Arts and Humanities Commons^™

Consciousness And The Reality Of Monsters In Horror Movies: Dehumanization And What Monsters In Horror Films Say About Us, Leila Kincaid

Journal of Conscious Evolution

This essay responds to Carroll’s The Nature of Horror from the perspective of transdisciplinary phenomenological film theory, largely developed by Edgar Morin in the 1950s. It argues that Carrolls’s reduction of the phenomenological value of horror films to an unreal category minimizes and even dismisses the inherent value of horror films. Morin, Allan Combs, and others offer more integral and transdisciplinary methods for art interpretation and functionality. They help us understand how monsters in horror films can stand as mirrors and reflections of the monstrous in ourselves and society. Thus, the transformational function and value of film is revealed and …

Feminism And Female Identity In Adaptations Of Pride And Prejudice Throughout The 20th And 21st Centuries, Emily Suh, Emily Suh

Honors Theses

To many of her fans in the world, Austen is undeniably a feminist author, especially for her time in the nineteenth century. In a time where women were dependent upon male family members for their livelihoods, most of Austen’s heroines exhibit a sort of independence and strong will with a mind of their own, including in Pride and Prejudice. Elizabeth is the model for what an independent woman is, a woman who is not so concerned with the monetary value of matrimony and only falls in love because she wants to. Furthermore, female audiences tend to like Elizabeth more than …

Rgb Root Matriz Color Dance, Danielle E. Gauthier

Theses and Dissertations

RGB Root Matriz Color Dance (Color Dance) is an immersive, interactive experience that combines poetic phrases and color filters to create a womb-like environment. Designed by Danielle Gauthier, this artistic piece uses a webcam to respond to users’ movements in real time, allowing them to confront and express their emotions through metaphor and dance. Color Dance creates a unique platform for self-discovery and empowerment by fostering a connection between the body and discomforting emotions.

Can Marketing Transcend Entrenched Gender Biases?, Thinh Nguyen

Markets, Globalization & Development Review

Through a feminist lens, Maclaran and Chatzidakis (2022) challenge conventional assumptions about gender, emphasizing its performative nature shaped by social practices rather than inherent traits. This commentary extends analyses of key themes such as gender performativity, the male gaze, and subject-object binaries within marketing. It critiques how marketing strategies reinforce existing power imbalances and systemic biases rooted in historical narratives. The writing also reflects on media interpretations of gender issues through films like 'Turning Red' and 'Barbie'. By contextualizing gendered marketing within broader societal frameworks, this writing contributes to ongoing dialogues in media studies, sociology, and gender studies, highlighting the …

Animating Gender: Conflicting Narrative And Character Design In Gravity Falls, Laine Marshall

Film and Media Studies (MA) Theses

This thesis analyzes the character designs from the Disney XD animated series Gravity Falls (Alex Hirsch, 2012-2016) through a third-wave feminist lens, arguing that these designs reflect an essentialized perception of gender that is in conflict with the themes of acceptance present in the series’ narrative. The series’ narrative pushes forth the idea that female characters are the moral center of the series and serve as an example to their peers, that they are self-assured and in control, and that men can push past any ignorance to care for the people around them, but this effort is undermined by the …

Gentleman Death In Silk And Lace: Death And The Maiden In Vampire Literature And Film, Emily Wilson

Electronic Theses and Dissertations

This thesis contains an examination in the psychosocial significance of Hans Baldung Grien’s “Death and the Maiden” art motif, created during the Renaissance period following the Black Death, and its resurgence in the vampire fiction genre of both literature and film. I investigate the motif in Bram Stoker’s Dracula (1897) and Anne Rice’s Interview with the Vampire (1976) as well as their film adaptations by Francis Ford Coppola (1992) and Neil Jordan (1994), respectively. By examining the presence of the motif in art, literature, and film, I found that the common threads across all investigated works were the dominant social …

Podcasting-As-Care, An Exercise In Diasporic Digital Media Activism, Zoha Zokaei

RadioDoc Review

This article draws on my experience of engaging in diasporic digital media activism on the issue of child sexual abuse in Iran, which culminated in the production of the Price of Secrecy podcast. I introduce the method of Podcasting-as-Care as a method of activism that brings notions of feminist care, activism and listening in a close conversation framed through podcasting. Without resorting to a top-down vision of activism where a notion of listening, i.e. how the victims should be listened to, is prescribed and exemplified, the Price of Secrecy podcast becomes an experience of listening to how victims are failed …

