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Pasolini’S Ashes: Absence And Excess In Teorema And Salò, Alan Ke

Pomona Senior Theses

Though remembered today for his films, Pasolini’s career emerged from a chiefly literary practice, particularly rooted in the poetry written in his native Friulian dialect. In his multidisciplinary 1965 essay, “The Cinema of Poetry,” Pasolini maps his approach to the written word onto his visual practice of filmmaking. Teorema and Salò, two works that arguably stand out in the director’s oeuvre for their notoriety and (in)explicit sexual content, stand as hallmarks of his achievement of such. The two films borrow structures from allegory, myth, and the poetic form of the canto, merging them with the neurotic consciousnesses of their protagonists, …