Arts and Humanities Commons^™

Peak Oil And Transition: The Making Of A Documentary Video, John A. Duvall

John Duvall

Many scientists and academics have raised serious concerns regarding the depletion of fossil fuels—especially the peaking of oil production—and its impact upon society. According to these researchers, oil for transportation and production will soon become expensive and scarce, and known alternative sources of energy will be insufficient to make up the difference within the required time frame. Therefore, world civilization (and the United States in particular) will soon undergo a crisis in energy supply that will have significant impacts on the structure of community life, economic wellbeing, political organization, and individual lifestyles. One response to these threats is to attempt …

Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall

John Duvall

This paper presents an analysis of Savage Messiah, Ken Russell’s filmic biography of WWI-era artist and sculptor Henri Gaudier-Brzeska, evaluating its various aesthetic codes of meaning, and demonstrating how these codes contribute to a unified narrative structure. Particular attention is paid to the phenomenological elements of the cinematic narrative – image composition, art direction, color, motion, editing and sound – in order to reveal the sensuous core of the film as its method of thematic expression. We offer observations on the narrative’s deep structure in terms of symbolic references, on Russell’s visual techniques of characterization, and on how these elements …

Savage Messiah: Ken Russell's Forgotten Masterpiece, John A. Duvall

John Duvall

This paper presents an analysis of Savage Messiah, Ken Russell’s filmic biography of WWI-era artist and sculptor Henri Gaudier-Brzeska, evaluating its various aesthetic codes of meaning, and demonstrating how these codes contribute to a unified narrative structure. Particular attention is paid to the phenomenological elements of the cinematic narrative – image composition, art direction, color, motion, editing and sound – in order to reveal the sensuous core of the film as its method of thematic expression. We offer observations on the narrative’s deep structure in terms of symbolic references, on Russell’s visual techniques of characterization, and on how these elements …

Sound In Film, John A. Duvall

John Duvall

Sanctuary [Screenplay], John A. Duvall

John Duvall

Ghost Dance [Screenplay], John A. Duvall

John Duvall

Easy Livin' [Teleplay], John A. Duvall

John Duvall

The Big Itch [Screenplay], John A. Duvall

John Duvall

Prelude [Screenplay], John A. Duvall

John Duvall

Sub-Genres Of The Environmental Documentary, John Duvall

John Duvall

No abstract provided.

Peak Oil And Transition [Screening], John A. Duvall

John Duvall

The Environmental Documentary, John A. Duvall

John Duvall

Peak Oil And Transition [Producer/Writer/Director], John A. Duvall

John Duvall

Adapting “The Big Sleep”., John A. Duvall

John Duvall

Adapting “Lolita” From Kubrick To Lyne, John A. Duvall

John Duvall

Ghost Dance (Original Screenplay), John A. Duvall

John Duvall

Savage Messiah: Ken Russell’S Forgotten Masterpiece, John A. Duvall

John Duvall

Awakenings [Foley Editor], John Duvall

John Duvall

Havana [Foley Editor], John A. Duvall

John Duvall

No abstract provided.

Dances With Wolves [Foley Editor], John A. Duvall

John Duvall

The War Of The Roses [Foley Editor], John A. Duvall

John Duvall

No abstract provided.

Hilltop Happenings [Writer/Producer/Director/Videographer], John Duvall

John Duvall

One-hour, two-part mental health documentary about a poetry therapy program at Madison State Hospital in Madison, Indiana.