Married Or Dead: The Girl Next Door, Little Women, And Feminine Irrelevance, Phoenix Willging

WWU Honors College Senior Projects

This paper considers the implications of the girl next door trope as a representation of girlhood and femininity. It begins with an exploration of the trope as it is currently understood by unpacking the traits and narrative implications of the character. It then goes on to explore how Louisa May Alcott’s magnum opus, Little Women, and its protagonist, Jo March, build a blueprint to reconstruct the narrow, patriarchal label. Finally, it considers how two of the Little Women film adaptations further expand on this reconstruction and consider the full possibility of the girl next door as a figure of empowerment …

"We Are Bad Feminists!": Understanding Genre And Rhetoric In (Post)Feminist Dramedy Television, Cailin Rolph

All HCAS Student Capstones, Theses, and Dissertations

Centered on Lena Dunham’s Girls (2012) and Phoebe Waller-Bridge’s Fleabag (2016) this thesis examines the use of genre conventions in dramedy to facilitate feminist critiques of postfeminist ideals. In conducting a case study of feminist rhetoric present in the shows Girls and Fleabag, this thesis addresses a gap in genre studies concerning the social and political potency of the dramedy genre. The thesis utilizes rhetorical critique, through generic methods, to identify the specific techniques used by Dunham and Waller-Bridge. Through its analyses, this thesis argues that dramedy can uniquely operate as a work of social action and critique, using …

#Hotgirlsemestersyllabus, Katrina Marie Overby, Gheni Platenburg, Niya Pickett Miller

Feminist Pedagogy

No abstract provided.

Faux Feminism In A Capitalistic Fever Dream: A Review Of Greta Gerwig's Barbie (2023), Amy La Porte, Lena Cavusoglu

Markets, Globalization & Development Review

Somewhere between meaningful discourse about female agency and the commercial interests of a problematic doll franchise lies Mattel's box office hit film Barbie, directed by Greta Gerwig. In a script-flipping interpretation of the real-world patriarchy, it catapults itself into overdue discussions about gender norms, objectification, and the pursuit of Westernized beauty ideals. While it may have introduced liberationist theories to a new generation of women, ultimately it is a film bound by cognitive dissonance. This paper will delve into the profit-making protagonist at the center of its story and argue the film's underlying incompatibility with diversity, feminism, and social …

The Impact Of Emma: Destroying Stereotypes Through Nuanced Characters In Text And Film, Julia Mccool

English MA Theses

This paper explores Jane Austen’s Emma as a response to stereotypes in 18th century novels and moral tales, and Autumn De Wildes’s Emma. from a feminist lens. Examining both of these works reveals that Emma was originally, and still is over 200 years later, transforming stereotypes in literature and film adaptations. The novel seems to be responding to a common stereotypical female villain found in many 18th century novels. In viewing Emma as a subversion of this stereotype, it is clear that Austen was responding to the sexist notions behind the character type, and writing a heroine more in line …

Disney Princess Films: Feminist Movements And The Changing Of Gender Roles, Mckinley M. Frees

Chancellor’s Honors Program Projects

No abstract provided.

The Profits Of (The Critique Of) Patriarchy: On Toxic Masculinity, Feminism, & Corporate Capitalism In The Barbie Movie, Bryant W. Sculos

Class, Race and Corporate Power

This article explicates the political, social, economic, and cultural contribution of Barbie (2023). Through a critical and normative analysis of four different prominent reviews of the film, this essay explores the quality of discourse surrounding Barbie, with particular emphasis on its feminist critique of toxic masculinity and lack of a coherent criticism of capitalism.

Public Pedagogy, Autotheory, And Egyptian Female Podcasters, Yasmeen Ebada, Kim Fox

Faculty Journal Articles

This research examines six Egyptian female podcasters whose work sits at the theoretical intersection of public pedagogy and autotheory, loosely defined as a first-person narrative form of feminist expression used to challenge hegemonic discourses as a means of activism. The two theories supplement each other, especially since feminism aims to abolish sexism, and public pedagogy is a means to obtain that result. The researchers adopted American-Canadian cultural critic Henry Giroux’s (2004) theory of public pedagogy because it allows for critical dialogue to address discrimination and push for egalitarian transfiguration. Autotheory was chosen for its relation to the podcasters' life experiences …

Other Oceans, Other Skies, Sharlene Lee

MFA in Visual Art

I create immersive installations, performances, and time-based media artworks that delve into stories of belonging, feminism, and language as power. These stories offer a potential for transformation from viewer to participant and a shift in how our world is seen and experienced. Through an exploration of perception and affect, I challenge dominant narratives, prompting a contemplation of contemporary power struggles for control.

