of journalism, and the way the social dynamics between them enable the framing of political life as a strategic game. This understanding is then contextualized within an analysis of the media frames that informed the Canadian federal election of 2011. I find that news coverage does tend to focus on political strategy; but this is not wholly at the …

Interstory: A Study Of Reader Participation And Networked Narrative In Media Convergence, Elika Ortega Guzman

Electronic Thesis and Dissertation Repository

Recently we have seen the proliferation of narratives developing in media convergence: simultaneously on websites, blogs, multimedia platforms, books, magazines, etc. In this thesis, I propose the term interstory to characterize this narrative tendency. Interstory is a narrative constituted by a network of story pieces published in different media and compiled by readers. To illustrate the concept of interstory I take as a study case Hernán Casciari’s and Christian Basilis’ Orsai, which in two years has incorporated into its narrative three blogs, a print magazine, and a web magazine. Orsai has been a successful project thanks to the formation of …

Clash Of The Industry Titans: Marvel, Dc And The Battle For Market Dominance, Caitlin Foster

Electronic Thesis and Dissertation Repository

This thesis examines the corporate structures, marketing strategies and economic shifts that have influenced the recent resurgence of the comic book superhero in popular Hollywood cinema. Using their original texts and adaptation films, this study will chronologically examine how each company’s brand identities and corporate structures have reacted to and been shaped by the major cultural and industrial shifts of the past century in its attempt to account for the varying success of these companies throughout their histories. Beginning with the superhero’s first appearance on screen in the 1940s, this study traces the development of Marvel and DC’s distinct brand …

The New French Extremity: Bruno Dumont And Gaspar Noé, France's Contemporary Zeitgeist, Timothy J. Nicodemo

Electronic Thesis and Dissertation Repository

This thesis represents an attempt to more clearly delineate current conceptions of a recent collection of transgressive films from France, here entitled the New French Extremity. Using the first three feature films from directors Bruno Dumont and Gaspar Noé as my central case studies, this research attempts to bring forth analyses of the Extremity’s transgressive nature as both mirroring the nation’s own transgressive cultural shifts, and as constituting the films’ central theme. One of the purposes of the thesis is also to decide on its status as a ‘movement’. This is completed by comparing its formation and development to past …

Music, Cinema And The Representation Of Africa, Natasha Callender

Electronic Thesis and Dissertation Repository

The purpose of this thesis is to examine how music is used in cinema to create representations of Africa. It begins by tracing the early importance of musicality and performance in cinema back to other cultures of visuality and socio-political ideologies that were prevalent at the time of cinema’s birth. The result of this relationship means that cinema has functioned as both a tool for portraying Africa as the “Dark Continent” and for reshaping narratives about the nature of African identities, history, politics and cultures. Music in cinematic portrayals of Africa is, therefore, part of a system of representation in …

'Subbed-Titles': Hollywood, The Art House Market And The Best Foreign Language Film Category At The Oscars, Kyle W. J. Tabbernor

Electronic Thesis and Dissertation Repository

This thesis provides a history of the Best Foreign Language Film category at the Oscars between 1926 and 2013. It examines the category through an industrial approach, historicizing the category’s symbiotic relationship with the Hollywood studios and examining how its financial, political and cultural parameters have been affected by changes within Hollywood studio corporate structure and the Hollywood studios’ practice of importing foreign-language films from Europe and around the world. Documenting this practice allows for the category to be structured in three sections: the period of European Art Cinema, the period of European commercial cinema, and the current period, which …

Play In The Land Of Footnotes: Hipótesis De Un Diálogo (In)Estable Con El Pasado, Miharu Miyasaka

Electronic Thesis and Dissertation Repository

En un panorama contemporáneo (posmoderno o posestructuralista) en el que se enfatiza la diferencia y la desconfianza hacia las certidumbres —generalizaciones de sospechosa estabilidad y noción de un “sentido común”—, cada vez es más legítima la competencia entre diferentes (grupos) productores de conocimiento para representar el pasado históricamente. Exploro niveles en los que estabilizar, provisionalmente, el “diálogo” entre unos horizontes de infinitas posibilidades y unos, más definidos, horizontes de sentido (histórico, cultural, teórico, institucional, disciplinario, normativo o profesional). En el análisis utilizo perspectivas teóricas sobre la producción cultural, la historiografía, la adaptación fílmica, la crítica deconstructivista, la transdiciplinariedad, la experimentación …

Mobilizing Insurgent Pasts Toward Decolonial Futures, Patrick Crowley

Electronic Thesis and Dissertation Repository

This project is an inquiry into modes of decolonial resistance that mobilize alternative relationships to the past against the modern/colonial writing of history from a Eurocentric perspective taken as universal. I contend that knowledges and memories rooted in non-Western cultural traditions have formed the epistemological basis for ongoing opposition to the hegemonic conception of history as the unfolding of global structural transformations on a single, homogenous timescale. I examine works by Frantz Fanon, Dipesh Chakrabarty, and Zapatista videomakers that expressly reject a Eurocentric, monotopic perspective of history. My objective is to demonstrate the decolonial efforts of intellectuals and ordinary people …

Brave New Wireless World: Mapping The Rise Of Ubiquitous Connectivity From Myth To Market, Vincent R. Manzerolle

Electronic Thesis and Dissertation Repository

This dissertation offers a critical and historical analysis of the myth of ubiquitous connectivity—a myth widely associated with the technological capabilities offered by “always on” Internet-enabled mobile devices like smartphones and tablets. This myth proclaims that work and social life are optimized, made more flexible, manageable, and productive, through the use of these devices and their related services. The prevalence of this myth—whether articulated as commercial strategy, organizational goal, or mode of social mediation—offers repeated claims that the experience and organization of daily life has passed a technological threshold. Its proponents champion the virtues of the invisible “last mile” tethering …

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

"Duchamping In Game Making": An Analysis Of Pippin Barr's Parodic Computer Games, Devin A. Wilson

Modern Languages and Literatures Annual Graduate Conference

Devin Wilson analyzes some of Pippin Barr's subversive videogames, examining the methods by which they parody game design conventions.

The Academic Grind: A Critique Of Creative And Collaborative Discourses Between Digital Games Industries And Post-Secondary Education In Canada, Owen R. Livermore

Electronic Thesis and Dissertation Repository

ABSTRACT

Digital game development, seeking opportunities to extend its reach and augment its capabilities in a competitive global market, requires the institutions around it to respond and reconfigure to its needs. In Canada, collaborations between digital game industries and educational institutions coalesce around the need to identify and draw students into a tailored educational stream where narrowly defined forms of creativity and knowledge maintain a fluidity amenable to the needs of capital. Provincial and federal government endorsement, supplemented with targeted policy measures, presides over a repurposing of the relationship between post-secondary education, business, and society as a whole, translating monopolies …

“Part Of The University Lexicon”: Marketing And Ontario Universities, 1990-2013, Daniel Robinson, Lindsay Carrocci Bolan

FIMS Publications

The authors examine the emergence and consolidation of marketing practices at five Ontario universities, beginning in the early 1990s, with a focus on student recruitment and the articulation and promotion of institutional identity. The five schools represent a cross-section of the university landscape in Ontario. Interviews were conducted with personnel performing communications and marketing-related functions. Institutional records, when available, were consulted, as were internal publications, trade publications, and print media accounts. The authors situate their treatment of this topic within the field of Critical Management Studies (Alvesson & Willmott, 2003) and related works dealing specifically with marketing. Most notably, they …