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Full-Text Articles in Arts and Humanities

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames Jan 2010

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames

Melissa A. Ames

Vampires have dominated print literature since the 18th century, eventually becoming more visible as they crossed mediated boundaries and genre divides. Now flourishing in neo-gothic realms like science fiction and fantasy, in print genres like chick-lit and young adult, and in the visual realm (from Hollywood’s big screen to daytime television’s sudsy small screen), vampire narratives are finding increased popularity. Stephenie Meyer’s Twilight series has shined a new spotlight on the all-encompassing umbrella genre that is “vamp lit,” and with it has come renewed attention to the so-called anti-feminist messages present in such narratives, such as the perceived negative characterization …


Still Figures: Photography, Modernity And Gender In Neera’S Fotografie Matrimoniali, Silvia Valisa Jan 2010

Still Figures: Photography, Modernity And Gender In Neera’S Fotografie Matrimoniali, Silvia Valisa

Silvia Valisa

This essay discusses author Neera's early novel "Fotografie matrimoniali" (1883) in light of its ambiguous engagement with modernity. I argue that modernity takes on different meanings and ideological connotations in the text, in particular in its discussion of gender, while participating in a nationalist rhetoric that simultaneously gives room to and ‘frames’ its female subjects. I thus investigate how the representation of gender roles is impacted by the changes brought forward by modernity, and discuss whether Neera’s formal (photographic) choice succeeds in opening a different narrative and ideological space.


Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames Jan 2010

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames

Faculty Research & Creative Activity

Vampires have dominated print literature since the 18th century, eventually becoming more visible as they crossed mediated boundaries and genre divides. Now flourishing in neo-gothic realms like science fiction and fantasy, in print genres like chick-lit and young adult, and in the visual realm (from Hollywood’s big screen to daytime television’s sudsy small screen), vampire narratives are finding increased popularity. Stephenie Meyer’s Twilight series has shined a new spotlight on the all-encompassing umbrella genre that is “vamp lit,” and with it has come renewed attention to the so-called anti-feminist messages present in such narratives, such as the perceived negative characterization …


Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames Jan 2010

Twilight Follows Tradition: Analyzing "Biting" Critiques Of Vampire Narratives For Their Portrayals Of Gender & Sexuality, Melissa R. Ames

Faculty Research & Creative Activity

Vampires have dominated print literature since the 18th century, eventually becoming more visible as they crossed mediated boundaries and genre divides. Now flourishing in neo-gothic realms like science fiction and fantasy, in print genres like chick-lit and young adult, and in the visual realm (from Hollywood’s big screen to daytime television’s sudsy small screen), vampire narratives are finding increased popularity. Stephenie Meyer’s Twilight series has shined a new spotlight on the all-encompassing umbrella genre that is “vamp lit,” and with it has come renewed attention to the so-called anti-feminist messages present in such narratives, such as the perceived negative characterization …


Audience Interpretations Of "Crash", Debbie Owens Dec 2009

Audience Interpretations Of "Crash", Debbie Owens

Debbie Owens

As audience members make sense of media texts, they construct interpretations based on their individual perspectives. The film Crash portrays many instances that allowed for sustained audience discourse about culture and ethnicity, gender, and race and racism. The author analyses audiences' reactions to and interpretations of the 2005 Academy Award winning film.