In this text, I examine the impact of historical borders and migration on my life while also investigating questions of home, shared values, and rituals that contribute to one’s sense of belonging. I also highlight my commitment to …

Skin Echoes, Andreia Santana

Theses and Dissertations

Santana’s explores the intersection of biology and identity, incorporating living matter and performative gestures into installations to reflect on social constructs of history and gender. By observing water and its qualities of defying Western dichotomies, Skin Echoes focuses on the material interchanges across bodies and the wider material world.

The Rape-Revenge Genre In The Digital Age Of Heightened Visibility: The Rise Of Female Storytellers And Fourth-Wave Feminism, Marynell Dethero

Film and Media Studies (MA) Theses

The rape-revenge cinema genre has continued to evolve since its initial emergence in the 1970s. Many of the most popular films belonging to the genre produced in the 1970s, like Meir Zarchi’s I Spit on Your Grave (1978) or Wes Craven’s directorial debut The Last House on the Left (1972), have been criticized heavily by film critics and scholars for their exploitative tropes. However, I argue that regardless of the production value of the films, the rape-revenge genre is inherently feminist because sexual violence is and always has been an inherent issue to the feminist movement and because the genre …

Princes, Princesses, And Socialites: Feminism And Class Transgression In Hollywood Romantic Comedies, Justina Marie Clayburn

Graduate Research Theses & Dissertations

This dissertation explored how characters in romantic comedies negotiate and transgress class boundaries as the films conform to and challenge genre and social expectations, focusing primarily through a feminist lens. Specifically, it addresses the different ways the films negotiate ideas about American identity and economic systems, simultaneously trying to acknowledge problematic elements while upholding social and nationalistic ideals. Feminism has a complicated relationship with Hollywood romantic comedies. While the genre often focuses on issues of interest to women and forefronts female characters and their professional and personal experiences, the denouement generally reinforces heteronormative monogamous relationships above others and the traditional …

Easy Prey, Annika L. Norris

Graduate Thesis and Dissertation 2023-2024

Easy Prey is a three-dimensional (3D) animated action comedy short film about stereotypes, expectations, and portrayals of strength that follows a ballerina as she is cornered in an alley. The fight that ensues expresses women's empowerment, physically and emotionally, by challenging preconceptions of ballerinas and the performance of femininity. This expression is founded on the intentional inclusion and exclusion of common cinematic tropes to efficiently convey key information while undermining common stereotypes. The action and atmosphere utilize classic film techniques to heighten and release tension. Easy Prey is inspired by my personal journey in healing my relationship with femininity and …

Seeing Beyond: A Feminist Psychoanalytic Approach To The Politics Of The Cinematic Gaze, Sofia Koukia

Masters Theses

This essay presents a feminist psychoanalytic approach to the cinematic gaze which employs late Lacanian film theory in order to construct a conception of the gaze that allows for its political significance to emerge. The gaze is hereby understood as something that the subject (the spectator) encounters in the object (the film) and, also, as what constitutes the epitome of the cinematic experience. It is regarded as being inherently political, existing within the realm of the Lacanian real in the form of an objet petit a (or object-cause of desire), and exhibiting itself in the world(s) of fantasy and/or desire. …

Inheritance, Katherin Machalek

Theses and Dissertations

Inheritance is a feature documentary that investigates the concept of spiritual inheritance, that which is passed from parent to child. More precisely, it examines how the experiences and struggles of an individual may be transferred and reprocessed by their children. Life experience is studied not as personal, but rather a continuous process that transcends the parent and projects onto the children. The film is a hybrid composed of experimental sequences and false starts, which all bring attention to the nuances of a not-so-straightforward story. The film begins as an essay focusing on an investigation into my parents’ divorce with the …

Gender, Race, And Religion In An African Enlightenment, Jonathan D. Lyonhart

Journal of Religion & Film

Black Panther (2018) not only heralded a new future for representation in big-budget films but also gave an alternative vision of the past, one which recasts the Enlightenment within an African context. By going through its technological enlightenment in isolation from Western ideals and dominance, Wakanda opens a space for reflecting on alternate ways progress can—and still might—unfold. More specifically, this alternative history creates room for reimagining how modernity—with its myriad social, scientific, and religious paradigm shifts—could have negotiated questions of race, and, in turn, how race could have informed and redirected some of the lesser impulses of modernity. Similar …

Tangled Roots: Exploring Appalachian Feminisms, Magenta Palo

Graduate Thesis Exhibition Catalogue Gallery, 2022

Women have long been overlooked as key figures in the cultural history of Appalachia. The exhibition Tangled Roots: Exploring Appalachian Feminisms seeks to examine the ways in which women artists across the region have kept traditions alive while redefining creative practices that were once seen strictly as “women’s work.” In particular, the exhibition aims to explore how women have reimagined “craft” through skillful attention to materials, manual dexterity, and application of critical and conceptual rigor. The concept of craft is defined in this context to include all hand-made work that requires developed skills, whether they belong to traditional craft-based practices …

America's Next Top Model Magnified, Nina Violi

Capstone Showcase

America's Next Top Model was a reality television show that aired from 2003 to 2018 and the show gave women (and men in the later seasons) a chance to become models and be trained by the best in the business. While the show looked like a positive experience from the viewers' perspective, there were many situations when the models were put in uncomfortable situations. The show is related back to the feminism theory.

Documentary Review: Broken Trust- Ending Athlete Abuse, Caitlin Williams

Feminist Pedagogy

This media review summarizes and provides general implications about the documentary, Broken Trust: Ending Athlete Abuse, in the feminist classroom. This review uses film examples to argue for both the documentary's accomplishments and limitations As a film that features multiple stories from a variety of athletes and coaches in different sport fields, it is not only an alternative, visual learning tool for students, but also a potential vehicle to pursue justice and sexual abuse prevention aims.

She-Ra And The Princesses Of Power: An Intersectional Analysis Of A Modern Reboot, Laine Marshall

Student Scholar Symposium Abstracts and Posters

Children’s animation offers the viewer a unique window into the nuances of current societal norms. Because children’s animation is made for the young, sensitive, and impressionable, it is carefully controlled and often heavily censored. Any statements made regarding the protagonist’s heroism or the villain’s malignity are meant to be accepted as universal truths for the growing minds of our youth. The recent 2018 Netflix and DreamWorks Animation animated reboot of the classic 1980's series "She-Ra: Princess of Power," now titled "She-Ra and the Princesses of Power," shook the animation industry with its groundbreaking representation and astounding visuals. Following its predecessor’s …

Put Yourself First (In A Sexy Way): Postfeminist Beauty Messaging And Resistant Media Texts, Margarita Artoglou

Dissertations, Theses, and Capstone Projects

The makeover montage trope is one of the most recognizable in media content aimed at young women, sending the message that social status and acceptance are only a new outfit and face of makeup away. While this trope and its message have been heavily critiqued by scholars, the message that beauty—and all its social benefits—can be achieved through consumerism has not disappeared, though the means by which this message is conveyed has changed. As a result of companies co-opting feminist rhetoric, conforming to standards of beauty has been recast as a “choice” one makes for herself, often wrapped in the …

Confronting Student Resistance To Ecofeminism: Three Perspectives, Jennifer Browdy De Hernandez, Holly Kent, Colleen Martell

The Seneca Falls Dialogues Journal

Teaching ecofeminism is a dynamic, vital practice, demanding a great deal of both educators and students. At the heart of this essay is the question: how can we teach ecofeminism effectively? In this work, we reflect on our successes and failures teaching ecofeminism within various topics and in different settings. While each co-author of this piece brings ecofeminism into our classrooms, we do so in very different ways and have diverse approaches to making ecofeminist theories and ideas feel vital, necessary, and relevant for our students. In our essay, we aim to offer some productive and provocative suggestions and ideas …

Space-Praxis: Towards A Feminist Politics Of Design, Mary C. Overholt

Masters of Environmental Design Theses

Outside of the academy and professionalized practice, design has long been central to the production of feminist, political projects. Taking what I have termed space-praxis as its central analytic, this project explores a suite of feminist interventions into the built environment—ranging from the late 1960s to present day.

Formulated in response to Michel de Certeau’s theory of spatial practices, space-praxis collapses formerly bifurcated definitions of ‘tactic’/‘strategy’ and ‘theory’/‘practice.’ It gestures towards those unruly, situated undertakings that are embedded in an ever-evolving, liberative politics. In turning outwards, away from the so-called masters of architecture, this thesis orients itself toward everyday practitioners …